One of bluegrass and Americana’s most respected figures, the Nitty Gritty Dirt Band’s John McEuen, returns to NightCat Wednesday, March 21 with his sons Jonathan and Nathan for a very rare small club performance celebrating the 40th Anniversary of the Dirt Band’s landmark album “Will the Circle Be Unbroken” as well as performing songs from their latest collaboration The McEuen Sessions.
The concert will feature music from their new album, plus a special section of ‘…Circle’ Music rarely heard onstage, stories behind the recording of this landmark recording, and the music of John’s sons that has been getting critcal acclaim in their own right. John brings his renown talents on banjo, guitar, fiddle and mandolin to the stage joining Jonathan and Nathan with a performance that is unlike any other. John puts it simply “I’d hate to follow us”. Show time is 8 P.M. and tickets are $25.
As a solo artist and founding member of the Nitty Gritty Dirt Band (NGBD), “The String Wizard” John McEuen has released more than 40 albums, appeared on more than 300 TV shows, and performed more than 8,500 concerts-with upwards of three-million miles traveled-since 1965. Most of McEuen’s road solo journeys with his sons have involved playing, in various configurations, with his musician sons Nathan and Jonathan, including recently having the thrill of performing together at the Grand Ole Opry to three standing ovations. After years talking about recording as a trio, Nathan reintroduced the idea in 2011; all agreed the time was right. The McEuen Sessions-for all the good… from John, Nathan, and Jonathan McEuen will be released through MesaBlueMoon Recordings on April 3. It’s a musically rich tapestry that’s as fresh and immediate as it is steeped in the seamless interplay and exquisite comforts of a threesome that has truly shared a lifetime in music.
“The album is a culmination of my sons’ influences that come from everything from Phish to Johnny Cash to the Beatles to The Band. Then, throw into the mix their having had a dad who’s been in a band for 45 years, and what that meant growing up,” says John. “What makes me happiest about this record is that some of the years spent apart from them, doing the Dirt Band ‘thing’, seem more justified now.” Though touring often separated the McEuens, it also provided adventures, camaraderie-and hands-on musical training. John estimates he’s taken his sons to at least 300 cities over the years, with them joining in onstage. “I said to Nathan at 17, ‘sorry you’ve had so many birthdays on the road,” says John. “He said, ‘Dad, most of my friends haven’t left the state, and I’ve already been to 25 state capitals. I wouldn’t trade it for anything.”
Recorded at Tree Sound Studios in Norcross, Georgia, The McEuen Sessions is a thoroughly collaborative effort. Going in, John, Nathan, and Jonathan agreed they’d each choose three songs, no questions asked, and then they’d vote on three more as a group. Since the plan was to record the album as a band, there are almost no guest players (Dave Mason-spontaneously-added drums on “Only You Know And I Know and mixed it). Jonathan and Nathan provide all the vocals, and the trio acts as each other’s “side men” for overdubs-Jonathan is featured on acoustic and electric guitar, bass, and piano; Nathan on piano, bass, acoustic guitar, and percussion; and John on a broad range of string instruments-with the versatility that has caused many to call him a “string wizard”-including banjo, mandolin, fiddle and dobro.
Album selections range from new originals to venerable classics, opening with Rodney Crowell’s “Long Hard Road,” which, in 1984, was NGDB’s first #1 hit. “That was always a tough one to hear on the road when I was missing my kids,” says John. “Nathan and Jonathan get it, get the lyrics, and sing it as if they wrote it.” Both also sing on “All The Good It Did,” written by their cousin Jaime Hanna, which lends part of its name to the album’s title-“This is the country ‘root’ coming through the guys, with a song that should have been done by NGDB,” says John. Covers also include Jonathan singing lead on Dan Fogelberg’s “Leader of the Band,” Dave Mason’s “Only You Know and I Know,” and Red Foley’s “Old Shep” (which Elvis Presley sang at his first public performance at age 10). The latter features Jonathan’s new vocal track along with a recording John made of him singing the song when he was 11.
Nathan sings lead on tracks including “Grand Design,” which he co-wrote with Crosby Loggins, and his original “Quicker at the Draw.” His banjo piece “Banjormous” is one his father wishes he’d written, and it’s followed by “The Goodtime Suite,” a six-minute instrumental that John aced in one take. “It was strange that the same day both of them heard this, they separately said, ‘it reminds me of when I was a kid and you would play us to sleep,’” he says. “For me that is a great memory.”
Wednesday, March 21, 2012
8 P.M.
Tickets are $25
NightCat
5 Goldsborough St
Easton, MD 21601
410-690-4544
.
Write a Letter to the Editor on this Article
We encourage readers to offer their point of view on this article by submitting the following form. Editing is sometimes necessary and is done at the discretion of the editorial staff.