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February 8, 2026

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Education Ed Homepage 1A Arts Lead

Scholarship Honors the Legacy of Mainstay Founder Tom McHugh

January 28, 2026 by James Dissette Leave a Comment

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A new scholarship honoring the life and legacy of beloved educator and arts advocate Tom McHugh has been established for graduating Kent County High School students with a passion for the arts.

Founded through a collaboration between Peg McHugh, longtime community volunteer and Tom’s wife, and Buck Duncan, President of the Mid-Shore Community Foundation, the Tom McHugh Scholarship will award $500 annually to a student pursuing an arts-related field, whether visual, performing, or literary, at an accredited college or institution. As donations are made annually to the Tom McHugh Scholarship, the fund will grow and live into perpetuity enabling a larger award each year.  Applications are currently being circulated at Kent County High School.

“Tom believed every act was a teaching act,” said Peg McHugh. “He used the arts not just to entertain but to build community, to make space for those who might not find belonging elsewhere. That’s what this scholarship is about: carrying forward that spirit into a new generation.”

McHugh, who passed away in 2021, left a deep imprint on Kent County’s cultural life. After retiring from Vassar College, where he served as head of the education department, he moved to Rock Hall and founded The Mainstay, the now-legendary listening room that began with potluck dinners and live music in a former video store. He later created the Rock Hall Fall Fest, drawing inspiration from music festivals in Ireland, and even launched a kazoo band for local youth who “weren’t academic or athletic, but needed a place to belong.”

The idea for the scholarship took root in a conversation between Peg and her friend, Sarah Schut, Financial Planner at Envision Wealth Planning, who suggested connecting with Mid-Shore Community Foundation. “Sarah knew how to navigate the foundation world, and I had the energy to go talk to everyone,” Peg said. “Buck welcomed us, helped guide the process, and here we are.”

Founded over 30 years ago, the Mid-Shore Community Foundation now manages more than 630 funds and over $185 million in assets, providing critical support through grants and scholarships across five Eastern Shore counties. Last year alone, it awarded $1.7 million in scholarships.

“What makes Tom’s scholarship stand out is its heart,” said Duncan. “We see a lot of academic and athletic funds—but this one is for the creatives, the storytellers, the musicians, the dreamers. These students need support, too. We’re proud to be the stewards of Tom’s vision.”

Applicants must submit an essay on how Kent County has shaped their artistic worldview. The scholarship is designed to grow, with future fundraising efforts including a dedicated website and the return of the Tom McHugh 5K Run during Rock Hall Fall Fest.

“It’s not just a scholarship,” Peg said. “It’s a living legacy.”

For more information—or to contribute—visit the Tom McHugh Scholarship site here.

Or directly here at Mid-Shore Community Foundation.

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Ed Homepage, 1A Arts Lead

Easterseals’ Camp Fairlee: A Talk With Ken Sklaner and Sallie Price

December 10, 2025 by James Dissette

 

For nearly seven decades, Camp Fairlee has stood as one of the most vital and inclusive spaces on the Eastern Shore — a place where children, adults, and seniors with disabilities experience independence, friendship, outdoor adventure, and the deep confidence that comes from being seen and supported. Operated by Easterseals Delaware & Maryland’s Eastern Shore, the camp, near Rock Hall, remains a rare constant in a field where programs often come and go. And its home, the historic Fairlee Manor, carries a story as remarkable as the mission it now serves.

Ken Sklenar, president and CEO of Easterseals Delaware and Maryland’s Eastern Shore, has led this affiliate for the past 13 years, bringing with him over three decades of experience across the Easterseals network nationwide. His journey to leadership was rooted in a simple motivation: to see the mission in action.

“I get the opportunity every day to see the great work that we’re doing,” he said. “To interact with participants, to see the progress they make… that’s what it’s all about for me.” His decades with Easterseals have given him a front-row view of the organization’s evolution. “Easterseals today versus 10, 15, 30 years ago is a very different organization. We adjust our programs based on the science of supporting people with disabilities, and on what’s truly beneficial.”

That evolution began long before Sklenar arrived. Easterseals itself was born from the effort to care for children with polio in the early 20th century. After World War II, as thousands of young service members returned home with disabilities, the organization expanded to serve adults as well. Today, Easterseals is a network of 70 affiliates nationwide. Remarkably, the Delaware–Eastern Shore affiliate is one of the largest despite serving a region with a relatively small population. “That says a lot about our community,” Sklenar notes. “We continue to grow because we meet real needs.”

Sallie Price, director of Camp Fairlee, still speaks of camp with the awe of someone whose entire life reshaped around the experience.

“I worked one summer at Kentucky Easterseals as a college student,” she recalled. “It changed my life. I realized everybody should have the opportunity to go to camp, not just able-bodied or privileged people.”

That summer became the start of a vocation. Price now oversees a year-round operation that serves campers from age six into their eighties. For many, camp is not just recreation — it is their vacation, the week they plan for all year long.

Registration begins in October because preparation takes months. “Families wait for our application,” Price said. “They plan their summer around our schedule.”

Each year, the camp recruits a full seasonal workforce: caregivers, lifeguards, chefs, housekeepers, dishwashers, program specialists, nurses, and international counselors who live at the camp for three months. Staff receive eight days of intensive training before the first camper arrives.

Camp Fairlee supports participants with a wide range of abilities and medical needs. To ensure accessibility, staffing is tailored to each camper, from one-to-one assistance for people needing help with bathing, dressing, or feeding, to more independent groups operating at two-to-one or three-to-one ratios. Campers include individuals with autism, Down syndrome, cerebral palsy, brain injuries, and other physical or developmental disabilities.

They work, go to school, drive, attend day programs, and at Camp Fairlee, they paddle canoes, fish, swim, make pottery, sing around campfires, and try things they’ve never tried before.

“It’s independence, it’s confidence — that’s what camp gives,” Price said. “And it’s for everyone.”

Beyond the summer season, the camp offers weekend respite programs, rentals to mission and church groups, and year-round support services.

Like many disability-service organizations nationwide, Easterseals faces its greatest challenge in staffing. The shortage of nurses, therapists, and direct support professionals, worsened by the pandemic, continues to affect organizations everywhere.

“We’re playing catch-up as a country,” Sklenar said. “People retired or left the field during COVID, and it’s been very challenging to rebuild the workforce.”

Yet Camp Fairlee continues to attract staff who step into the work with purpose. Price asks each applicant the same question: What makes you jump out of bed in the morning?
One young woman recently answered, with all the clarity of her 18 years: “I want to help people.”

“For me,” she said, “that’s everything.”

The camp’s setting, Fairlee Manor, is itself a piece of Kent County history. The 263-acre property, part of a 1,900-acre tract laid out in 1674, includes the early 19th-century Fairlee Manor House, an unusual five-part brick-and-plank dwelling listed on the National Register of Historic Places. Built primarily between 1825 and 1840, the house reflects architectural techniques rarely seen in Maryland, including mortised plank wings and symmetrical telescoping extensions.

In 1953, philanthropist Louisa d’A Carpenter donated the farm to Easterseals, establishing a legacy of adaptive reuse that continues to benefit thousands of families.

“The house is preserved through an adaptive use that makes an important contribution to helping the handicapped,” notes its National Register documentation. Camp Fairlee remains a living example of how history can be honored not by freezing it, but by allowing it to serve.

Sklenar emphasizes that Easterseals wants every resident of the region to understand one simple truth: anyone, at any point in life, may need their services.

“We are a great resource for the communities we serve,” he said. “We want everyone to know who we are, because if they ever need us, we’ll be here, and if we can’t provide what they need, we’ll help them find it.”

To find out more about Camp Fairlee and Easterseals of Delaware go here.

This video is approximately ten minutes in length.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider

In Kennedy’s Rooms By James Dissette

November 22, 2025 by James Dissette

Note: This recollection was published twelve year ago. While I recall more details, I thought it would be worth letting it stand as is and sharing once more. —James Dissette

On Thanksgiving Day in 1963, six days after the Kennedy assassination in Dallas, I watched the 27 second Zapruder film in its unexpurgated entirety, projected onto the wall of a living room of a friend’s house in Washington, DC.

The following day, Life Magazine would present to the world a cluster of black and white images lifted from the 8mm color film taken by Abraham Zapruder in Dealey Plaza that fateful Friday in November. In a way, those are the images we all recall most easily. Somehow, black and white stripped the images down to the core tragedy of the event.

Fifty years later, Jedediah Wheeler, a friend and classmate from those days, tells me that we had watched the film together in a house where only two years earlier the young President had held his Inauguration dinner. He’d been celebrating his narrow election over Nixon in the same living room I witnessed a recording of his death.

Five days earlier, in Wallingford, Connecticut, my roommate and I were being interviewed by a local ABC News affiliate rushing to put together a collage of JFK memories and background stories. At the time, we were living in John Kennedy’s old room at The Choate School.

Six months earlier I was failing French at a boys’ school in Dallas, Texas, and begging the gods to swing in on their savior wires, gather me up and deliver me from cowboys speaking in tongues. Armadillos and blood red rain from panhandle dust did not encourage any affection for the area. It was not a good time in my life.

The arc from French class in Dallas to watching the Zapruder film in Washington DC, delineates a surreal trajectory of experience in my life, so much so that I actually began to doubt its reality or at least wonder if I had embellished or diminished it so much that my current memory might be misshapen, a mere hint of its original minting. Memory is a little like a perpetually rewoven coat—the one you might be wearing today might have little resemblance to the one you bought.  It spurred some research and reconnections.

“Well, all we seem to have left from the demolition of Choate House is a chair. I think there was a door at one time, but no telling where that is,” says Choate Archivist, Judy Donald. “But we do have some footage of your November 1963 interview. I remember seeing it. You were a bit flummoxed, a deer in the headlights.”

That was a nice way of saying that I appeared to be having a meltdown on television news.

 …

 Wallingford, Connecticut on the Quinnipiac River was a far cry from the bleak cityscape of 1960s Dallas, Texas. I arrived there in July, 1963 for a “make it or break it” summer school session—my grades in Texas, except English, were lower than basement dirt and except for Ian Fleming and learning how to throw a hard breaking curve ball, school was a reoccurring rendezvous with boredom, dreary uniforms, Latin choir and long bus rides. And bus rides led back to home. And home was one long dirge of disappointment braided with alcoholic violence, unidentifiable emotions and dark, unexpected actions.

In other words, I was highly motivated to succeed in summer school and it became easier when I discovered that my French instructor could actually speak English, although I failed to learn why I needed to learn La Marseillaise. Maybe it was my last name.

Choate House, The Choate School, Wallingford, Ct. Kennedy's room was to the right of front door, first floor. The dorm has since been demolished.

Choate House, The Choate School, Wallingford, Ct. Kennedy’s room was to the right of front door, first floor. The dorm has since been demolished. This image is of a postcard.

At summer’s end, with passing grades, I was enrolled at The Choate School and assigned to a first-floor room in Choate House, probably one of the original buildings on campus and not destined for many more years of use.  It had an ancient mustiness to it, trembling radiators, strange faux-Victorian lacy curtains and dank common room furniture from the 1940s. It was not quaint and I sensed winter was not going to be a cheer-fest.  The eight or so rooms had metal bunk beds, two desks, two chairs. The rest was left up to our imaginations or parents who wanted to ease our Spartan pain. Embarrassing to admit, I asked the kindly dorm-master if I could have a nicer room on the third floor. He declined. His antidote for my disappointment was revealing that “President John Kennedy was in that room. Maybe some of it will rub off on you.” It did.

Kennedy anecdotes are part of the warp and weave of Choate history. We knew about his penchant for practical jokes and we also knew that his behavior got him into serious hot water. Even a school with blue-ribbon creds rooted deep in the soil of what is often considered WASPish excess and elitism, did not take lightly his serial pranksterism.  After Kennedy and his cohorts blew up a toilet with a cherry bomb, George St. John, one of the iconic New England prep school headmasters, had had enough of the boy’s behavior and called for an emergency chapel meeting to declare an end to “mucking” about from these unruly boys. It is said that St. John, towering in the pulpit above the student body, held up piece of the destroyed toilet and shook it in JFK’s direction. Kennedy, undeterred, dubbed his group of friends “the Muckers Club” and continued to flout the rules with pranks until their dismissal from school and eventual reinstatement after a visit by Joseph Kennedy with a promise to the headmaster that “Jack” would behave.

John Kennedy's Senior photo in the 1935 Choate yearbook.

John Kennedy’s Senior photo in the 1935 Choate yearbook.

I was recently told that Joe Kennedy might have made a gift of a needed movie projector to the school at that time. Perhaps it was to thank the headmaster for his patience, a patience that seems in retrospect worthwhile as the young Kennedy shifted gears more toward academics, or at least farther away from practical jokes. The headmaster would note later that he had become fond of the boy’s wit and spirit and conveyed to his son and successive headmaster, Seymour St. John, how much he’d respected how the young Kennedy had succeeded.

 …

 Late November in Connecticut is a perpetual dusk of erratic weather—black ice, brittle leaves fluttering over dead winter lawns, and a wind that devours wool and spits it out as wet snow. On Saturday, November 23rd, life itself was funereal. President Kennedy had been killed in Dallas. Except for a few boys wandering from the Winter Exercise building, students were in their dorm master’s living rooms watching the nonstop flood of news pouring in from Dallas and Washington news bureaus.

We were all processing the assassination. There was a weird, unspeakable dread that crept into us like the November cold, slid into us like an icy serpent to coil around our hopes and expectations. Everything was altered. The world of adults, the parents we innately trusted as children to keep life magically in order, took on a new dimension of vulnerability. It was if we suddenly awoke to a different movie of the world. Little did we realize what awaited us in the next seven years.

My dorm, Choate House, sat on a shallow valley’s shoulder, as did most of the central campus of larger dorms, library and dining hall. It was uphill from where I was walking that day and I remember the wind was blinding. As I crested the hill and lifted my head for a moment to get my bearings I was startled to see a truck with a media logo parked in front of our dorm. I quickened my pace, passed the truck, followed cables from the truck up through the front door and into the room I shared with a kid named Ned Palmer. Ned was sitting on the lower bunk bed under arc lights. A huge camera was perched on top of a tripod. Our room was flooded with blinding white light. It was easy to see that this was not going to be good. I looked at Ned. Ned looked at me.

“It’s the room,” he mouthed, giving me a heads-up.

My stomach dropped three floors. Of course, the Kennedy room. News team, News. Me in the news. Heart racing. No breathing. Panic started to creep in as I was ushered in to sit next to my roommate. White light, people in profile, voices instructing us to look toward our left, then to our right.  In one second I’d lost contact with the English language and any semblance of projecting a confident expression. I was a mind-blown mess falling into a pit of adolescent awkwardness with nothing to grab.

“So I see you boys have been reading Kennedy’s “Profiles in Courage,” the reporter announced as he pulled it from our bookshelf. I looked at Ned. Got nothing but deer eyes in the headlights. I had nothing. I’d never seen the book before. Did the reporter plant it? Someone had to say something. Suddenly it was no longer Eastern Standard Time. It was Universal Time, and each second thumped like heartbeat.

“Um, we are thinking about reading that for extra credit, “ I blurted, or something similar.  Right after I join the circus, find a plastic surgeon and change my name, I thought. We were devastated.  We are 15, we don’t know anything, go away, we wanted to scream.

Mercifully, by the time the piece came out it had been heavily edited. Most of the babbling had been cut. While my roommate seemed to retain a kind of stoic acceptance of the interview, even then I was aware that I appeared as if I were sitting in the front row of Judgement Day and things were not looking up. How does one answer a question like—“So what does it feel like to be in President Kennedy’s old room?” I don’t remember what I answered but I’m sure it wasn’t what I was feeling. The room and the question made me profoundly sad. 28 years before that question was asked, John Kennedy might have been sitting in the same spot making plans for Thanksgiving. I didn’t know how to say it then. I’m not sure I know how to say it now.

•••

Jedediah “Jed” Wheeler and I became friends during the early months of our freshman year. I don’t remember the circumstances but would venture to say that we shared a streak of youthful sarcasm if not full-blown comic cynicism (without the scornful inference).  We did not seem to gravitate toward the cliques that naturally self-construct within any group of people about to spend four years together in the sequestered social environment of boarding schools. Much has been written or suggested about the cruelty of cliques or the dissolution of the privileged. I didn’t see any of that. I saw kids whose family names were universally recognized along with kids like me from middle class family. We all struggled over our classes, played football and baseball, had meals and daily chapel together. Perhaps I am romanticizing, but I don’t remember hearing about one fight. We were far from the boys in Lord of the Flies.

 As Thanksgiving approached, many of us with families too far away for short vacations looked forward to friends’ invitations. Jed invited me to Washington D.C to spend Thanksgiving with his mother, brother and two sisters.  My outstanding memory of that place—aside from Jed’s elegant and gracious mother— was its majestically sweeping staircase. It was cinematic. It begged for Greta Garbo. The ceilings were cathedral, the rooms like caverns of sunlight.

The Wheeler home in Washington, DC as it appears currently. The living room where the Zapruder film was shown appears at right.

The Wheeler home in Washington, DC as it appears today.  The living room where the Zapruder film was shown appears at right.

Jed and I were playing a game of Stratego after Thanksgiving dinner. As we moved our spies and scouts about trying to avoid bombs and capture flags, a family friend arrived and asked, “do you boys want to see a film?”

Hank Suydam was a Washington bureau chief at Time-Life. I remember him as being galvanic and having one of those energy fields that parted clusters of people as he walked through crowds. Jed recalls him as a “swashbuckler” journalist. He’d covered the Freedom Riders, the Jimmy Hoffa jury tampering case, the Bay of Pigs invasion, and was instrumental in Time-Life’s acquiring the Zapruder film on November 23, the day after the assassination. Time-Life bought the original and one copy.

Hank Suydam was walking around with the Zapruder film in his coat pocket and we were about to see one of the most important documents in American history projected on the Wheeler’s living room wall.

And there we were, Thanksgiving Day, the 6 of us, Jed, Jed’s two sisters and a brother, his mother, Hank Suydam, and me, watching as the wall of their living room burst into a half minute of terror, blood spray and the heartbreaking frenzy of Jackie Kennedy’s panicked reach for help.

Screen Shot 2013-11-19 at 2.45.45 PM

Zapruder Film Frame 312

To say that 27 seconds is a sliver of time is not to understand how that tragedy magnified the moment into a full stop, and plucked it out of the river of fluid moments to suspend it like a dark amulet over the brocade of history.

It is possible we watched the original Zapruder film, but more likely we watched its copy. Nevertheless, what we witnessed that day was more than the world would see for quite a while and more than our hearts and minds would ever want to experience again.  It did not seem as vague as subsequent media showings over the years. It was saturated with color and sharply defined.

Some curtain of naiveté about the world had been brutally ripped down to reveal a wider and more complex horizon of dark and dangerous possibilities.

To discover recently that the young President of the United States had celebrated his 1961 Inauguration in the same room added such a horrible counterpoint to that time 50 years ago that only now am I making room in my psyche to accept it.

Jed’s father had been a friend of JFK’s at Choate and his mother, Jane, had long been a staunch supporter of the Senator’s bid for the White House and had hosted many social events on his behalf at the Wheeler residence. To this day I cannot imagine her suffering as she watched that film on the wall of the room where he once celebrated the first day of his Presidency. In the same room, we witnessed his last.

As Jed wrote to me recently, “and then we went back to school.” I could hear his old voice saying that. By intonation, he’d gone to the meta-story. He was saying, “we went back to school to learn, but what we’d experienced that day in Washington was so profoundly sad, bizarre and powerful that it would flicker within us, just slightly out of focus like a handheld home movie, for the rest of our lives.

Portrait of John F. Kennedy by William F. Draper, commissioned by The Choate School. Although Kennedy could not attend the the presentation he sent a recording to then headmaster Seymour St. John.

Portrait of John F. Kennedy by William F. Draper, commissioned by The Choate School. Although Kennedy could not attend the the presentation, he sent a recording to then headmaster Seymour St. John.

 

 

..

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Filed Under: 3 Top Story, 00 Post To All Spies

ESWA Launches First Holiday Book Festival at Cult Classic Brewery, Dec. 13

November 6, 2025 by James Dissette

The Eastern Shore Writers Association (ESWA) will host its first-ever Holiday Book Festival on Saturday, Dec. 13, from 11 a.m. to 4 p.m. at Cult Classic Brewery, 1169 Shopping Center Rd., just off U.S. 50. The event brings together more than 30 authors from across Delmarva for book sales, signings, readings, and giveaways—plus on-site gift-wrapping for holiday shoppers.

Now in its 40th year, ESWA is best known for its Bay to Ocean Writers Conference each March and the annual Bay to Ocean literary journal. “We wanted to add something new that serves writers and invites the public in,” said festival coordinator Brent Lewis. “Book festivals can feel stuffy; this one is meant to be fun.”

In addition to ESWA’s own Bay to Ocean Review, literary tables will include the Baltimore Review and Poetry X Hunger, a nonprofit poetry initiative that raises funds to combat food insecurity. The author lineup spans genres—poetry, children’s books, history, and fiction—reflecting the region’s wide-ranging literary community.

Lewis said the choice of venue was deliberate. Cult Classic is a brewery, restaurant, bar, and performance space known for concerts, comedy, and off-beat community events. It also hosts a regular author series, a popular book club, and a monthly writers’ group. “We leaned into a place that already supports the arts,” Lewis said. “Come for the hospitality—stay to meet writers you know and discover new ones.”

Headlining authors include Jim Duffy, whose Secrets of the Eastern Shore project and six regional history/travel books have a devoted following; David Healey of Chesapeake City, author of some 20 titles including Civil War and World War II thrillers and essays; and inspirational novelist Amy Schler. For several emerging writers, Lewis noted, the festival will mark their first chance to meet readers face-to-face.

With brick-and-mortar bookstores dwindling in many Shore towns, organizers see the festival as a practical boost. “Authors have fewer places to share their work,” Lewis said. “This creates a lively, local option—and books make great gifts.”

The ESWA Holiday Book Festival is open to the public. Attendees are encouraged to enjoy Cult Classic’s food and beverages while browsing signed titles from Delmarva writers.

For media inquiries or to schedule interviews, contact Brent Lewis at 410-310-8216 or [email protected].
More information: ESWA (easternshorewriters.org) and Cult Classic Brewery (cultclassicbrewing.com).

The Spy recently interviewed Brent Lewis about the Holiday Book Festival.

This video is approximately five minutes in length.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1A Arts Lead, 6 Arts Notes

Bryan Matthews Returns to Steady the Helm at Washington College

October 20, 2025 by James Dissette

A 1975 graduate of Washington College, Bryan Matthews knows nearly every corner of his alma mater. Over more than 25 years he has served in athletics, admissions, student affairs, and now in the president’s office, he is guiding the institution through some challenging times.

When Matthews stepped into the interim presidency in mid-August, Washington College was in what he calls “a financially challenging situation, to put it mildly.” Since then, he and his cabinet have carried forward former President Sosulski’s  steps to bring the budget back into balance. “Positions were cut, expenses reduced, and a zero-based budgeting process was installed,” he said. “We’re now in a manageable position. It doesn’t mean everything’s great—but it’s stable.”

Enrollment trends have also turned slightly upward. The incoming freshman class exceeded budget projections and improved net tuition revenue, providing what Matthews described as “a modest but meaningful boost.” The college still faces a small shortfall this year, but the focus now, he said, is on increasing revenue through enrollment growth and retention. “That’s where my history as a coach and recruiter serves me well,” he said. “I like it, I understand it, and I see it as our best opportunity for sustainable growth.”

Matthews is quick to emphasize that faculty programs were protected during the cuts. “No faculty were let go, and no academic programs were dropped,” he said. Most of the expense reductions came from staff attrition and voluntary retirements. “This is the first semester that people are flying the airplane with a smaller crew,” he added. “There’s strain, but there’s also remarkable determination.”

Returning to the College after a decade away, Matthews has been struck by how teaching and learning have evolved. “Ten years ago, classroom technology was clunky. Now it’s seamless—it drives the conversation instead of interrupting it,” he said. “Our faculty have really embraced experiential learning, no matter the discipline.” He shared the story of a junior chemistry major who spent last summer doing graduate-level research at Montana State University. “That’s the level of preparation happening here,” he said proudly.

Matthews’s listening tour during his first eight weeks brought him face-to-face with every academic and staff department. What he found, he said, was a community that had weathered hard years but remained resilient. “Crisis brings people together. We may not agree on everything, but we’re aligned—we want to succeed and thrive.”

He sees that same interdependence extending beyond the campus. “What would Washington College be without a successful Chestertown, and what is Chestertown without a thriving college?” he asked.

His sense of rootedness is personal for him. After earning his B.A. in political science and M.A. in psychology from Washington College, Matthews served as captain of the lacrosse team before taking his first campus job as lacrosse coach and assistant director of admissions. He went on to coach and teach at the U.S. Naval Academy for 12 years before returning to Washington Collge to hold multiple leadership roles—director of athletics, assistant to the president for special projects, associate vice president of administrative services, and interim vice president and dean of students. During that time, he completed his Ed.D. in Educational Leadership & Innovation from Wilmington University.

Off campus, Matthews’s commitment to Kent County has been just as steady. He has served as vice president of KRM Development Corporation, director of community and government relations for the Dixon Group, president of the Kent County Chamber of Commerce, and a board member for both the Mid-Shore Community Foundation and Kent County Character Counts.

Looking ahead, Matthews is energized by new initiatives such as the Warehime School of Business, made possible by a $15 million gift from alumna Beth Wareheim. The new building will stand at the campus entrance, symbolizing renewal. “It’s transformational,” he said. “Not just for business majors, but for students across disciplines.”

Still, he is pragmatic. “Washington College is a mission-oriented business, not a passion project,” he said. “We need to pay our bills, pay our people, and support our academic mission. Right now, the ship is stable—and that’s a good place to start.”

 

This video is approximately sixteen minutes in length.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Ed Homepage

John Lewis: Guiding Gunston’s Next Generation

October 7, 2025 by James Dissette

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When John Lewis arrived at The Gunston School sixteen years ago, he wasn’t yet the seasoned Head of School he is today; he was a young educator drawn to what he calls “the ecosystem of school,” a living, breathing network of teachers, students, and ideas that thrive when curiosity and purpose align.

Lewis grew up in Montgomery County and attended a large public high school before heading to Georgetown University, where baseball first brought him to campus. But academics quickly took hold. “I became more of an academic than an athlete,” he says. His work as a resident assistant awakened a deeper interest in education, which led to his first teaching post at Culver Academies in Indiana.

From there, Lewis’s path wound through international schools in Quito, Ecuador, and Singapore, experiences that deepened his understanding of cultural and educational diversity. He went on to earn master’s degrees from both Harvard and Columbia before returning to the U.S. to take on leadership roles in New Jersey schools. When a headhunter called about “a little school in Maryland looking for a young leader,” he followed his instincts east and never looked back.

Sixteen years later, Gunston’s wooded waterfront campus just outside Centreville reflects Lewis’s philosophy of education as both intellectual rigor and ethical grounding. “We’re a community of choice,” he explains. “Families come because they believe in our values—academic excellence, personal attention, and environmental stewardship.”

While he trained as an English teacher, Lewis now teaches AP Government, a course he calls perfectly suited to today’s ever-changing political landscape. “There’s never a day without a major headline to discuss,” he says. The class keeps him close to students and grounded in the daily pulse of learning.

Lewis emphasizes that Gunston’s strength lies in its intimacy: a culture where no student can truly get lost, where teachers and students share respect for each other. “High school kids are a lot of fun,” he says. “Watching ninth graders arrive uncertain and leave as confident young adults; that’s the best part of this job.”

As both educator and parent—his own daughter is now a Gunston student—Lewis experiences the school from both sides. “It’s wonderful to see her challenged and supported by the same teachers I work with,” he says.

Throughout his role as Head of School, Lewis holds close to his guiding mantra: “The question ‘Where do I want to go?’ really begins with ‘Who am I?’ When students understand themselves, they make better choices—for college and for life.”

For those who have never visited the 75-acre campus along the Corsica River, Lewis encourages them to stop by.

This video is approximately nine minutes in length. For more about The Gunston School, please go here.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Ed Homepage

“Elephant Man” on Course to Be A Powerful Garfield Production Opens Friday

October 6, 2025 by James Dissette

The Garfield Center for the Arts is bringing new life to The Elephant Man, Bernard Pomerance’s powerful drama about Joseph Merrick, a man with severe deformities who was long exploited as a sideshow attraction before finding dignity and recognition in Victorian society. First staged in 1977, the play went on to win the Tony Award for Best Play and became an international success for its stark theatrical device: Merrick is portrayed without prosthetics, relying on the actor’s physicality and the audience’s imagination to confront their own assumptions about beauty, cruelty, and compassion. Its revival at the Garfield underscores both the timelessness of the play’s themes and the theater’s commitment to presenting work that challenges as well as entertains.

The Spy recently caught up with the play’s director, E.T. “Talley” Wilford, and actor Ben VanNest, who plays Joseph Merrick, the Elephant Man.

“The Elephant Man” opens this Friday and runs Friday and Saturday nights at 8 PM, and Sundays at 2 PM, until October 19th. For tickets, visit www.garfieldcenter.org anytime, or call 410-810-2060 on Wednesdays, Thursdays or Fridays from 10 AM to 3 PM.

This video is approximately five minutes in length.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1A Arts Lead

Art and Missiles: A Children’s Book for Ukraine

August 24, 2025 by James Dissette

Today is Ukraine’s Independence Day commemorating its 1991 sovereignty from the Soviet Union. For me it has personal resonance.

In October 2023, I received a short email that filled me with dread.

“Sketches will be late. Missiles.”

For several months I had been working with Yana Holubiatnikova, an artist in Kherson, Ukraine, a city devastated by the seven-month Russian occupation in 2022, the destruction of Khakhovka dam, and the daily barrage of missiles and drones. I understood then that in Ukraine, survival was measured only by the day.

Once home to 300,000 people, Kherson saw 220,000 flee as refugees, many to Poland. About 80,000 stayed behind—whether by choice, necessity, or sheer refusal to leave. But numbers cannot convey what survival there means: the heartbreaking knowledge of children stolen, the discovered proximity of torture houses, the erosion of safety in every street.

“I haven’t moved anywhere, I’m staying in Kherson, working both at home and in the workshop,” she wrote after the occupation.

Long silences and reports of continued assaults on Ukraine became the daily context of our communication as we worked together conjuring the art for a children’s book.

I came to know Yana that spring, after the Russian occupation ended, when I was contracted to design a children’s book raising awareness and support for Ukraine. As part of the agreement, I was to help select a Ukrainian artist to create more than a dozen color illustrations for the manuscript by Dr. Janice Cohn, a children’s book author and psychotherapist. Janice, a donor to the Ukraine Children’s Action Project (UCAP), contacted the organization’s co-founder, Dr. Irwin Redlener to see if they could recommend a Ukrainian artist. She was then put in touch with UCAP’s Regional Director, Yuliia Kardash, who spent many hours researching artists who might be suitable for the project, and finally recommended Yana. After reviewing Yana’s work, Janice and I agreed she was the perfect choice. Our correspondence began soon after.

Early in our communication, Yana described painting as both her livelihood and her way of searching for meaning. Over the past year she had mounted three solo exhibitions—two in Kyiv and one in Nikolaev—while also contributing to group shows in Kyiv and Odessa. She often works on four canvases at once, drawing inspiration from masters such as Michelangelo, Velázquez, Toulouse-Lautrec, Modigliani, Fechin, Alma-Tadema, and Vermeer.

Yana Holubiatnikova

In one email, I asked Yana how she survived the Russian occupation. She emailed back only, “We did the things we loved”, which I assumed meant that painters painted, musicians played music and others spent time engaging with family. Because other questions went unanswered, we no longer talked about the war.

“When I go home and see a car with the inscription 300 (means killed soldiers or citizens), I understand at what price the number 11 (of November, when Kherson was unoccupied),” Yana wrote.

And so began a fourteen-month, on again/off again project that transformed Janice’s and my concern over illustrations into constant worry about the artist’s life.

In my experience, traditional book design, whether for publishing houses or self-publishers, usually requires only a modicum of consultations, two or three sets of proofs and a final approval. Working on what would become titled Freedom Pancakes for Ukraine became an unexpected project not only because of our communication difficulties and issues about sending payment to a Ukrainian citizen, but that I had immersed myself in the daily concern for one woman, her son, and a whole nation’s safety.

Since neither of us spoke the other’s language, Yana and I labored through a translation app to agree on how each illustration would appear using both her innate artistic intuition and scene requirements (complex positioning of multiple people, expression, etc.) on our part. And, for all I knew, despite cross-checking, a word in the Ukrainian app expressing “joy” could have been slang for “potato.”  But she was kind, and rather than pointing out a translation problem simply asked for clarification. Some of the illustrations would take several more versions.

Another surprise at the front-end of the project was that Yana would be using watercolors instead of oils or other medium we had seen in her work. Watercolors are notoriously difficult or impossible to revise or modify, but despite this, we saw that her watercolor work displayed a sense of vibrancy that evoked more hope than the despair of war, fitting since the book was about acts of kindness, not the suffering of war, although that tone was always in the background. Also, watercolors dried faster, and Yana could handle them to transport them for scanning in Kherson.

Still, sometimes we wouldn’t hear from her for more than two weeks, all of us surmising the worst outcome as we searched through Ukrainian news sources for reports of heavy strikes in the Kherson region. Then:

“The entire area along the river is under fire. In the area where I live, shells arrive, but rarely. A big problem for people is hunting them with drones. There are few people in the city. Shops, hospitals, police, volunteer centers are open.”

…

When Russia’s invasion of Ukraine began in 2022, Janice  felt the same helplessness many of us did—yet she chose to answer her anguish by writing a children’s book. Janice turned to what she knows best: stories that heal. She is the author of several acclaimed children’s books, including The Christmas Menorahs: How a Town Fought Hate, the true story of a Montana community standing together against bigotry and hate. She has also written Why Did It Happen? Helping Children Cope in a Violent World and other works that center on compassion, resilience, and moral courage.

“When the war in Ukraine began, I grappled with my own sense of helplessness. I thought of the Ukrainian children caught up in the war, and American children and how they’re affected by a world with so much violence,” Janice said,

Janice’s new narrative grew out of her “conviction that kindness and compassion can steady children in even the darkest times, and that in helping others, we often find our own resilience.” The book became a parallel story about two children, a boy, Artem, escaping Ukraine with his mother, and a girl, Hannah, in America who became determined to raise funds for the war-torn country. Chapters became counterpoint narratives about each child’s experience.

Janice’s friend, Merrill Silver, a writer and English as a Second Language (ESL) teacher, who taught a number of Ukrainian refugees, introduced her to Paolo Volpati-Kedra, who volunteered with World Central Kitchen, at the beginning of the war, to help feed the Ukrainian refugees (mainly women and children) who were pouring into Poland.

He vividly described to Janice his experiences and observations with mothers and children at the Welcoming Center where he was stationed, which provided food, succor and kindness to the often traumatized refugees.

Janice and Merrill also came up with the idea of a favored Ukrainian dish—potato pancakes, “deruny”, to become the central metaphor for Hannah’s fundraising sale, echoed by a moment with Artem at World Central Kitchen when Chef Paolo reaches out to show kindness to the boy.

For Janice, the book became more than a story—it became a reminder that even small acts of care can repair the world. Yana eventually received some copies of the book.

After the book was published under Janice’s imprint, Le Chambon Press, named to honor the town in the south of France that saved hundreds of Jewish children and adults from the Nazis in occupied France during World War Two, our communication with Yana continued to be sporadic.

In early June, after receiving the books, Yana wrote:

“I received the books. I wanted to make a video with words of gratitude, but I didn’t have time, these days are very difficult for me. After a strong shelling my rabbit was concussed, he doesn’t move, I’m treating him. And there were other problems. I am very grateful to you.”

We were dismayed by the news. The rabbit had been her companion throughout the war. Six weeks later, a brief message arrived: “I am ok. My rabbit lived.” For Yana, survival is counted in such moments. And now her work, Freedom Pancakes for Ukraine, makes its way to children across the globe as a reminder that even in desperate times, kindness endures.

 

To find out more about the book, go here.

For more about Ukraine Children;s action Project, go here

For more about World Central Kitchen, go here.

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 3 Top Story, Archives

The We Are One Alliance; A Talk with Heather Mizeur

June 3, 2025 by James Dissette

http://

This is a long form interview with Heather Mizeur

Is it possible in a polarized society for two people at opposite ends of the political spectrum to breach the chasm and recognize each other’s humanness?

That’s the question Heather Mizeur has been asking for a decade. For the former Maryland legislator, Democratic congressional candidate, and longtime civic leader, a question she is approaching again with her newly relaunched nonprofit: The We Are One Alliance.

The multi-faceted We Are One Alliance was born from Mizeur’s belief that the way we engage in politics must change if we are to heal as a nation—and as individuals.

The journey began in 2017 with the founding of Soul Force Politics, a nonprofit created in the aftermath of the 2016 election. At a time when political polarization was reaching new extremes, Mizeur sought to build a space for compassion, dialogue, and common ground. “I wanted to show people ways that we can bridge the divides and come together in a common-sense way to solve problems in our communities,” she says.

During her 2022 run for Congress in Maryland’s First District, Mizeur temporarily paused her nonprofit work—but carried its philosophy into every aspect of her campaign. Her motto, “We Are One,” became a call to remember our shared humanity, even in the face of fierce ideological differences.

“We’re humans, often with similar dreams and shared struggles,” she reflects. “Politics has turned into what divides us when our democracy calls us to come forward and work together in ways that allow civil discourse again.”

With the guidance of her board of directors, she expanded the organization under a new name—the We Are One Alliance—to reflect a broader mission encompassing a family of initiatives, each rooted in healing, community, and soulful resistance.

One of the flagship programs is Operation Thriving Acres, a therapeutic horticulture and farm therapy project hosted on Mizeur’s farm outside of Chestertown. Inspired by conversations with veterans during her campaign Mizeur developed a nature-based retreat program that is now drawing interest from across the state.

“When they nurtured something that was living, it helped lower their trauma,” she says. “They were giving their attention to something life-giving instead of life-taking. Politics divides us, but the land heals us.”

Through partnerships with the Maryland chapters of Disabled American Veterans and VFW chaplains, the program has already begun hosting small retreats and gatherings.

Another program, Inward Expeditions, offers immersive group retreats to destinations like Costa Rica, where participants engage in deep reflection, self-care, and leadership training. “Some of this work is done best in community,” she explains, “but there’s also a need for solo journeys of the soul.”

The Sacred Dreams Project extends the Alliance’s reach internationally, through a partnership with Zimbabwean educator and humanitarian Dr. Tererai Trent. Together, they are building water wells, gardens, and sustainable infrastructure for rural schools.

Another cornerstone of the Alliance is the revival of Soul Force Politics as a learning platform. Through online courses, monthly community challenges, and writings published on her Substack (“The Honorable Heather Mizeur”), Mizeur is helping others cultivate inner resilience, clarity, and grounded presence.

Mizeur reimagines the idea of resistance. “Resistance, energetically, doesn’t work,” she says. “When you push against something, it pushes back.” Instead, she offers a path of soulful defiance—one that allows kindness to meet cruelty, calm to meet chaos, and joy to meet despair.

“Our power resides in the pause between stimulus and response,” she explains. “And that’s the army I’m looking to build—people who are ready to respond in non-reactive but fiercely loving ways.”

The We Are One Alliance is, in Mizeur’s words, “a living ecosystem” of hope, restoration, and vision, connecting land, politics, humanity, and the soul.

“At its core,” she says, “our mission is to restore faith in the heart of humanity, one connection at a time.”

The We Are One Alliance has launched weareonealliance.org, a comprehensive portal showcasing its diverse programs, including Soul Force Politics, Inward Expeditions, Operation Thriving Acres, Sacred Dreams Project, and personalized coaching and mentoring. At the heart of the initiative is the “Community” page—an ad-free, algorithm-free, and troll-free private social platform designed to foster meaningful, heart-centered engagement. Beginning in June, the Alliance will introduce “Soulful Challenges” and launch “Soul Force Sundays,” a weekly live video gathering for reflection and support amid challenging times. Supporters can also follow the Alliance’s ongoing work on Substack under T(he Honorable Heather Mizeur). All contributions are tax-deductible, supporting the mission of the We Are One Alliance, a registered 501(c)(3) nonprofit organization.

This video is approximately fifteen minutes in length.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Archives, Spy Chats

What’s Native? The Battle over Been Here/Come Here By Nancy Taylor Robson

May 27, 2025 by James Dissette

Leslie Cario, Adkins Arboretum

What’s really indigenous to a place? We’re talking native plants here. (And ultimately: does native really matter?). OK, first, what’s native?

“If it’s from Asia or South America, it’s not native,” says entomologist Dr. Doug Tallamy, author of Bringing Nature Home. Lonicera japonica or Miscanthus sinensis tell you by their names that they are not from the Delmarva Peninsula. (It won’t necessarily tell you whether it’s invasive, but that’s a different question).

Human beings have always been about “Oooo! New and shiny!” Our peripatetic species has been hauling botanical specimens home for millenniums to add to our gardens, pharmacies, and tables. Thirty-five hundred years ago, Queen Hatshepsut of Egypt dispatched plant hunters to search for a little something new for the royal gardens. Her plant squad dug, balled, and lugged home 32 incense trees. Tulips from Turkey, potatoes from Peru. We’ve had several thousand years of globalization, so what constitutes ‘been here’ versus ‘come here’ is not always a simple question to answer.

The USDA defines native plants as those that “are the indigenous terrestrial and aquatic species that have evolved and occur naturally in a particular region, ecosystem, and habitat. Species native to North America are generally recognized as those occurring on the continent prior to European settlement. They represent a number of different life forms, including conifer trees, hardwood trees and shrubs, grasses, forbs, and others.”

To determine indigenous North American species, many in the US look to the plant catalogues compiled by 18th century Philadelphia botanists John Bartram and his son, William. Lewis and Clarke added to those lists during their years-long exploration of the continent following the Louisiana Purchase in 1803.

It’s a big country, and there are lots of species native to big chunks of it. For example, the white oak (Quercus alba), Maryland’s state tree, is native from Minnesota and Maine to Texas and northern Florida. But will a white oak seedling whose ancestry is in Sheboygan thrive in St Michaels?

“It’s not just: is the plant native to North America?” says Lois deVries, founder of The Sustainable Gardening Institute and The Sustainable Gardening Library, “but: is it suitable for your ecoregion?”

“What’s most important is matching the ecotype provenance,” agrees Tallamy. “It’s native to your region because it’s adapted to your region.”

Sara Tangren at Chesapeake Nurseries

Years ago, during a drought, Dr Sara Tangren, founder of Chesapeake Natives Nursery (now Coordinator for National Capital Partnership for Regional Invasive Species Management), noticed the striking difference in ecotypes of the same North American Aster species in her nursery.

“The ones from New England struggled but the ecotypes from here in Maryland were thriving on only the morning dew,” she noted. “That’s ecoregion adaption at work.”

Maryland is blessed with a variety of ecoregions that include several different soil types, which also (obviously) affect the plant colonies that have developed. De Vries, who lives in New Jersey, sees this distinction daily.

“The Great Limestone Valley is right across the street from me,” she says. “That’s a very limey gravely area, and very different plants thrive in that. I’m on Martinsburg shale here, which is very different acid soil with completely different plants.”

But if we’re only looking at plants and soil, we miss the additional connection of animals who are dependent on specific native plants, (we’re talking food web), which is a big reason why native plants as the foundation of the food web matter a lot.

“Some of it is based on the lens we are looking through,” says Leslie Cario, Director of Horticulture and Natural Lands at Adkins Arboretum. Adkins has long been focused on native plants, yet it’s always been in conjunction with the whole ecology of the area. “The people from The Biodiversity Project came out to catalogue what’s here, so it wasn’t just plants; it was insects, and different types of animals. So, it also depends if you’re focusing on conservation or restoration or gardening.”

Deborah Barber. cellophane bee specialist on native Coral Bells (Heuchera)

For Tallamy, who has long promoted the increased use of native plants as a means of restoring shattered biodiversity, it’s ultimately about a plant’s function in a whole community. White oak, for example, supports about 400 different animal species, a huge return on investment (to say nothing of how beautiful they are). So, ‘native’ has to do with a kind of ongoing reciprocity.

“A plant is native when it shares an ecological history with the plants and animals around it,” Tallamy says. “Native plants function better with the things they co-evolved with. It’s how it functions in the environment.”

But it doesn’t mean that all come-here’s are anathema. Come-here’s, when they contribute to the whole, (rather than take over as invasives) are welcome.

“Some people are really strict [about only natives],” notes Tallamy, who is more interested in collective citizenship than in purity.  “I have wood poppies in our yard. They are not strictly native to southeast Pennsylvania, but they function as a native. The deer love them.”

So, it’s complicated. And yes, ultimately, native plants matter enormously. They are vital components of a resilient, healthy (and beautiful) food web, landscape, home, and garden. Some may feel as though native plants restrict their garden choices, but Cario suggests that different individual aesthetic visions can easily dovetail with increasing native plant communities since it also enlarges the total gardening experience.

“Consider your gardening an act of altruism,” she says. “So, we’re not just doing it for ourselves, but to support wildlife around us. Even starting small will make some difference, so people should just try something and replace over time as they find out what works for them and what they enjoy. And I think people, who are looking, will enjoy as much the things coming to visit their garden as they are enjoying their garden.”

 

Resources:

Sustainable Gardening Institute

https://www.sustainablegardeninginstitute.org

Adkins Arboretum

https://www.adkinsarboretum.org

Chesapeake Natives

https://www.chesapeakenatives.org

Homegrown National Park

https://homegrownnationalpark.org

Maryland Native Plant Society

https://www.mdflora.org/plant-id

https://www.mdflora.org/chapters

 

National wildlife website

https://www.nwf.org

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Food and Garden, Food and Garden Notes

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