A second-year English faculty member and an alumna who is now assistant director at the Rose O’Neill Literary House each have earned two top national literary awards in poetry. Kimberly Quiogue Andrews, assistant professor of English and creative writing, has won the 2018 Akron Poetry Prize for her first full-length collection,A Brief History of Fruit, while Lindsay Lusby ’08 has won the 2018 Agha Shahid Ali Prize, awarded by the University of Utah Press, for her first full-length collection, Catechesis: a postpastoral.
“It is a testament to the talented writing community fostered here at Washington College that we can celebrate not one but two incredible poetic achievements,” says James Allen Hall, director of the Rose O’Neill Literary House, associate professor of English, and award-winning poet and essayist. “Each of these prizes—the Akron Prize and the Agha Shahid Ali Prize—are nationally competitive prizes with presses that make beautiful and award-winning books. One of Akron’s books was a finalist for the National Book Award in poetry last year, for instance. I feel honored to work with both of these poets and thrilled that poetry is thriving at Washington College.”
In its announcement of the 2018 Akron Prize, the University of Akron Press describes A Brief History of Fruitas shuttling “between the United States and the Philippines in the search for a sense of geographical and racial belonging. Driven by a restless need to interrogate the familial, environmental, and political forces that shape the self, these poems are both sensual and cerebral … Colonization, class dynamics, an abiding loneliness, and a place’s titular fruit—tiny Filipino limes, the frozen berries of rural America—all serve as focal markers in a book that insists that we hold life’s whole fragrant pollination in our hands and look directly at it, bruises and all.”
Kimberly Quiogue Andrews and Lindsay Lusby
This year’s judge, Diane Suess, selected Quiogue Andrews’s collection from 687 entries, calling it a “superb collection” that “offers up history—personal, familial, post-colonial, geo-political, ecological—and indeed the history of fruit, fruit as sustenance, pleasure, exploitable product, as image, parent, love, and wound… The formal variety is remarkable without calling too much attention to itself . . . the experiments arise organically from each poem’s purpose and particular emotional hue.”
Quiogue Andrews’s BETWEEN won the 2017 New Women’s Voices Prize from Finishing Line Press, and she is a two-time Academy of American Poets prize winner and a Pushcart nominee. Her poems have appeared in Poetry Northwest, Grist, West Branch, Nat. Brut, The Shallow Ends, and Tinderbox Poetry Journal, among others. Her essays and criticism have appeared in the Los Angeles Review of Books, ASAP/J, and elsewhere.
Kimiko Hahn selected Lusby’s Catechesis: a postpastoral, and the University of Utah will publish the book in June 2019. Lusby is invited to read as part of the University of Utah’s Guest Writers Series from the Department of English.
In Catechesis: a postpastoral , Lusby poses the question: If Clarice Starling and Ellen Ripley could warn the girls and women to follow, what would they tell us? The work combines Grimm fairy tale with understated horror movie and the Book of Revelation to construct a vision of the lush green dangers and apocalyptic transformations inherent in girlhood. This lyric lore, which includes strange diagrams and collages of the botanical and the anatomical, contains hidden instruction to prepare girls for the hazards ahead. The manuscript was a finalist for the 2018 Dorset Prize at Tupelo Press and a semi-finalist for the 2018 Brittingham & Felix Pollak Prizes at the University of Wisconsin Press.
“Catechsis by Lindsay Lusby is a daring and true debut collection,” said Kimiko Hahn in judging the award.
Lusby, assistant editor for the Literary House Press and managing editor for Cherry Tree, is also the author of two chapbooks, Blackbird Whitetail Redhand (Porkbelly Press, 2018) and Imago (dancing girl press, 2014), and the winner of the 2015 Fairy Tale Review Poetry Contest. Her poems have appeared most recently in Passages North, The Account, North Dakota Quarterly, Tinderbox Poetry Journal, Fairy Tale Review, and elsewhere. Her visual poems have appeared in Dream Pop Press and Duende.
About Washington College
Founded in 1782, Washington College is the tenth oldest college in the nation and the first chartered under the new Republic. It enrolls approximately 1,450 undergraduates from more than 35 states and a dozen nations. With an emphasis on hands-on, experiential learning in the arts and sciences, and more than 40 multidisciplinary areas of study, the College is home to nationally recognized academic centers in the environment, history, and writing. Learn more at washcoll.edu.
Howard Mesick portrays Millie’s son Bruce. Mesick is both a playwright and a familiar face on local stages playing lead roles with The Garfield, Church Hill Theatre, and Shore Shakespeare Company. Portraying Bruce’s partner Spike is Charles Michael Moore. He has acted in productions of You Can’t Take It With You, You’re A Good Man Charlie Brown, Hurlyburly, Fugue In A Nursery, The Importance Of Being Earnest, Wit, Under Milk Wood, Woyzeck, and The Rocky Horror Show. He has also directed shows for both Washington College and Church Hill Theater. Amy Moredock portrays Brenda. Moredock has performed in many BC Productions including The Burgundy Wine Mob and Not Responsible which provided her with NYC experience. Other credits include Church Hill Theatre performances as Regina in The Little Foxes, Maggie in Cat on a Hot Tin Roof, and Elvira Condomine in Blithe Spirit. Aunt Rhoda is played by Jane Jewell who is well-known to Eastern Shore audiences through her performances with BC Productions, Church Hill Theatre, The Garfield, and Shore Shakespeare’s 2016 summer production of Macbeth. Tom Dorman portrays Grimm. He has played a wide range of impressive roles at Church Hill Theatre and The Garfield. Dorman portrayed the title role in Lewin’s Orlando Rising. Rounding out the cast are Eddie Dorman (cab driver), Troy Strootman (Jim), Maya McGrory (Victoria), and King Kong and Yoda playing themselves.
Now also a resident of the United States, French harpist Isabelle Frouvelle, has performed several times as soloist with the Virginia Chamber Orchestra, under the direction of David Grandis, and in recital with organist Sonya Subbayya Sutton with the Concerto in Bb by Handel. In demand as an adjudicator and clinician, Ms. Frouvelle’s most recent travels include competitions and seminars in Mexico, Atlanta, Richmond, Virginia and Philadelphia. Prior to coming to the United States, Ms. Frouvelle performed with numerous major orchestras in France including Orchestre Colonne, Opéra en Plein Air, and Orchestre du Capitole. She has also played at many prestigious venues across Paris including Château de Versailles, Sainte Chapelle, Hôtel des Invalides, Sacré Chœur de Montmartre, Musée de Louvre, as well as events in Les Bateaux Mouches, Le Ritz place Vendôme, and at private venues. Additionally, she performed for a number of years weekly concerts at the Cercle de l’Union Interalliée in Paris. She is recognized among harpists in Europe and USA, especially as an author of innovative harp instruction methods, publications of solo harp compositions for young harpists as well as a series of duets for harp and other instruments.
In case you don’t know (and even if you do!), you’ll want to hotfoot it to the Talbot County Free Library in St. Michaels at noon Monday, Oct. 1. There, Pete Howell, retired arts & entertainment editor and movie critic at The Star-Democrat, will reveal the answers to these and almost two dozen movie trivia questions. Additional quizzes will be available for those of you who think you know it all.
Easton Choral Arts Society, founded in 1977, is holding open auditions for its Christmas concert. Composed of members from the Delmarva region, the Society performs a variety of music, ranging from classical to works by contemporary composers. Auditions are scheduled by appointment, and interested singers may contact ECAS through the website 
