As I write this on a dreary gray day of winter, my home’s second floor office area overlooks the detritus of what were planting beds and shrubbery that are now in their winter slumber before spring comes again.  My flowering plants have crew cuts that disclose no hints of their spring finery and the dead shrubbery that succumbed to last winter’s weather must be dug up. This will alter my landscape and clearly it is time to bring in a professional for planning help. Landscaping is cyclical, of course, and winter is the optimum time to work with a landscape planner to assess your lawn and garden to get ready for spring planting.  

So many things to consider! What plants need to be moved?  What would be the best replacements for dead plants or shrubs given the sun, shade and soil conditions?  How to best build upon the three-dimensional aspect of the garden, keeping in mind the maximum height and breadth of plants and shrubs so each mature plant or flower can be appreciated when in full bloom? It is time to add more hardscape or perhaps a pergola?  As Charlie Brown was fond of saying, “Aaaaagh!) 

To inspire me, I recently visited the landscape designer Jan Kirsh in her studio to discuss winter planning.  As we talked, we both realized our approach to design is quite similar-as I do with my architecture clients, Jan first visits the site to evaluate the sun path, prevailing breeze, existing conditions, drainage issues, privacy issues, outlook from the house to the garden and vice versa, shade, hardscapes, etc. She takes extensive photographs and measurements of existing conditions that will guide her design process. After she has absorbed the project challenges, she sits down with her clients on-site and engages them in a conversation about their wish list for the garden and their target budget. 

She showed me one project in St. Michaels’ Historic District that beautifully illustrated her design process.  The owners retained Jan to transform both their street side front yard and fenced rear yard off an alley. Jan’s design drew inspiration from the house’s exterior color palette of blue and yellow. For the front garden beds, she added a native shrub, itea virginica, along with spring blooming spirea, and an ornamental grass, the dwarf form of Miscanthus Zebrina, which has yellow and green striped foliage. A remarkably hardy clump of Pretoria ‘Bengal Tiger’ tropical cannas adds to the colorful summer show. The Owners requested that Jan include space so summer annuals or fall pansies can be added to further play off the house colors.

The rear yard needed Jan’s creative skills for both landscape and hardscape. She first added a parking area at one corner and an equally sized area for a small garden shed at the opposite corner for symmetry. The original wood steps from the house to the yard were removed and Jan designed a new brick landing and steps beyond the French doors. To solve drainage issues, the original brick patio at the bottom of the steps was removed and replaced with a higher brick terrace. The former rectangular planting bed was replaced with a water feature that is on axis with the center point of the French doors at the rear of the house.  

Jan continued and deepened the serpentine form in front of the fencing that was painted white as a backdrop for the colorful plants.  The existing pear tree at the top rear of the yard was relocated and Jan incorporated the existing shade trees along the perimeter into her design.

I especially liked Jan’s design for the garden shed that was designed to blend with the neighborhood vernacular outbuildings along the rear alley. The garden shed matches the house’s architectural style, light yellow siding and white trim color. Details included a bright blue half French door with a transom above flanked by two small 2/2 windows with pendant downlights. Now the garden shed is a visual destination and not just a storage area.

The serpentine planting areas with their low bushes were transformed by plantings of different ascending heights to just underside the top rail of the white fence with its arrowhead points as a backdrop.  New plants added texture, variegated leaves and color. The juxtaposition of the spherical pink hydrangeas (one of my personal favorites) against the tall, spiky pink astilbe is a great example of variety without a change of color.

Now the owners can relax on their brick terrace that extends into the garden for 180 degree views of the colorful serpentine borders and listen to the soothing sounds of water accompanied by the songs of birds.  Even a relatively compact urban yard like this one can be transformed into a verdant oasis with the creative talent of a landscape designer.  

Jan enjoys working with small spaces and their corresponding budgets as much as the waterfront estates for which she is best known.  She is also available for a one-time consultation if a garden enthusiast needs to discuss their ideas, so I will be seeking her assistance for my small planting areas to enhance my property!

Known for functional, artful four-season gardens, Jan Kirsh has worked collaboratively with clients for over 30 years to bring her unique hardscape and planting style to homes on the Eastern Shore and beyond. Ever conscious of the existing architecture and surrounding site, Kirsh’s successful garden making experience allows for dramatic results, whether she is providing a quick on site consultation, staging a home for sale or drawing a master plan.  She delights in turning her clients dreams into reality. 

A portfolio of her landscape work can be seen at her website www.jankirshstudio.com or contact her at 410-745-5252 (o),410-310-1198 (c) or email at.jankirshstudio@gmail.com.

Jennifer Martella has pursued her dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. Her award winning work has ranged from revitalization projects to a collaboration with the Maya Lin Studio for the Children’s Defense Fund’s corporate retreat in her home state of Tennessee. 

The Mid-Shore Board of Realtors (MSBR), which is comprised of Realtors and affiliate members on the Eastern Shore, recently announced the creation of an exciting new Clean Water Committee.  The idea for the Committee was born during a Critical Area workshop entitled “Water Quality and Property Values” conducted for local REALTORS by the ShoreRivers organization based in Easton.  The featured speaker in this class was Cory McCloskey, a REALTOR from Naples, Florida, who spoke about the red tide/algae blooms in her area’s rivers and how this has negatively impacted property values and, more importantly, the health and daily life of residents in the area.

Counted among the many in attendance at the class were Judy Germain-Dinges, the newly installed President of the MSBR, local Realtor Janet Larson and MSBR Executive Director Debbie Leber.  Judy had witnessed the red tide while visiting family on the Caloosahatchee River–precisely the case Cory discussed during her presentation. The thought that this could happen in our Chesapeake Bay watershed was highly disturbing to Judy.  Germain-Dinges recalls, “I thought of the great opportunity for the MSBR members to continue in their community stewardship role to do something meaningful to address this vital concern.”

L-R: Rick Van Emburgh, Town of Easton Engineer; Deb Leber, Executive Director MSBR, Janet Larson, Chair of the Clean Water Committee, Judy Germain-Dinges, President of MSBR and Easton Mayor, Bob Wiley.

At the same time Janet Larson was impressed with Cory and her committee’s accomplishments in Florida and thought a similar Realtor-based group here on the Mid-Shore could contribute a great deal to our local clean water efforts.  Janet’s pre-real estate background included legislative responsibility for environmental issues for two US Senators during the 1980s.  “The issues covered in this class took me back to my work on the hill and rekindled a fire to take more responsibility as someone who not only enjoys our waterways but is able to make a living here on the Mid-Shore in large part because of our incredible natural resources” said Larson.

During a break Germain-Dinges, Larson and Leber talked about forming a group that would provide information and resources to the MSBR REALTOR membership to help them educate and inform their clients on clean water topics from septic system maintenance to Bay Friendly yard practices.

MSBR quickly established the Clean Water Committee and is building its’ membership to include Realtor and affiliate members as well as creating an Advisory Committee filled with experts in the field. Germain-Dinges announced the formation of this committee during her installation in September.  Easton Mayor Bob Willey was present and arranged a meeting with Germain-Dinges, Larson, Leber and Rick Van Emburgh, Town of Easton Engineer to discuss the progress Easton has taken in stream restoration. Leber noted the meeting with the Mayor and Town Engineer “was the committee’s initial outreach; it is exciting to see the work done in Easton and the thought and planning that is required.”

For more information on the MSBR Clean Water Committee please feel free to email Janet at Jlarson@BensonandMangold.com.

“Maple Leaf,” a watercolor by Lee D’Zmura.

Join artists Lee D’Zmura and Anna Harding for botanical art programs offered this fall at Adkins Arboretum.

Color Pencil I is a three-part series offered Fridays, Oct. 18 to Nov. 1 from 10 a.m. to 3:30 p.m. Participants will learn basic color pencil techniques through demonstrations, exercises that explore application and tonal effects, and individual projects. The program is $165 for Arboretum members and $195 for non-members. A list of materials is provided.

In Watercolor: Fall Leaves, participants will learn how botanical illustration depicts the botanical features of the subject while expressing its unique character through composition, design and interpretation. The workshop will explore the wonders of color and the fragility of the fall leaf; students will produce a study of a single leaf. The program is Fri., Nov. 15 from 10 a.m. to 4 p.m. It is $65 for Arboretum members and $80 for non-members. A list of materials is provided.

D’Zmura and Harding will co-teach both programs. An award-winning botanical artist whose experience as a landscape architect enriches her watercolors, D’Zmura received her certificate in botanical art from the Brookside Gardens School of Botanical Art and Illustration. Her work is in collections throughout the country. Harding, who has studied botanical art for nearly a decade, works on paper and drafting film with colored pencils and graphite. She is a member of the St. Michaels Art League and the Working Artist Forum.

Advance registration is required at adkinsarboretum.org or by calling 410-634-2847, ext. 0.

Adkins Arboretum is a 400-acre native garden and preserve at the headwaters of the Tuckahoe Creek in Caroline County. Open year round, the Arboretum offers educational programs for all ages about nature and gardening. For more information about programs, visit adkinsarboretum.org or call 410-634-2847, ext. 0.

The Spy is very pleased to announce its Fall Fundraiser, a tour of homes in the Easton, MD, Historic District and environs. This event will be held each fall to celebrate Habitat’s focus on distinctive architecture, interiors and landscape/gardens in Talbot County. This year’s inaugural tour is Sunday, October 6, from 1:00 pm to 5:00 pm.  The ticket cost for all six houses is $30/person. To purchase tickets, click here.

The Spy Habitat’s Editor, Jenn Martella, has carefully selected houses in a range of architectural styles from an early 20th century bungalow in Easton’s Historic District to a stunning contemporary design on the Tred Avon River. Two houses have been featured in the Spy as a “House of the Week” and one was featured in Jenn Martella’s article on the architecture of William Draper Brinckloe, who designed many charming period cottages. Tour highlights include:

11460 Old Cordova Rd, Easton, MD: Atelier 11 Principals Jon Braithwaite and Lauren Dianich bought eighteen acres of farmland in Cordova and designed a new home for themselves and their two pre-school boys. To the delight of their sons, their creative parents added design surprises -look for the ladder bookcase that leads to a “secret hatch” to the attic area with its circular window.

For family fun, they enhanced the pastoral site with a pond by the tall willow tree and stocked it with fish, planted a heritage orchard with trees for climbing that also bear fruit at different times throughout the summer season and a meandering walking trail through the property.

The house design evokes the simple form of the Federal style blended with imaginative contemporary details such as casement windows and transoms that stretch to the underside of the 10 foot ceilings and the wide chimneys with a third floor window tucked in between its double flues.

10205 Kintore Dr., Easton, MD

Charles Thornton is one of the founding partners of Thornton Tomasetti, an engineering consulting firm with fifty offices throughout the world. When he and  his wife Carolyn retired to Talbot County, they retained the DC architect Alfredo de Vido to design them a unique home in its rural setting. The indefatigable Charles’ next project was to start the ACE program, a series of  after-school sessions that expose high-school students to the fields of architecture, construction and engineering. The Thorntons have generously hosted “fun-raisers” for that organization in their uniquely designed home.

The multi-level house has a center wing that is primarily glass with side wings that cascade down to the ground level.  In contrast to the center glass façade, the side wings are clad in siding and conventional windows.  Many built-ins and seating are incorporated into the interior architecture and the multiple levels offer myriad vistas for enjoying the spatial volume of the soaring center wing with its rear wall of glass open to the water views. 

One Dover St:   The Daylight Building: Atelier 11 At Home and At Work

Atelier 11 Architects’ new studio for their firm and an apartment on the third floor for the firms’ principals is the perfect example of what Easton’s new Arts and Entertainment District makes possible by offering the perfect opportunity for an artist or other creative entrepreneur to benefit from the tax related incentives created by this new designation.

The historic Daylight Building that anchors the intersection of Dover and Washington Streets has an angled entry door and a slightly recessed porch formed by the arched columns that meet at the corner.  Large picture windows on the ground floor are the perfect showcase for the firm’s architectural models that attract attention from passers-by.

The second and third floors of the building are clad in red brick and have a rhythm of large windows with black shutters for a very appealing façade.  A private elevator takes you to the foyer of this apartment with views of the urban landscape below including the Courthouse and Thompson Park. Light streams in from the large windows and is the perfect get-away from work deadlines below. 

206 S. Harrison St, Easton, MD: Georgian Spendor

This stately home built in the 1920’s on over a half acre in the heart of Easton’s Historic District offers the charm of its Georgian architectural style with an addition that updates the house’s floor plan for today’s lifestyle without compromising the historic street façade or the original interior architecture of the house. The off white stucco is accented by deep blue shutters and the multitude of windows open up the house to the landscape.

The original part of the house contains the entrance hall dominated by a curved stair, the dining room, living room and sunroom that make great entertaining spaces. The addition incorporated a large gourmet kitchen, informal dining,  family room, ground floor master suite, screened porches and a garage off the alley. The second floor addition created another sumptuous master suite and a roof deck overlooking the lawn and garden.

538 S. Aurora St., Easton, MD: Period Bungalow designed by William Draper Brinckloe, Architect

Earlier this year, I wrote an article to express my deep admiration for the exquisite Period bungalows designed by the Architect William Draper Brinckloe, who lived in Easton from 1911 to 1933.  Aurora Street has several of his designs that create a delightful streetscape.  All of the one and a half storied houses are clad in brick with tile roofs. No cookie-cutter houses here-Brinckloe varied the roof forms, dormer types, number of windows, etc. so each house is unique. The bungalow on this tour is loaded with style,  charm and original details like the flared gambrel roof broken by a wide shed dormer with a pair of square windows flanked by a longer rectangular window on either side, the cast iron window frames and the first floor bay windows with transoms above.

Don’t miss the irresistible main floor octagon room that the owner has furnished as a sunroom. She also removed the full height shutters on either side of the door to reveal the cast concrete quoins of Brinckloe’s original design.  Now the front façade fully illustrates the design intent of this master architect.

27950 Tred Avon Rd., Easton, MD

From the street, this house is camouflaged by its dark paneled walls and surrounding landscape. Mitch Hager firmly believes design begins with the site- studying the path of the sun, geological conditions, the use of indigenous plants, etc., that begin to establish a sense of place; the art of craft-how to be innovative in the materials to be used; and Tectonic Culture, or the artistic expression of the materials.

When I visited this house, the dramatic butterfly roof over the simple rectangular floor plan had a dual purpose not only of shelter but also a very practical function-high winds flow over it unlike conventional pitched roofs that are vulnerable to uplift when subjected to hurricane force winds. At the front side of the butterfly roof, clerestory windows allow light within while providing privacy.  At the rear side of the butterfly roof, the high wall of the butterfly form with its exposed structural frame is infilled with panels of glass for panoramic views of the Tred Avon River.

The concrete floors, exposed aggregate polished stone blocks for interior walls and the stainless steel industrial kitchen are just a few elements of this extraordinary house.

I have a particular fondness for the “Period” style of American architecture from the early twentieth century. Partly as a reaction to the previous elaborate Victorian style, these Period homes were compact, with space plans defined by separate rooms according to function. Designs were inspired by English Tudor, Colonial Revival, French Colonial, Spanish Colonial, Bungalow and Craftsman styles. Two of my favorite Period houses in Easton’s Historic District are a bungalow on Washington Street and a Dutch colonial on S. Harrison Street.  After some research, I discovered they were designed by the same architect, William Draper Brinckloe, who lived to Easton from 1911 until his death in 1933. He was also an author of two books, “The Small Home” and “The Volunteer Firemen”. In his book “The Small Home” he mentions that he is designing a small bungalow for his family which became known as the “Dutch Cottage” on Harrison Street.

“A Small Home” is out of print but through the Easton Library’s loan program, I obtained a copy that was invaluable to me in my research. Brinckloe discusses sixteen categories of planning and building a house and includes plans and perspectives of sixty of his charming designs. I chuckled when I saw rooms on several plans named “sewing room” as my sewing skills are limited to sewing buttons or fixing hems!  As a veteran of many home makeovers, his chapter on “Making Over the Old Home” had a simple rule “Do as little tearing out as possible; remodel by building on new work, rather than by changing old” and my architectural practice has endeavored to adhere to that rule. I then wryly read his comment that he “…specialized on remodeling to some extent; and I have probably done more of it than my brother architects”. Little did he know that today all but one of Easton’s architectural firms have women principals.

åBrinckloe also designed several commercial projects, including renovations to the landmark Stewart Building that the Prager Group has updated to become the Jewel in the Crown of Federal Street. Brinckloe’s design for the brick building near the corner of Dover and Aurora Streets is simply delightful.  Red brick with accents of white banding between the lower floor windows and the arched transoms, the recessed archway that is an open vestibule to the French entry door beyond, three single windows that step up in tune to the stairway and two pairs of four window units create a lively façade. I especially liked how the white lintel band created a small open transom for the vestibule beyond. The wall above the stairwell rises above the parapet and is crowned with an arched top that steps down to the adjacent roof.  The second floor windows are covered by a deep shingled roof overhang and enhanced by window boxes below.

In addition to Brinckloe’s designs for the Washington and Harrison Street residences, Aurora Street has a row of his Period designs across from Idlewild Park.  When I was active in real estate, I showed the irresistible red brick bungalow with a tile roof. The roofline flares at the front elevation and a wide shed dormer creates space for a second floor.  I loved the symmetry of the front elevation with two pairs of shed roof dormer windows that were centered over the front door below and the end windows that were centered over the wide bay windows below that are tucked under the wide soffit.  The exquisite one-story semicircular bay wing on the right of the house is surrounded by continuous windows for sunlight and views of the park.`

The other Aurora Street bungalows are equally charming with their brick facades and the variety of roof styles that create a delightful streetscape. One house has a hipped roof with two dormer windows and a front porch gable flanked by two pairs of windows.  The center and each end of the elliptical window headers are accented in white to match the façade’s white quoins. Another house has lighter brick with white quoins and two shed dormers in its tile roof. The third house has a gambrel roof, double window dormers above an asymmetrical façade of a triple window bay with quoins, front door and double window. The fourth house is a lovely elongated façade of light brick with white quoins, the entry porch at one side, a wide shed dormer that meets the front wall of the main floor below and a single window wing at the end.

I was very fortunate to have tours of both the Washington Street bungalow and the Harrison Street “Dutch Cottage” that Brinckloe once called home. The Washington Street bungalow is the last illustration of his book. Brinckloe wrote that “the living room is particularly attractive with its curved ingle-nook bordered by bookshelves” and it has remained so. I absolutely love the front elevation with its gable front, deep eave broken by an “eyebrow” to mark the front door, the deep wrap-around porch with its wide, flared columns, the hipped roof wing next to the gable with a triple window-a perfect example of proportion and style that has been lovingly maintained by its current owners.  

Brinckloe’s “Dutch Cottage” residence is set back and angled from the street for privacy. A weathered wood fence along the street frontage is broken by a curved brick path that leads to a gate in the fence. After a short walk through the landscape you cross over a bridge where a stream once bisected the property. You arrive at the two-story gambrel roofed cottage that is sited parallel to the dry stream bed for maximum privacy from the street. The exterior walls are painted dark gray that disappear into the landscape and the crisp white multipaned windows, trim and pale brown shutters are appealing accents.  The front door opens to a view of the stairs that split at the landing in two directions. The dining room has a fireplace with a surround of Delft tiles and an arched niche above for family photographs. One bedroom is tucked under the eaves with a triple window dormer for sunlight.

Brinckloe’s home will be featured in the first Fall Spy House Tour of Homes on Sunday October 6th.  Homes will be designed by architects and interior designers  in a celebration of Talbot County’s great architectural heritage, past and present. Stay tuned to the Spy for more information.

Many thanks to the owners of the Washington Street and S. Harrison Street residences who graciously welcomed me into their homes and shared their photographs.

I am indebted to my friend, the artist Carol Minarick, for leading me to the work of this gifted architect of an earlier generation.  I am also grateful to the architect Charles Goebel for his help during my research.

Exterior Photography by Ted Mueller, tedmuellerphotography@gmail.com, 443-955-2490

Spy House of the Week is an ongoing series that selects a different home each week. The Spy’s Habitat editor Jennifer Martella makes these selections based exclusively on her experience as a architect.

Jennifer Martella has pursued her dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. Her award winning work has ranged from revitalization projects to a collaboration with the Maya Lin Studio for the Children’s Defense Fund’s corporate retreat in her home state of Tennessee.

This year, the architecture and interior design firm Atelier 11 celebrates twenty-five years of design excellence in architecture and interior design.  Notable projects include the Eastern Shore Land Conservancy Building Complex, the Talbot Hospice building, the Community Center at Londonderry and Evergreen Cove as well as numerous new residences, seamless addition and renovations.

The ESLC complex was unique for its sustainability and for its being a historic building that now has a new life to house the ESLC offices and other non-profits.  Glass interior walls encourage collaboration and the stained concrete floors and brick walls are preserved elements of the building’s early days. The building’s welcoming form, colors and sunny interior spaces of Talbot Hospice have drawn back many people whose loved ones spent their last days there. Many people return to visit the chapel or stroll the grounds and feel the presence of their loved ones.

The Londonderry Community Center was an opportunity to provide an environment for residents to socialize or to try a new skill including dance, art, crafts, or attend lectures to exercise the “little grey cells” as Agatha Christie’s famous detective, Hercule Poirot, was fond of saying. Evergreen Cove was an opportunity to literally think “outside the box” of a brick rancher.  Atelier 11’s solution opened up the box to nature and is a peaceful setting for yoga and other healing arts.

What many Talbot County residents may not know is the firm has also made a significant contribution to urban design. When they built their office at 11 S. Aurora Street in 2002, the East End needed revitalization to eliminate vacant lots and to renovate the existing housing stock before structures deteriorated to the point that demolition was necessary.  They constructed their building in the middle of a vacant block and opened for business.

Slowly but surely other building owners or investors followed Atelier 11’s pioneering lead and rescued this neighborhood to give it a solid future. After completing their building, Atelier 11 added development to their list of services. They designed and built two new houses on lots near their building to knit the streetscape back together. Now that the Easton Town Council has voted to approve the creation of an Arts and Entertainment District, the availability of tax credits will ensure the East End will continue to thrive.

Their office building is also an example of how good design matters in creating a building that can adapt to changing economic times and uses. When the housing and real estate crash occurred in 2008, firms in Easton had to make painful choices about staff but luckily Atelier 11 retained core staff. They consolidated their office on the second floor and opened a gallery on the first floor.

After five years of having a second office in Lynchburg, VA, to add University work and downtown development projects to their repertoire, the firm converted their Easton building to a live-work space and relocated staff to a studio at the corner of Washington and Dover Streets. Now on the market, 11 S. Aurora St. could be a gallery/living space, a single family residence, or a commercial building. As Principal Architect Lauren jokingly remarked to me, “it is probably the only residence that has a fully compliant ADA bathroom on the first floor.”

On the day I visited, one of the firm’s associates, Tom Batchelor, gave me a tour of the completed construction.  I had always admired the distinctive front door mat created by embedding rounded edged stones into mortar that provides a distinctive way to remove mud from one’s shoes.  The former reception area now becomes a spacious entrance hall with filtered light from both the front French door and sidelights and from the stair landing beyond. The ADA compliant restroom now is a full bath with the renovation of an adjacent storage room for an ADA shower. The former studio space has been transformed and could be an open plan living-dining-kitchen or a studio area . The rear high windows at the South Street side of the building filter sunlight in while maintaining privacy. The former Principals’ two offices are now a bedroom and a den.

As we climbed the stairs to the second floor, we paused at the landing with its dramatic large window overlooking the surrounding neighborhood. I asked Tom how many buildings we could see that had been renovated since Atelier 11’s pioneering building. He told me the firm had actually compiled a map that showed over seventeen buildings which is an amazing statistic.   

The second floor now contains three bedrooms, one of which is a spacious master suite.  The overlook to the first floor has been maintained and also provides light into the hall from the window at the side wall. The master suite has a French door to a terrace with a stair down to the sidewalk along South Street and would be a great space for sunbathing. Opposite the terrace is the “Tower”, a two-story rental unit with living, dining and kitchen on the first floor and a bedroom and bath on the second floor.

Co-Principals  Jon Braithwaite and Lauren Dianich divide their time between offices according to who is the lead on projects.  The next generation of Atelier 11 will continue under the leadership of senior staff of Christian Chute and Tom Batchelor and support staff in both offices.  Happy Anniversary to a talented team of architects and interior designers who have been responsible for some of Talbot County’s best design work, and for the community service that is part of the firm’s mission.  Bravo!

For more information about this property, contact Kelly Showell with Benson & Mangold Real Estate at 410-822-1415 (o), 410-829-5468 (c) or kshowell1958@gmail.com, “Equal Housing Opportunity”.

Jennifer Martella has pursued her dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. Her award winning work has ranged from revitalization projects to a collaboration with the Maya Lin Studio for the Children’s Defense Fund’s corporate retreat in her home state of Tennessee.

Last winter when gardens were dormant, I featured the colorful garden sculptures of landscape designer Jan Kirsh.  Since 2009, her fruit and vegetable collection has grown to include artichokes, asparagus, carrots, eggplants, figs, pears and peppers that have enlivened the gardens of many Eastern Shore residences and galleries. This month she unveiled her new 36” tall pineapple sculpture and has already installed two of them on top of brick posts that flank the entrance gates of a fabulous vegetable garden south of Annapolis. The pineapple has long been regarded as the symbol of hospitality and Jan’s creative and whimsical interpretation with lime green foliage, undulating texture and bold tropical colors make her pineapple design a distinctive addition to her collection.

Jan moved to the Eastern Shore in 1978 and quickly made a name for herself as a talented landscape designer. As her garden design practice flourished and evolved, she found that her clients often requested that she  help them site existing sculpture and/or art objects in their gardens as part of her landscape design effort.

That facet of her work was fun and challenging and inspired her to return to her sculptural roots and to create fruit and vegetable pieces that could be incorporated into the gardens she designed. The best of both worlds for Jan is to design and then build a garden that includes a custom piece of her sculpture especially suited for the location.

Not one to rest on her laurels, Jan also has designed a line of 3-D printed jewelry including the popular halved fig in bronze and steel with Swarovski crystals that  add significant sparkle. Jan will soon launch an e-store where fans can purchase the jewelry, fruit and vegetable sculptures or commission a custom piece.

After seeing Jan’s luscious pineapple, I was reminded of the duet from “Cabaret” about another pineapple that was a gift from a suitor to his lady love:

“If you brought me diamonds,

If you brought me pearls,  

If you brought me roses like some other gents

Might bring to other girls-

It wouldn’t please me more

Than the gift I see

A pineapple for me…:

Whether you are seeking a pineapple for your garden or a gift for the gardener in your life, what better way to perk up your garden this spring with the exotic and colorful pineapple?

A portfolio of her landscape work can be seen at her website www.jankirshstudio.com or contact her at 410-745-5252 (o),410-310-1198 (c) or email at.jankirshstudio@gmail.com. “It Couldn’t Please Me More”, from the musical ‘Cabaret’, music by John Kander and lyrics by Fred Ebb.

Spy House of the Week is an ongoing series that selects a different home each week. The Spy’s Habitat editor Jennifer Martella makes these selections based exclusively on her experience as a architect.

Jennifer Martella has pursued her dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. Her award winning work has ranged from revitalization projects to a collaboration with the Maya Lin Studio for the Children’s Defense Fund’s corporate retreat in her home state of Tennessee.