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July 20, 2025

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1 Homepage Slider Local Life Food Friday Spy Journal

Food Friday: Getting Back to Grilling

May 23, 2025 by Jean Sanders

Here we are again—on the cusp of summer, on the eve of grilling season, keeping watch for fireflies, swatting early mosquitoes, and planning the Memorial Day cookout. I’m looking forward to a gathering of old friends on the back porch, with songs from college playing in the background as we laugh and scarf bowls of chips like it was still the good old days of few consequences.

As we catch up with our merry band, hearing about new babies, new homes, young lives in big cities, I wonder, as one does, if we made the right choices along the way. Maybe we would have been happier with an urban life. And then I read magazine articles and feel smug about our life decisions. I was never destined to be a West Village Girl – looking for frozen espresso martinis while posting influencer content to TikTok. I was never going to be someone who worked in finance, and I never would have strolled into the short-lived Brooklyn Mischa restaurant this Memorial Day Weekend, and plunked down $29 for a hot dog. Nope. I think I plunked down about $29 for our entire cookout. For that kind of money, I’d rather learn to love caviar.

Instead meeting at an au courant bistro in the West Village in NYC, we will gather on the back porch, where we have a few Adirondack chairs (which are never as comfortable as they look). I love these al fresco nights, as we elude those pesky mosquitoes and enjoy fluttering candles and swaying strings of white lights. We can watch the last of the sun’s rays gilding the tops of the pecan trees, and the bellies of the robins as they squabble in the back yard. There is time to slow down and the enjoy the lengthening navy shadows. There is no television news in the background. It is a pleasantly warm and humid summer evening. Far away you might hear a hint of distant thunder growling.

We aren’t going to serve anything extravagant this weekend, just our old reliable favorites: hamburgers, hot dogs, corn-on-the-cob, potato salad, green salad, and strawberry short cake. Also, chips and classic 1950s French onion dip, with WASPy bowls of radishes, cucumber spears, celery and carrots for karmic balance. There will be beer. No Aperol spritzes or frozen espresso martinis. Welcome to summer. Welcome to ordinary America— no fancy pants West Village girls here!

This is the best sort of holiday meal, one that doesn’t require numerous trips to the grocery store for elusive exotic ingredients, or perusing cookbooks. Jacques Pepin and Alice Waters can sit sullenly on the bookshelf – these are tried and true dishes that vary little from year to year, or really from family to family. I sometimes miss the dry, charred, hockey-puck-hamburgers of my childhood, but I must say that Mr. Sanders can flip a mean burger. And I still make my mother’s potato salad. Maybe you’ll grill brats, or have a watermelon or lemon meringue pie. Maybe your family always grills chicken. Be sure to enjoy yourselves!
We will be trying one new dish as Mr. Sanders does love a challenge: grilled artichokes. In preparation, he has even cleaned the grill for the new season. Bring on summer! We’ll see you at the farmers’ market!

Food52 Grilled Artichokes

Food and Wine Grilled Artichokes

The Schmidty Wife Artichokes

We will be sticking close to home this weekend – we are painting a bathroom for a well-intentioned family project – so we will be flipping our burgers and watching the fireflies dance here. Heat up your charcoal briquets, enjoy your crab feast, fry up a batch of chicken, spike a cold watermelon, melt a batch of s’mores, enjoy the Chestertown Tea Party, wave your flags at the parades, and remember the brave souls who gave their all.

“Summertime is always the best of what might be.”
― Charles Bowden

Hints from the New York Times for effective grill cleaning.


Jean Dixon Sanders has been a painter and graphic designer for the past thirty years. A graduate of Washington College, where she majored in fine art, Jean started her work in design with the Literary House lecture program. The illustrations she contributes to the Spies are done with watercolor, colored pencil and ink.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Food Friday, Spy Journal

Looking at the Masters: Imogene Cunningham

May 22, 2025 by Beverly Hall Smith

Imogene Cunningham (1883-1976) was the fifth of ten children born to Isaac Burns and Susan Elizabeth Cunningham. Born in Portland, Oregon, and raised in Seattle, Washington, she was inquisitive and interested in everything. She graduated with honors in 1907 from the University of Washington, having majored in chemistry. She was elected to membership in the Alpha Chapter of Pi Beta Phi. 

In 1901, Cunningham purchased for $15 a 4”x5” view camera, and she enrolled in the correspondence course to learn how to take pictures. She earned some of her college tuition by photographing plants for the botany department. With the help of her chemistry professor, she learned about photographic processes. Her graduation thesis was titled “Modern Processes of Photography.” After graduation, Cunningham worked for Edward S. Curtis (1868-1952), one of America’s premier photographers of the American West. She learned platinum printing and assisted in the production of his book The North American Indian. 

 

“Wood Beyond the World I” (1910)

Cunningham was awarded in 1909 a Pi Beta Phi Graduate Fellowship to study photographic chemistry at the Technical University in Dresden, Germany. Her aim was to discover a printing solution that was less expensive than platinum, then in use. Her final paper was “About the direct development of platinum paper for brown tones.” Her process increased printing speed and the clarity of highlights, and produced sepia tones. On her return home, she met noted American photographers Alvin Langdon Colburn (1882-1966) in London and Alfred Stieglitz (1864-1946) and Gertrude Kasebier (1842-1934) in New York. Cunningham opened her photographic studio in Seattle in 1910, and she quickly became successful.

“Wood Beyond the World I” (1910) (13.5’’x9’’) (gelatine silver print) likely was influenced by Kasebier’s hazy photographic images of imaginary worlds described in the legend of King Arthur. The Wood Beyond the World (1894) was a fantasy novel written by William Morris (1834-1896), the English Pre-Raphaelite artist, who established the William Morris Company that produced fabric and wallpaper prints still popular today. Cunningham’s photograph is a depiction of the enchanted wood where an unhappy husband encounters a mysterious maiden. Achieving the soft focus with just the right amount of contrast between dark and light is complicated. The photograph presents the viewer with a dreamworld.

 

“Two Callas (1925)

Cunningham was the first woman photographer to have an exhibition (1913) at the Brooklyn Academy of Arts and Sciences. Her portraits were included at An International Exhibition of Pictorial Photography in New York in 1914. Wilson’s Photographic Magazine published a portfolio of her work.  She married Roi George Patridge in 1915, and they had three sons. They moved to San Francisco in 1917. Patridge began to teach art at Mills College in Oakland, California, in 1920.

While raising the children, Cunningham began her close-up botanical photographic series. She planted a garden in order to study various plants. “Two Callas” (1925) (20’’x16’’) (gelatin silver print) represents her transition to sharp-focused prints. She said, “The reason during the twenties that I photographed plants was that I had three children under the age of four to take care of, so I was cooped up. I had a garden available and I photographed them indoors. Later when I was free, I did other things.” At this same time, Georgia O’Keeffe was painting her large-scale, close-up flower details. Since both artists were in the Stieglitz studio, there was much speculation about the connection of their work.  Although they knew each other and each other’s work, neither artist was influenced by the other. “Two Callas” has become an iconographic Cunningham image. The negative had been lost for many years until she found it in 1973. She made several more prints before her death.

 

“Magnolia Blossom” (1925)

“Magnolia Blossom” (1925) (11’’x14’’) (gelatin silver print) is one of several studies of magnolia plants. The detail of the stamen and pistil is precise, and the more delicate curves of the petals provide a marvelous contrast.  

Cunningham co-founded Group f/64 with Ansel Adams and Edward Weston on November 15, 1932.  f/64 is the smallest focal aperture on a camera. Rather than moving in an abstract direction, like the New York photographers, f/64 wanted precision “pure and straight.” According to Cunningham, “f/64 is not only American, it is Western American. It isn’t even American. It’s western…This does not mean that we all used the small aperture, but we were for reality. That was what we talked about too. Not being phony, you know.” The group of eleven photographers held their first exhibition in 1932 at the De Young Museum in San Francisco. 

Cunningham founded the California Horticultural Society in 1933. Her photographs of plants were so detailed that they often were used by horticulturalists and other scientists in their work. 

 

“Alfred Stieglitz at An American Place” (1934)

Cunningham’s photographs during the 1930’s and until the 1960’s were mostly portraits. “Alfred Stieglitz at An American Place” (1934) was commissioned by Stieglitz (1864-1946). He established Gallery 291 in New York City, and it was the place to be if you were a modern American painter or photographer. Cunnigham and Stieglitz met in 1910. He supported her work, collaborated with her on projects, and the two formed a close working relationship. Stieglitz operated his New York City gallery, An American Place, from 1929 until his death in 1946. Stieglitz chose to stand in front of a painting by his wife, Georgia O’Keeffe.

Among the American modernist painters Stieglitz promoted were Arthur Dove, John Marin, Marsden Hartley, Charles Demuth, Paul Stand, and O’Keeffe. He also introduced Americans to the work of some European modernists such as Manet, Toulouse-Lautrec, and Matisse. 

 

“Martha Graham” (1935)

Her success in portrait photography resulted in an invitation to Hollywood in 1930 and in 1932 to do portraits for Vanity Fair, Sunset, and other magazines. Cunningham tried out color photography for some of the Sunset pictures. Some examples of Cunningham’s portraits are those of Frida Kahlo, Gertude Stein, Cary Grant, and Spencer Tracy.  Cunningham enjoyed capturing the motion of the human body, “Martha Graham” (1935) is one of many portraits she made of Graham.  She works here with a double negative, one a facial portrait and the other a simple dance move. The sharpness in the face is contrasted with the soft focus of the dance pose, allowing two aspects of Graham’s personality to be shown. Cunningham explained, “One must be able to gain an understanding at short notice and close range, of the beauties of character, intellect, and spirit so as to be able to draw out [their] best qualities…”

 

“Where Children Play” (1955)

Cunningham and her husband were divorced in 1934, and the burden of supporting herself and her three sons caused her to diversify subjects in her work. She began taking pictures of industrial sites, and she took up street photography and documentary work. “Where Children Play” (1955) (8.7”x7.1”) revealed the love of her children and her social consciousness. As always, the photograph sends a clear message. The young boy stands alone in the doorway of a shack. A ragged awning hangs from the top of the door. Trash lies on the ground. Cunningham’s ability to spot a moment in time that depicts a message was always with her. She called these street pictures her “stolen pictures” She tried to hide herself so the subject was unaware of her presence. She still was using the same small 4”x5” view camera.

Cunningham was invited by Ansel Adams to take a faculty position in the photography department at the California School of Fine Arts.  Dorothea Lange and Minor White, both photographers for President Franklin Roosevelt’s Works Project Administration, also were on the faculty. Her own work and her teaching position allowed Cunningham to travel to Paris and Europe in the1960s. The Paris “stolen pictures” were taken with her Rolleiflex.

 

“Self Portrait on Geary Street” (1958)

Cunningham photographed a wide variety of subjects, including herself. Her first self-portrait in 1906, when she was in college, was nude.  “Self Portrait on Geary Street” (San Francisco) (1958) (gelatine silver print) (8”x7”) captures two sides of her work. Through a glass storefront window, an assortment of objects can be seen: a curtain rod, a white glass lamp globe, and a broken chandelier. The diagonals created by the large window pane, the objects on the floor, and the sunlight through the window lead the viewer’s eye directly to Cunningham, standing behind the glass. The storefront is in sharp focus.

Cunningham stands in the doorway area of the shop, behind the glass window, placing her in softer focus. She wears a dark cloak and carries her small camera. Behind her is the other shop window that also contains an assortment of objects, including plates and a knick-knack shelf.  That side of the shop window is soft-focused. The circular shapes of objects and Cunningham are in contrast to the straight edges of the windows and doors. This found subject, as was always the case with Cunningham, contains numerous elements to ponder. 

Cunningham constantly struggled with her reputation because she was a woman, and women were considered by many not to be as good as men. She joined San Francisco Women Artists, organized to support, promote, and increase women’s role in the arts. She was a resource for women artists, offering advice and connections in the art and business worlds.

She applied for a Guggenheim Fellowship in 1964 when she was 81 years old, but she was turned down.  She was awarded the Fellowship in 1970 when she was 87. The $5000 award allowed her to make new prints from her old negatives. During these years she was awarded several honorary doctoral degrees and was given important solo exhibitions. “Imogene Cunninham Day” was proclaimed by San Francisco mayor Joseph Alioto on November 12, 1970. In 1973 the San Francisco Art Commission declared her Artist of the Year.

 

After Ninety (1977)

Cunninham never stopped finding new subjects to photograph. In 1975 she started what she thought would be a two-year project to publish her photographs in a book. She was getting older, but she was determined to move forward. She began seeking out older people and visited them in their homes, in hospitals, and convents. She talked with them, got to know them, and took their pictures. She completed her task. After Ninety (1977) was published the year after she died.

Imogene Cummingham was internationally celebrated. Her appearance on Johnny Carson in 1976 brought even more fame, more exhibitions, and more awards. She was inducted into the International Photography Hall of Fame in 2004.

When asked so often which of her photographs was her favorite, she replied, “The one I’m going to take tomorrow.”

 


Beverly Hall Smith was a professor of art history for 40 years. Since retiring to Chestertown with her husband Kurt in 2014, she has taught art history classes at WC-ALL and the Institute of Adult Learning, Centreville. An artist, she sometimes exhibits work at River Arts. She also paints sets for the Garfield Theater in Chestertown.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Looking at the Masters, Spy Journal

Chicken Scratch: A phoenix and a submarine sandwich by Elizabeth Beggins

May 17, 2025 by Elizabeth Beggins

“Look at that!” Grace exclaimed, arms extending as if conducting an orchestra. “The clouds are on fire again!”

And they were. Peach and papaya marbling into blueberry, and that shade of vermillion lipstick your mother wore in the 70s. It was the kind of sunset that tempts poets to be insufferable, a full-blown celebration unironically staged above a strip mall.

Truth didn’t bother looking. She was busy at the back of her Subaru, scowling at her receipt like it had just suggested she try intermittent fasting for her mood.

“Eight bucks,” she grumbled. “And I didn’t even get the virtuous eggs. I settled for the morally questionable f*ckers because that was all they had.”

Grace kept looking back to the sky, like it might spill a secret if she paid it close enough attention.

“Maybe it’s the universe’s way of saying, ‘Good job not collapsing in public today,’ she said. “Like a gold star for endurance.”

Truth huffed, “Cool. Maybe if I collect five, I can cash them in for one functional nervous system.”

She wedged a bag into the trunk with the low-level rage of someone who’s spent too long on hold with their insurance provider. The breeze carried overtones of pizza and pollen.

Abstract painting suggesting a sunset with clouds and soft colors

J. M. W. Turner (1830), Public domain, via Wikimedia Commons

“You used to love skies like this,” Grace said gently. “Remember that trip to the Blue Ridge, chasing fall colors? We worked through our midlife crisis on a steady diet of Alanis Morissette and TED Talks about becoming our ‘authentic selves.’”

“That was fifteen years ago,” Truth said, slamming the trunk shut. “Back when I still believed I could make a difference.”

Finally, she glanced up—reluctantly, like she was being dared. “Okay, it’s pretty,” she admitted. “But so is a funeral wreath.”

“I saw an osprey today,” Grace persisted, leaning back against the car. “Just riding the wind like it was having the greatest time. I think I want to be that osprey when I grow up.”

Truth sighed. “The osprey doesn’t get emails that start with ‘just circling back.’ I spent seventy dollars this week for an orthopedist who told me to do some stretches and get back to him if I’m still broken next year.”

“Dang! For that amazing price you got premium indifference,” Grace teased. That’s concierge-level neglect.” Then, exhaling a little too sharply, she snapped. “I swear, if I get one more podcaster telling me I’m not thriving because I didn’t journal hard enough…”

Truth blinked, surprised. “You okay?”

“Fine,” Grace exhaled, smoothing her voice. “Just tired of being blamed for bleeding in a trauma center.”

Truth actually laughed—a quick bleat that almost startled her—as she wrapped her faded denim jacket across her chest. “My kid called today. He and his girlfriend are thinking about moving to Portugal. Affordable healthcare and good pastries.”

“You going with them?” Grace asked.

Truth shook her head. “Nah. Somebody has to stay here to mourn the American Dream.” She paused, then added, “You know, I used to think we’d tear it all down and build something better. Now I just hope the store doesn’t close before I run out of melatonin and milk.”

They stood there, quietly, as the clouds rearranged themselves again—one minute a phoenix, the next a submarine sandwich.

“Sometimes,” Truth said, softer now, “I think beauty’s just nature’s version of gaslighting us. Like, ‘Hey!—look over here while the scaffolding collapses.’”

“Maybe,” Grace said, arms folded. “But I’m still going to look. Not everything has to solve something to matter.”

“Even if it’s just the planet crumbling in a flattering filter?” Truth replied.

Grace grinned. “Especially then. If we’re going down, I’d rather be watching the sky than doomscrolling on the toilet.”

Truth snorted, “Now that’s a bumper sticker!”

They stood a bit longer, two women marinated in pink light. Eventually, Grace nudged her friend with an elbow. “Okay. Let’s get home before the dumpster fire melts the ice cream.”


An audio version of this essay, read by the author, is available here.

Elizabeth Beggins is a communications and outreach specialist focused on regional agriculture. She is a former farmer, recovering sailor, and committed over-thinker who appreciates opportunities to kindle conversation and invite connection. On “Chicken Scratch,” a reader-supported publication hosted by Substack, she writes non-fiction essays rooted in realistic optimism. To receive her weekly posts and support her work, become a free or paid subscriber here.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 3 Top Story, Spy Highlights, Spy Journal

Food Friday: Deelish Sammies

May 16, 2025 by Jean Sanders

Ah, late spring. It is a beautiful time of the year. The fireflies are beginning to sparkle in the blue twilight of the back yard. A bunny is enjoying chowing down on the new grass in the front yard. There are even more wondrous smells these days for Luke the wonder dog on our daily tours of the neighborhood’s hedges and flower beds. The long days stretch slowly toward the last day of school. There are too many awards nights, school field trips, graduation parties and political protests to attend – who has time for normal, sit-down family dinners? For that matter, who has time to plan those meals? Maybe Martha, but don’t forget, she has staff on hand. The rest of us, running our own tiny on-a-shoestring-enterprises, need to plan on the fly. Which is why I am suggesting deelish Sammies for every occasion. They can be made ahead, they are portable, they are economical, and they are filling. And they are easy to accessorize.

In this complicated, overly-scheduled, anxiety-fraught, spread sheet-specific life, don’t be a Stanley Tucci. I know, Stanley Tucci is sweet and winsome. He has sparkling eyes, and tasteful scarves, and the jovial air of bonhomie. He is a foodie. He got us through COVID with his videos of nice, stiff homemade Negronis. We loved him in Julie and Julia. He helped us understand the mysterious ways of the Vatican in the timely film Conclave. If I see him passionately swallow one more obscure regional Italian delicacy on yet another travel show, I will surely puke. I have maxed out on the ubiquity of Stanley. He was quoted in a recent Food and Drink Magazine about the most delicious sandwich he has ever eaten. He didn’t wax poetical or nostalgic about his mother’s homemade tuna salad sandwiches, or the prosaic turkey sandwich he could have had at his local London pub. He didn’t mention even the legendarily expensive burger from Balthazar in New York City. No. Stanley Tucci’s best sandwich was street food in Rome. It was a smoked cow tongue, with Romaine lettuce, and homemade mayonnaise, on local bread. Surely, without a doubt, it was the best he has ever tasted. We cannot top that. We cannot possible compare our own boring, drab, suburban life with his glittering world.

But we can try. Luke, Mr. Sanders, and I are not going to Italy any time soon. In fact, cooking has been a challenge this week, because we have been painting the kitchen cabinets, and the long pine table is crammed with boxes of silverware, plates, bowls, cookie sheets, wooden spoons, measuring cups and boxes of foil, Saran Wrap, and parchment paper. It’s hard to find anything. But there is a cutting board around here, someplace, and a good bread knife. We don’t need homemade mayo. Bring on the tomatoes and the fresh mozzarella, Stanley.

When you are driving home from a graduation, or get stuck in traffic going to the beach, you can pull over along the way, and reach inside your souvenir Trader Joe’s insulated bag, and pull out a homemade burrata caprese sandwich. You won’t need homemade mayo. In fact, some Utz Sour Cream & Onion chips and a Diet Coke can only enhance your foodie experience. Go ahead – you can be an Eastern Shore original, and have Utz Crab Chip seasoned chips. (Stanley will probably opt for Italian chips: San Carlo – PiùGusto Porchetta. Ewwww. )

The Spy Test Kitchen Caprese Sandwich.

Don’t take my word for it – here are some more Deelish Italian sandwiches for your own armchair travel experience.

Here is the interview with our worldly, movie star pal, Stanley Tucci:

“There is an art to the business of making sandwiches which it is given to few ever to find the time to explore in depth. It is a simple task, but the opportunities for satisfaction are many and profound.”
― Douglas Adams


Jean Dixon Sanders has been a painter and graphic designer for the past thirty years. A graduate of Washington College, where she majored in fine art, Jean started her work in design with the Literary House lecture program. The illustrations she contributes to the Spies are done with watercolor, colored pencil, and ink.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Food Friday, 1 Homepage Slider, Spy Journal

Food Friday: Rhubarb Spring

May 9, 2025 by Jean Sanders

There are many issues that can drive us nuts here in the Spy Test Kitchens. We are only human, after all, except for Luke the wonder dog, who is sanguine and tolerant of almost anything but a knock on the door, or a passing UPS truck. We like simple, reliable, and tasty. We do not like recipes that call for extraordinary ingredients that can only be found in exotic Middle Earth market stalls one week out of the year, or in haute organic Brooklyn food co-ops. Our time is valuable, and who wants to waste it searching for obscure and expensive ingredients? Not us. We have books to read, streamers to watch, and garden weeds to ignore. Please – be sure that the ingredients are easily found.

As you wander through the farmers’ market, or the more prosaic grocery store produce department, these warm spring days, you will see piles of lovely, gleaming, jewel-like fruits and vegetables, and you can channel the excitement of all the fancy pants food editors: suddenly, you can see why Bon Appétit has a page about the beauty of rhubarb. Or why Felicity Cloake of The Guardian is practically waxing poetical about Rhubarb Crumble

Just look at that rhubarb! Look at the chartreuse greens – the shocking rosy pinks! Rhubarb could be a charming vintage Lilly Pulitzer print, without all the cumbersome Palm Beach pretenses. Rhubarb, that coy herbaceous perennial, is here, but it isn’t going to last forever, so get out your thinking caps and pre-heat your ovens.

I was super pleased to find this recipe for rhubarb scones on the Food52 website. Rhubarb Scones I had gone off on an internet stroll, looking for something timely and spring-y for this week’s column. I like rhubarb. It reminds me of spring, and makes me think about strawberries and cream and picnics and garden parties I have only read about. Which leads to clotted cream and scones and a long ago tea I had with a dear chum in a churchyard in England. So much of food enjoyment is thinking of connections, and remembering ideal meals and happy times.

What is best about this recipe is that it is highly adaptable. What? Your grocery store doesn’t have rhubarb? Rhubarb hasn’t ripened yet in your area, so there isn’t any at the farmers’ market? Don’t panic – substitute! The comments on this recipe in Food52 are loaded with helpful suggestions. Use strawberries! Use peaches! Use strawberry jam! Try frozen rhubarb. We are baking the scones, after all, which transforms the fruit. We can wait until June to decorate these scones with tiny fresh strawberries and raspberries. Right now we need some comfort food, and we need it fast.

Growing up, we had a couple of rhubarb plants growing in the lower garden, near the compost pile by the barn. We never ate the rhubarb. My mother was never going to serve Rhubarb Spritzers, so I think it they were plants she inherited from the original owners of the house. Like the Jack-in-the-Pulpit by the back steps and the bank of Lilies of the Valley by the stone wall. I have to use store-bought (or farmers’ market-bought) rhubarb, as yet tariff-free.

Every spring there are cascades of recipes for rhubarb and strawberry pies, cakes, jams, lemon bars, tarts, crumbles and fools. Which are all wonderful and delicious, but this year I want to try a couple of new recipes; where rhubarb isn’t just a novelty ingredient, but is included as a subtle and unusual spring flavor.

Martha has a very posh rhubarb dessert, if you stumble upon a great stash of rhubarb: Rhubarb Pavlova

Maybe you want to have coffee instead of tea? Here is a Brooklyn coffee cake recipe that you can try. There is nothing in it that can’t be found at our less-than-fancy corner grocery store: Rhubarb Coffee Cake

And you can re-visit the 1950s with a rhubarb upside down cake, with help from Betty Crocker. Sometimes a cake mix is worth it! Rhubarb Upside Down Cake

More modern is a Rhubarb Pound Cake

But I am saving the best for last – a Rhubarb Collins. This is the way to enjoy spring, a nice tall Collins glass in hand as you sit on the back porch, watching the cardinals dart from the bird feeder, while that bunny sits calmly in the back yard, nibbling the grass that you had no intention of mowing today. Pour some more Champagne, please! Let there be fireflies!

Rhubarb Collins
1 stalk rhubarb, trimmed and cut into 1/2 -inch pieces (about 3/4 cup)
1/2 cup sugar
2 ounces gin
1 ounce lemon juice
2 to 4 ounces Champagne

Make a simple syrup with the rhubarb and sugar: combine the rhubarb and sugar with 3/4 cup water in a small pot and bring to a boil. Reduce the heat to moderately low and simmer until slightly thickened and bright pink in color, about 20 minutes. Let the syrup cool then pour through a colander set over a bowl. Press down gently and toss the solids. (The rhubarb simple syrup can be made in advance and stored in an airtight container in the refrigerator for up to one week.)

Combine one ounce of the rhubarb simple syrup in a cocktail shaker with the gin and lemon juice. Fill the shaker with ice and shake vigorously until completely mixed. Strain into a chilled highball glass and top with Champagne or Prosecco. Add a straw, and a strawberry for decoration. Drink. Repeat. Enjoy. Spring is fleeting!

“Well, art is art, isn’t it?
Still, on the other hand, water is water!
And east is east and west is west and if you take cranberries and stew them like applesauce they taste much more like prunes than rhubarb does.” —Groucho Marx


Jean Dixon Sanders has been a painter and graphic designer for the past thirty years. A graduate of Washington College, where she majored in fine art, Jean started her work in design with the Literary House lecture program. The illustrations she contributes to the Spies are done with watercolor, colored pencil, and ink.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Food Friday, Spy Journal

Looking at the Masters: Renoir

May 8, 2025 by Beverly Hall Smith

Pierre August Renoir was born in 1841 in Limoges, France. The town of Limoges was the center of the famous hand-painted porcelain works. Renoir’s parents were members of an active artist and artisan community. His father was a tailor and his mother a seamstress.  The family moved to Paris in 1845, and they lived near the Louvre. At age 15, Renoir served as an apprentice at the Paris Limoges Factory, earning enough money to help his parents buy their house. His initial training as an artist required mastery of intricate brushwork, attention to detail, use of rich colors, and a love of flowers.

In 1862, he attended the École des Beaux-Arts in Paris, where he became great friends with fellow students Sisley, Bazille, and Monet. Chaffing from the realism of the classic style, they searched for new techniques and subjects. They began in 1864 to work outdoors in the Forest of Fontainebleau. Discoveries about the effects of light on subjects from the development of photography spurred the artists to create what became their signature style: Impressionism.

“A Girl with a Watering Can” (1876)

In 1876 Renoir began to paint figure subjects along with landscape and flower paintings. “A Girl with a Watering Can” (1876) (39”x29’’) (National Gallery of Art, Washington, DC) is a portrait of a young girl who lived in his neighborhood. It illustrates Renoir’s fully developed Impressionist style along with lessons learned from porcelain painting. The charming, young girl is enjoying the sunny day. She holds a green watering can and two daisies. Her eyes are blue and her cheeks rosy. Her elegant blue dress is decorated with wide white bands that look like lace, the type of detail Renoir painted in Limoges. Her outfit is completed with a pair of matching blue shoes. The tops of her white stockings call attention to her lacey bloomers. Renoir used the color red to guide the viewer’s eye through the composition: red roses in the front, red lips, and red flowers in the background. The red bow in her hair draws the eye from left to right, to the group of red flowers behind her and the one red flower in the distance to her left.

Renoir used color dots of yellow, purple, red, pink, and blue, visible only up close, to portray the beige path that runs diagonally across the painting. He painted the lawn vibrant green, blue, and yellow, using visible but subtle brushstrokes. He used broader brush strokes to portray the leaves and flower petals of the plants in the foreground. In contrast, his brushwork on the flowers behind the girl does not attempt to create an individual flower or leaf. 

Renoir’s paintings of people are appealing. They also fulfill his desire to create a complex work of art. 

“La Promenade” (1876)

“La Promenade” (1876) (67”x43”) (Frick Museum, New York City) is a winter scene in a city park. The focus is on two young blond girls, who look as if they could be twins, and their older sister.  All are dressed in winter clothing. The eldest wears a blue velvet jacket with fur trimmed sleeves. The younger girls wear matching blue-green outfits trimmed with fur. One has a fur muff and the other carries a doll. Hats of flowers and fur are perched on their heads. White hose and leather boots complete their outfits.  Beyond them on the path, eleven other people are suggested.  Two black and white shapes on the path suggest playful dogs. 

Renoir grew up with a tailor and a seamstress as parents, and he fell in love and married a dressmaker. His paintings show an unusual amount of knowledge of and interest in depicting the fashion of the time.  “La Promenade” was in the second Impressionist Exhibition in 1876. Although the work did not receive much notice at that time, Renoir’s ability to present fashionable and delightful women and children eventually brought him international fame.

“Children’s Afternoon at Wargemont” (1884)

As a result of his earlier successes, Renoir gained patrons and friends from the new professional class. Paul Bernard, a banker and diplomat, became a friend and patron in 1879. “Children’s Afternoon at Wargemont” was one of his many paintings Bernard and his wife commissioned. The setting is the Chateau de Wargemont in Normandy, the Bernard’s second home outside Paris. In the painting the Bernard daughters Marguerite, Lucie, and Marthe enjoy a pleasant afternoon.

Renoir made several trips to Algeria and Italy beginning in 1881. On the trips to Italy, he studied the paintings of Raphael, Rubens, and the Rococo artists Boucher and Fragonard. Their work influenced Renoir to alter his style, and he entered what art historians call his “classical” period. “Children’s Afternoon at Wargemont” (1884) (50”x68”) is still full of bright sunlight, and the theme of a peaceful family day continues. Gone are the suggestive and flowing brushstrokes. They are replaced with precise details in clothing, furniture, wood floor, carpet and curtain patterns, wall paneling, and a pot of flowers. 

The two girls are dressed in the fashion of the time and in accord with their ages. The girl in the blue and white sailor dress holds onto her doll, and her eyes directly engage the viewer. Her sister is sewing, and her other sister, slouched on the nearby couch, reads a book. Renoir created a composition of blues and oranges, complementary colors, and complex designs.   

“Gabrielle Renard and Infant Son Jean” (1895)

Renoir suffered from arthritis beginning in 1881, and the disease became increasingly debilitating. He had the first attack of rheumatism in 1894. Renoir had married Aline Charigot, a seamstress and model he met in 1880. They had three sons, Pierre (1885), Jean (1894) and Claude (1901). “Gabrielle Renard and Infant Son Jean” (1895) (26”x21”) depicts Gabrielle, Aline’s cousin, who moved to the Renoir home in Montmartre at age 16 to act as Jean’s nanny. She often modeled for Renoir, and she helped him to paint when his hands became crippled by placing the brushes between his fingers. Renoir never stopped painting, but in his later works he necessarily returned to looser brush work. His love of his family is evident in this work and many others.

“The Artist’s Family” (1896)

“The Artist’s Family” (1896) (68”x54”) is Renoir’s largest portrait with life-size figures. The setting is the garden of the family home, Château des Brouillards in Montmartre, where the family moved in 1890. Aline stands at the center with their eleven-year-old son Pierre, standing next to her. Aline’s hat is a remarkable fashion creation of the time, and a red coat with a fur collar are draped over her arm. Pierre leans in affectionately, holding onto his mother’s arm. 

Gabrielle kneels down to support young Jean as he stands for the painting. Jean’s elaborate white bonnet and dress are certainly fashionable. The composition of the family forms a triangle that Renoir creates with Aline’s light hat and blouse at the top, the sailor suit and black skirt in the middle, and the white clothing of Jean and Garbielle at the bottom. The protruding edge of Gabrielle’s black skirt anchors the triangle. Necessary to balance the composition is the young girl in red, one of the neighbor’s children. Her red dress and pose, direct the viewer’s eye to Aline. The black sash on her dress and the black ribbon on her hat also carry through the dark elements of the composition. She carries a ball with red, yellow, and green stripes. The ball is a simple device that connects the touches of beige and yellow, and the green landscape in the distance. Renoir kept this painting for the rest of his life. 

The Renoir family moved in 1907 from Montmartre to Cagnes-sur-Mer, near the Mediterranean, to enable Renoir to take spa treatments and for better weather. Renoir tried sculpture as another outlet, but he never stopped painting no matter how disabled he became. He died in 1919. His last words were “I think I’m beginning to learn something about it.”

His painting and his family were his passion. He described his thoughts on his art: “The work of art must seize upon you, wrap you up in itself, carry you away. It is the means by which the artist conveys his passion; it is the current which he puts forth which sweeps you along in his passion.”

Happy Mother’s Day


Beverly Hall Smith was a professor of art history for 40 years. Since retiring to Chestertown with her husband Kurt in 2014, she has taught art history classes at WC-ALL and the Institute of Adult Learning, Centreville. An artist, she sometimes exhibits work at River Arts. She also paints sets for the Garfield Theater in Chestertown.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Looking at the Masters, Spy Journal

Chicken Scratch: On Being Green by Elizabeth Beggins

May 3, 2025 by Elizabeth Beggins

Some summers ago, my industrious other half launched a crawl space renovation that had him under our house for hours, on his hands and knees, in the slick, heavy clay that is a hallmark of the soil in this part of the world. Though I am blessed with his good attitude, to say it was grueling work would not be an overstatement.

A bright point was the predictable presence of a bullfrog. Sometimes, she appeared to be watching from across the muck, like a golf spectator. Other times, she splooped into a soggy puddle, vanished for a day or three, then reappeared just like that. On occasion, I heard a voice drifting up through the drain pipes into the house and understood that my husband was having a little chat with his amphibious companion.

Hosing down at the end of a long day.

By late fall, drainage systems were working to de-swampify (a highly technical term) the space. Water that once ponded across the entire area was now shunted off into newly dug ditches wrapping the perimeter. The mission was suspended as winter moved in, but just ahead of a freeze, the frog was captured —a remarkable feat unto itself given how nimble they are—and taken down the road to a marshy site where she could hibernate underwater.

Long before this project began, access to the crawl space was deliberately restricted, to keep our cats and other varmints out. We have no idea how our bulgy-eyed friend gained entrée in the first place, but we were proud of ourselves for releasing her from bondage.

Had she made such a house call on the other side of the country from us, or in many other places around the globe, this frog would likely not have been greeted so warmly. And, that is a story that needs telling. I promise to get back to Kermit’s cousin shortly, but it’s important to situate her in the context of a larger environmental picture.

The American bullfrog is considered a highly invasive species in the western United States, Europe, South America and Asia. As with many creatures that now proliferate outside of their native ranges, bullfrogs were introduced to these areas accidentally-on-purpose. Some slipped in with fish stocking operations, some were discharged as a game species. (Frog legs anyone?) Over the years, they’ve been released by the unknowing and escaped from the unsuspecting. Now that they’re free, they’re going bonkers.

A single female bullfrog can lay up to 20,000 eggs at a time. Predators native to the eastern U.S.—large-mouth bass, blue heron, snapping turtles—consume eggs, tadpoles, and adult frogs. Lacking this competition in other places, bullfrogs devastate their newfound habitats. They will eat anything they can fit in their mouths including birds, bats, reptiles, fish, insects, rodents, even each other. Unfortunately, nothing keeps their populations in check. On top of their reproductive vigor and voracious appetites, they carry a fungus to which they are mostly immune but which further decimates other amphibians.

Photo by Thomas Shockey on Pexels

Twenty years ago, in National Geographic, John Roach reported on the unstoppable surge in non-native bullfrogs around the world. More recently, Ted Williams blogged for the Nature Conservancy about the bullfrog plague, as well as ongoing efforts to control them. Neither writer offered evidence of any programs that are really getting a leg up on the frogs. There are just too many of them.

Counting aquatic and terrestrial plants, mammals, arthropods, amphibians and other organisms, the American bullfrog, known scientifically as Lithobates catesbeianus, is one of about 1500 total species categorized as invasive, foreign, non-native, or alien. As I thought about these labels and how many other things are stuck with them, I was struck by how similar they are to terms used to describe humans who move from one place to another. I couldn’t help noticing the combative and nationalistic tone of the words and of those associated with their management. Verbs like “eradicate,” “eliminate,” “kill,” and “euthanize” show up with frequency in articles about forms of life that have moved beyond their original locations.

NOAA defines invasive species as animals or plants from another region of the world that don’t belong in their new environment. But what determines belonging, and who decides what does and does not? Has the line between the new environment and the original one always existed? Do we understand enough about how species migrate, breed, hybridize, and evolve across time to make such determinations? Most importantly, and especially because humans are directly or indirectly to blame for almost every redistribution, is there room for compassion in how we manage them?

Photo by Robert Zunikoff on Unsplash

It didn’t take long to discover others who have taken questions like mine to the next level, identifying biases and inconsistencies within the field of invasion biology and calling to attention the need for a more nuanced lens. Rather than searching for ways to rid our environment of non-native species, Nicholas Reo, who is an enrolled member of the Sault Ste. Marie Tribe of Chippewa Indians and an Assistant Professor of Environmental and Native American Studies at Dartmouth College, says, “It is our responsibility to figure out how they are useful.”

When I set out to tell the tale of a resident amphibian, it was not my intention to jump into a much broader and more provocative exploration of our anthropocentric tendencies, but if I look at where I’ve landed from the frog’s perspective, it makes perfect sense. Indigenous principles teach us to see ourselves in kinship with all other beings. Frogs are members of our planetary family and, therefore, are deserving of the possibility of shifted thinking.

 

Our amphibious friend, spring 2018. Isn’t she cute?!

Our green playmate kept us company that whole summer, but once she’d been rehomed we didn’t think much more about her. We certainly never expected that when we opened up the crawl space the following spring we’d find another bullfrog hanging out in the damp darkness, looking ever so familiar.

We’ll never know for sure if it was the same one, but it’s fun to believe she liked us so much that she returned. After all, bullfrogs can travel over a mile in damp environments.

We removed her a second time, all the while speculating about her solitary existence in that dank habitat. We decided she needed a she-shed, a place to get a break from the males whose noisy, nightly advertisement calls we hear undulating from the marshlands that surround us.

It’s been seven years since we first made her acquaintance. We’ve not seen her again. But this winter, when the house was very quiet, we often heard soft, raspy sounds coming from somewhere just below the floor.

 


Elizabeth Beggins is a communications and outreach specialist focused on regional agriculture. She is a former farmer, recovering sailor, and committed over-thinker who appreciates opportunities to kindle conversation and invite connection. On “Chicken Scratch,” a reader-supported publication hosted by Substack, she writes non-fiction essays rooted in realistic optimism. To receive her weekly posts and support her work, become a free or paid subscriber here.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 3 Top Story, Spy Highlights, Spy Journal

Food Friday: Fiesta

May 2, 2025 by Jean Sanders

Cinco de Mayo is coming already. There will be tacos, and maybe some good Mexican beer. I have to confess that I came to the taco party late. When I was growing up our cooking spices were limited to Christmas egg nog nutmeg, cinnamon for cinnamon toast, black pepper and baking powder. Garlic was an exotic commodity. Red pepper was on the tables at Italian restaurants. I doubt if my mother was acquainted with cumin. We never had Mexican food. My mother’s idea of adventurous ethnic cooking was preparing corned beef for St. Patrick’s Day. And so my indoctrination came from my peers, as do so many seminal youthful experiences.

The first tacos I ever had were at my friend Sheila’s older sister’s house, down near the beach. Margo was sophisticated and modern. We adored her and the string of characters who wandered through her tiny house. She made tacos with regularity, and we mooched often. From her I learned how to shred the cheese and the lettuce and chop the onions that went on top of the taco meat, which we browned in a frying pan and then covered with a packet of Old El Paso Taco Seasoning Mix and a cup of water. I thought it couldn’t get any better than that.

Like Tim Walz, my introduction to Mexican cuisine came via “white guy tacos” which are “pretty much ground beef and cheese.” We must have had similar upbringings: “Here’s the deal… black pepper is the top spice level in Minnesota.”

Sheila and I graduated to platters of nachos and tacos at the Viva Zapata restaurant. (I think we were actually more attracted to the cheap pitchers of sangria, which we drank, sitting outside in dappled shade under leafy trees, enjoying languid summer vacations.) And then we wandered into Mama Vicky’s Old El Acapulco Restaurant, with its dodgy sanitation, but exquisitely flaming jalapeños on the lard-infused refried beans. Ah, youth.

True confession: my children were raised on tacos made with Old El Paso Taco Seasoning, but they always had vegetarian or fat-free refried beans. None of that deelish, heart-health-threatening lard.

Beef Tacos
45 minutes, serves 4

½ cup vegetable oil
12 small 5-inch corn tortillas
1 pound ground beef
Salt & pepper
1 medium onion, chopped
1 tablespoon minced garlic
1 fresh hot chile (like jalapeño) seeded & minced, optional
1 tablespoon ground cumin
2 tablespoons tomato paste
1 cup roughly chopped radishes for garnish
2 limes, quartered, for serving

Crumble the ground beef into a frying pan, sprinkle with salt and pepper, breaking up the meat as it cooks, until it starts to brown – about 5 or 10 minutes. Add the onion and cook, until it softens and begins to color. 5 or 10 minutes more.

Add the garlic and the chile (be sure to wash your hands thoroughly after handling the chile – I didn’t and rubbed my eye and wept for a good while afterward) and cook about 3 minutes, until they soften. Add the cumin and tomato paste and cook and stir until fragrant. I added a little water, perhaps a throw back from my Old El Paso training, but the mixture just seemed too dry. Experiment for yourself.

Warm the oil in another frying pan over a medium-high heat. Lay a tortilla shell in the oil, and let it bubble for about 15 seconds before turning it over, carefully, with tongs. Let that side bubble away for another 15 seconds or so and then fold the shell in half. Turn it back and forth until it is as crisp as you want. Mr. Sanders likes a softer shell, I like explosively brittle.

Divide the meat into the lovely, crunchy shells and top with cilantro and radishes. Squeeze some lime on top. Good-bye to grated cheese. Good-bye to too much sodium. (There are 370mg of sodium in a 1 ounce packet of Old El Paso. [I still have a packet in the spice cabinet, obviously.] Plus it costs about $2.59, so just imagine how much better this recipe is for you, sodium-wise and financially.)

Open beer, pour beer, drink beer.
Other topping suggestions:
 guacamole, chopped tomatoes, shredded cabbage, chopped scallions, black beans, salsa, shredded lettuce, chopped peppers, sliced radishes, sour cream.

When my children were little, I used spinach for their tacos instead of lettuce. I don’t think they have forgiven me yet. To keep up with current trends, you could try using kale for your healthy tacos.
But don’t trust my word for it, try these excellent healthy taco recipes: Celebrate Cinco de Mayo

How to turn leftover roast lamb into mouthwatering tacos – recipe

Happy Cinco de Mayo!
“On the subject of spinach: divide into little piles. Rearrange again into new piles. After five of six maneuvers, sit back and say you are full.”
—Delia Ephron


 

Jean Dixon Sanders has been a painter and graphic designer for the past thirty years. A graduate of Washington College, where she majored in fine art, Jean started her work in design with the Literary House lecture program. The illustrations she contributes to the Spies are done with watercolor, colored pencil and ink.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Food Friday, Spy Journal

Food Friday:Tender Spring Veggies

April 25, 2025 by Jean Sanders

May Day is upon us— that should put a spring in your step. I want to retire the crockpot, stash the Dutch oven, put the lasagna pan out to pasture and start digging into light, healthy, crispy fresh green salads. With crusty French bread and sweet butter and a glass or two of cool Chardonnay. In my bare feet. In shorts.
Now is a good time to get outside – whether in your own garden, or wandering around the farmers’ market. Lots of fruits and vegetables are in season again – and we should be supporting our local farmers!
In Season

We have bought four humble tomato plants, and have planted them in the raised garden bed in our side yard. There are a couple of blossoms already, which is nature’s clever way of encouraging us to believe that we will have a bountiful harvest of tomato sandwiches later this summer.

That is always the best part of gardening, seeing everything in my mind’s eye in the gauzy Technicolor future. Somehow there I am always wearing a float-y white outfit as I drop my bountiful harvest into my antique English garden trug, clipping merrily (and with surgical precision) with the vintage secateurs sourced from an obscure French flea market. Reality won’t elbow that fantasy out of my malleable brain for a couple of months…

But back to the matter at hand – salad: as usual, we are hoping that the basil container farm will be busy and bushy this summer, as well as the annual tomato exercise, which I hope won’t wither on their burgeoning vines. We are also considered trying to make our own fresh mozzarella cheese. Maybe it would be easier to just move to Italy. But that depends on the lottery officials, and I am sad to say that we don’t know anyone at the Texas Lottery Commission. Texas Lottery Scandal https://www.cnn.com/2025/04/23/us/texas-lottery-ryan-mindell-resignation/index.html We are just homegrowns.
Tender Green Salad ideas!

This will be perfect for the Friday nights when Chef Tomasso doesn’t want to fire up the oven for our weekly pizza night:

Pizza Salad
Exactly the same way you would choose your pizza toppings, free to add in your favorite toppings INTO the salad to recreate the classic flavors. Use all the extra toppings you love: olives, tuna, capers, meatballs, Nduja, onions, peppers: whatever your go-to pizza order is.

Single serving — you can do the math for more

1/2 small eggplant, diced
Handful of cherry tomatoes
1/2 red pepper
1/2 teaspoon oregano and 1/2 teaspoon garlic powder
Sliced pepperoni – your call
2 slices sourdough bread or day-old French bread, cut into cubes
2 tablespoons grated Parmesan
Handful of torn basil leaves
1/4 cup shredded mozzarella
3 ounces shredded chicken breast (if you are concerned about protein)

Garlic herb dressing
2 tablespoons Greek yogurt
Pinch oregano
Pinch garlic powder
Salt and pepper
1 teaspoon red wine vinegar
Preheat your oven to 400°F.
Toss the diced eggplant, cherry tomatoes, red pepper and pepperoni with oregano, garlic powder and salt. Spread on a baking tray. Roast for 12–15 minutes, until softened, sticky and slightly caramelized.

Scatter the diced bread cubes and a little grating of parmesan over the top, then return to roast for another 4–5 minutes until the croutons are crisp and golden.

While that’s roasting, stir together the yogurt, garlic powder, oregano, vinegar, salt and pepper for the garlic and herb dressing. Add a splash of water if you want a looser consistency.

Once everything is out of the oven, toss with the basil, shredded mozzarella and cooked chicken so the warmth starts to melt everything together. Serve warm with a generous drizzle of dressing. Take a plate, with your glass of Chardonnay, out onto the back porch, and plant yourself in the plastic Adirondack chair. Enjoy a cool Friday night, eating your veggies, smelling the breeze, and enjoying a tasty al fresco meal. Have fun streaking on May Day!

Here is an air fryer version: Pizza Salad with Garlic Herb Dressing

Fancier Salad

“A salad is not a meal. It is a style.”
—Fran Lebowitz


 

Jean Dixon Sanders has been a painter and graphic designer for the past thirty years. A graduate of Washington College, where she majored in fine art, Jean started her work in design with the Literary House lecture program. The illustrations she contributes to the Spies are done with watercolor, colored pencil and ink.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Food Friday, Spy Journal

Food Friday: Easter eggs

April 18, 2025 by Jean Sanders

Food Friday is on the road this weekend, so you Gentle Readers will have to put up with a re-run of my favorite Easter lemon cheesecake. Mr. Sanders and I are heading to a family Easter gathering in Florida, and Luke the wonder dog is off for a much deserved vacay of his own with his dog pals at the spa. Please indulge me and enjoy our making our favorite Easter dessert. Play nicely at your Easter egg hunts, and let the little ones find the eggs. You can sip on a Bloody Mary or two.

At Easter I like to haul out my dear friend’s lemon cheesecake recipe, and reminisce, ruefully, about the year I decorated one using nasturtiums plucked fresh from the nascent garden, which unfortunately sheltered a couple of frisky spiders. Easter was late that year and tensions were already high at the table, because a guest had taken it upon herself to bring her version of dessert – a 1950s (or perhaps it was a British World War II lesson in ersatz ingredients recipe) involving saltines, sugar-free lime Jell-O, and a tub of Lite Cool Whip. The children were divided on which was more terrifying: ingesting spiders, or many petro chemicals?

I am also loath to remember the year we hosted an Easter egg hunt, and it was so hot that the chocolate bunnies melted, the many children squabbled, and the adults couldn’t drink enough Bloody Marys. The celery and asparagus were limp, the ham was hot, and the sugar in all those Peeps brought out the criminal potential in even the most decorous of little girls. There was no Miss Manners solution to that pickle.

Since our children did not like hard-boiled eggs, I am happy to say that we were never a family that hid real eggs for them to discover. Because then we would have been the family whose dog discovered real nuclear waste hidden behind a bookcase or deep down in the sofa a few weeks later. We mostly stuck to jelly beans and the odd Sacajawea gold dollar in our plastic Easter eggs. It was a truly a treat when I stepped on a pink plastic egg shell in the front garden one year when I was hanging Christmas lights on the bushes. There weren’t any jelly beans left, thank goodness, but there was a nice sugar-crusty gold dollar nestled inside it. Good things come to those who wait.

We won’t be hiding any eggs (real or man-made) this year. Instead we will have a nice decorous finger food brunch, with ham biscuits, asparagus, celery, carrots, tiny pea pods, Prosecco (of course) and a couple of slices of lemon cheesecake, sans the spiders, sans the lime Jell-O and Cool Whip. And we will feel sadly bereft because there will be no jelly beans, no melting chocolate and no childish fisticuffs.

Chris’s Cheesecake Deluxe
Serves 12

Crust:
1 cup sifted flour
1/4 cup sugar
1 teaspoon grated lemon rind
1/2 cup (1 stick) unsalted butter
1 egg yolk
1/4 teaspoon vanilla

Filling:
2 1/2 pounds cream cheese
1/4 teaspoon vanilla
1 teaspoon grated lemon rind
1 3/4 cups sugar
3 tablespoons flour
1/4 teaspoon salt
5 eggs
2 egg yolks
1/4 cup heavy cream

Preheat oven to 400°F
Crust: combine flour, sugar and lemon rind. Cut in butter until crumbly. Add yolk and vanilla. Mix. Pat 1/3 of the dough over the bottom of a 9″ spring form pan, with the sides removed. Bake for 6 minutes or until golden. Cool. Butter the sides of the pan and attach to the bottom.

Pat remaining dough around the sides to 2″ high.
 Increase the oven temp to 475°F. Beat the cream cheese until it is fluffy. Add vanilla and lemon rind. Combine the sugar, flour and salt. Gradually blend into the cream cheese. Beat in eggs and yolks, one at a time, and then the cream. Beat well. Pour into the pan. Bake 8-10 minutes.

Reduce oven heat to 200° F. Bake for 1 1/2 hours or until set. Turn off the heat. Allow the cake to remain in the oven with the door ajar for 30 minutes. Cool the cake on a rack, and then pop into the fridge to chill. This is the best Easter dessert ever. This recipe makes a HUGE cheesecake! You will be eating it for a week. At least.

Perfect Bloody Marys

“Probably one of the most private things in the world is an egg before it is broken.”
― M.F.K. Fisher


Jean Dixon Sanders has been a painter and graphic designer for the past thirty years. A graduate of Washington College, where she majored in fine art, Jean started her work in design with the Literary House lecture program. The illustrations she contributes to the Spies are done with watercolor, colored pencil and ink.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Food Friday, Spy Journal

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