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May 20, 2025

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1 Homepage Slider 1A Arts Lead Arts Arts Portal Lead

Mid-Shore Arts: The Reluctant Art of Jennifer Leps

August 29, 2022 by Val Cavalheri

Attending Jennifer Leps’ exhibit, currently at the St. Michaels branch of the Talbot County Free Library, is like being exposed to three different artists–such is the range of her work. Yet, Leps is unassuming in taking in the praises she has received from the community. But that’s probably because art was not part of her original career path. That one had been about practicing business law, a profession she retired from after 37 years.

Art had always been part of her life, so it was no surprise that she gravitated toward it when possible. “Once I retired from practicing law, I had more room in my life to try a lot of different types of art. I honestly believe that every person has a creative urge. You only have to stop into Michaels Stores. It doesn’t matter whether they’re scrapbooking, doing wood burning, or painting; it’s all really a fundamental human impulse.”

What has surprised her is the critical acclaim she has been receiving. Especially, as she explained, she is self-taught. “I use watercolor, pastel, charcoal, and acrylic. And sometimes, all in the same piece, which I suspect you’re not supposed to do. But since I didn’t go to art school, I’m unaware of breaking any rules.”

Which brings us to this current show: It came about when her husband (author Bryan Christy) was invited to do a book reading at the St. Michaels library. Branch manager Shauna Beulah, who knew Leps was an artist, approached her about displaying her paintings in the exhibit space. Leps, whose creativity had been previously enjoyed only by friends and family, was forced to consider what everyone else had known for years: she was an artist. And a damn good one at that.

And so, Leps hung three series of paintings, each giving the viewer a glimpse into her artistic mind. In All Creatures Great and Small, Leps expresses her love for animals. Here you will find a black bear, face resting on a tree branch, or the osprey, both majestic yet almost human-like in its depiction. “I love to paint creatures,” she said, “both wild and domesticated, but particularly wildlife. I’m fascinated by everything from insects, fish, and toads to black bears and wild dogs.” St. Michaels’ Art League, of which Leps is a member, describes her work as “whimsical, colorful, and artistically precise.”

The second grouping is titled Spirit Animals. Leps expands her pull towards creatures, depicting them in realistic watercolors but combining them with a drawing of that same animal’s ‘soul using black, white, and red colors. In describing her work Richard Marks, who attended the exhibit, said, “As an artist, Jennifer’s style is quite varied with proficiency in many mediums. What is constant and shines wonderfully is her depiction and love for animals.”

The third series deviates from the pleasantly familiar and imaginative and instead represents a personal statement from Leps. Titled It’s Not Your Fault, these Me-Too-inspired paintings are primarily of women’s faces portraying their pain and brushed in broad acrylic strokes of fiery reds, oranges, and blues.

The series struck a chord with viewers: “I loved all of Jennifer’s artwork,” said Holly DeKarske, Executive Director of Easton Economic Development Corp., “but ‘It’s Not Your Fault’ was the most moving for me. It’s something every woman and girl needs to hear, know, and remember. Each painting was incredibly moving.”

Shauna Beulah agreed: “I was most impressed with the pieces from ‘It’s Not Your Fault. They made me think and reflect on women’s issues and my response to them. Other people reacted to the spirit animals and found one that seemed to speak to them.”

The idea for this collection came about unexpectedly during a trip to Spain Leps took with her family. “We were at an International Women’s Day march, and a couple of men walked in front of us with a sign that said, ‘It’s Not Your Fault.’ My (at the time) 26-year-old daughter burst into tears. Here she was, an extremely poised, successful, competent young woman, yet something triggered her. I put my hand on her back in comfort, and at the same time, my husband Bryan took a picture. So I recreated that scene in my painting, and it initiated a process for the series.”

Leps wanted to go further. In her exhibit, she prominently included information about Easton’s crisis service center, For All Seasons. “The group,” she said, “has an amazing reach and breadth in terms of the expertise that they can provide, and they can do it all in both English and Spanish, without regard to the individual’s ability to pay. In speaking with the staff, they suggested that it might be helpful to put their phone numbers near the pictures because, just like my daughter’s experience, you never know what might be triggering.”

Beth Anne Langrell, CEO of For All Seasons, was happy with the collaboration, “Our team was thrilled to be asked to support Jennifer’s art show and bring to light the topic of sexual assault. The pictures are stunning and highlight that sexual assault affects us all – everyone knows someone who has been affected. The impact of Jennifer’s work is universal. We are so happy to be a part of the artistic journey that shines a light on such an important topic.”

For Leps, this was further confirmation of the effect of her work. “I was gratified that people responded to paintings designed to deliver a message, make a statement, or challenge people to think differently about something.”

Leps is currently working on a series about mothers and children, but you won’t find these images used on Hallmark cards. They are meant to explore the power of motherhood in a challenging world. And she doesn’t want to whitewash it with pretty pictures, which is why the set includes one mother shielding her child during the Indonesian tsunami and another protecting her child during the Syrian war. “I want to represent, across every ethnicity and every economic stratum, the commonality of mothers wanting more than anything in the world to protect their children.”

One thing Leps can take away from the reviews of her show is that she is free to continue to work on whatever inspires her. “I’m pretty sure that what one is supposed to do as an artist is to find your style and keep doing it until you are very, very good. I just enjoy trying different styles and different combinations of mediums. I’m always searching for something that seems to be evocative.”

So, after all this, does Leps finally consider herself an artist? After giving the question some thought, she said: “I do. It’s been a transition, and it has taken a couple of years for me to say that with confidence, but I do.”Jennifer Leps’ one-woman show will run through the end of August at the St. Michaels branch of the Talbot County Free Library, 106 Fremont St., St. Michaels, MD.

For All Seasons forallseasonsinc.org provides outpatient mental health, psychiatric, education, and rape crisis services to English and Spanish-speaking communities regardless of one’s ability to pay. Trauma-certified therapists and psychiatrists provide a variety of treatment approaches and individualized care for children, adolescents, adults, and seniors on Maryland’s Eastern Shore, with locations in Easton, Denton, Cambridge, Stevensville, Chestertown, and Tilghman Island. Phone: 410.822.1018

24-HR Hotlines:
English Hotlines:800.310.7273 or 410.820.5600 Text in English & Spanish: 410-829-6143
Para Español llame o envíe un mensaje de texto al: 410.829.6143

 

 

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, 1A Arts Lead, Arts Portal Lead

Mid-Shore Arts: The Dorchester Women’s Mural Hits the Wall

August 19, 2022 by Val Cavalheri

The dedication and ribbon cutting of the Dorchester Women’s Mural was held on Saturday, August 13, 2022. The mural, which features 12 Dorchester County women, is located on the sidewalls of 516 and 518 Poplar Street. The Cambridge Community Arts Foundation, Inc. (CCAF) conceived the project, which was funded through grants, local individuals, and community organizations.

The mural was painted by artist Bridget Cimino, whose design was chosen from among the 17 entries received. The portraits took approximately a month to complete, and a day was set aside where people in the community were encouraged to come out and help paint (under the tutelage and watchful eye of Cimino). Once completed, it was time to work on the dedication ceremony and invite the women (or their representatives) who were featured on the walls.

Over 200 people were in attendance on the day of the ceremony. They were there to pay tribute and be inspired by the women chosen both by their contribution to their field and the impact they have made that extends beyond their community. Emceeing the event were Theresa McFadden, President of CCAF, Linda B. Starling, and Lisa Krentel. The three, who are all local artists, and board members of Main Street Gallery and CCAF, were instrumental in launching and managing this mural project. First introduced was Cimino, who expressed her gratitude for the experience and the honor of meeting some of the women whose faces she had spent hours painting.

Chief Yogananda Pittman and Bridget Cimino

Yogananda Pittman, former Acting Chief of the U.S. Capitol Police, spoke next, joking, “it doesn’t take much to convince me to come back home. Usually, just an invitation to a bushel of crabs would do it.” Then added: “But when I was chosen to have my face displayed on this mural, with other notable women of this community, I would have walked from Washington DC to be here today. This is beyond anything I could have imagined in my life. Words alone cannot express the gratitude that I’m feeling at this moment.” Pittman noted that her rise in ranks would probably have gone unnoticed were it not for the events of January 6th and her subsequent testimony at the Congressional hearings. She also acknowledged the officers who lost their lives on that day. Pittman expressed gratitude to the community of Cambridge and the influence of teachers and family. 

Also recognizing the community was Admiral Sara Joyner, the first female carrier strike fighter squadron leader. She mentioned that in her current work at the Pentagon, she is used to meeting individuals who grew up on the Eastern Shore, calling it a “testament to the type of people who are raised here.” Joyner mentioned the education she received in Cambridge that was instrumental in her being accepted into the U.S. Naval Academy, even though women were not allowed to serve in combat when she first joined. “But ‘no,’ was not something I accepted,” she told the audience. “It became something to overcome.” And so, by 1993, she was allowed to fly jets, although still only in a teaching capacity. When laws finally changed, Joyner did five deployments and almost 100 combat missions. “I’ve had great opportunities,” she said, “and that foundation was formed here. When people told me no, I knew how to get through that, I learned it here.”

The next speaker, Victoria Jackson-Stanley, drew a standing ovation when introduced. As the first woman, first African American, and (three-term) mayor of Cambridge, Jackson-Stanley, expressed the importance of support from family and community members. Referring to others who were memorialized on the wall, she said, “The community of Cambridge has made us all part of history, although I never thought of myself as being history. Someone sitting behind me asked, ‘You’re the mayor? You know you’re history?’ But I didn’t do it for that. I did it because I love Cambridge. I love this community. It has made us all who we are in one way or another.”

Other speakers included Harriet Tubman’s great-great-great grandniece, Tina Wyatt, who reminded the audience that her relative was accused of ‘having stolen herself.’ Mary Handley, Annie Oakley’s impersonator, appeared in costume and gave a brief historical perspective of champion sharpshooter Oakley’s life. Dr. Lida Orem Meredith, the first woman doctor in Dorchester County who was especially noted for serving the underprivileged, was represented by her great-grandson Jay Meredith. Speaking on behalf of Fronie Jones, the matriarch of a legendary 60-year, multi-generational crab picking family at J.M. Clayton’s, was Evangelist Patricia Brown, a granddaughter of Jones. She thanked Cimino for capturing her grandmother’s spirit in her drawing. Civil Rights activist Gloria Richardson was represented by two people who identify themselves as keepers of her flame, Kisha Petticolas, and Dion Banks

Additional women on the mural are Anna Ella Carroll, advisor to President Lincoln, and actress of stage, screen, and television–Bea Arthur. In attendance but choosing not to speak was Donna ‘Wolf Mother’ Abbott, the first woman Chief of the Nause Waiwash tribe.

The last introduction went to Dakota Abbott Flowers, six-time champion muskrat skinner, and former Miss Outdoors. Flowers began by expressing her surprise that her “muskrat skinning skills” would get her on the wall with other women who have helped pave the way for future generations of admirals, chiefs, mayors, and surgeons. She ended with a quote: “What is important in a dress? The woman who is wearing it.”

Following the speeches, Theresa McFadden cut the ribbon. The celebrated women and their families chatted and took pictures with audience members before heading out to a luncheon at the 447 Venue on Race St. 

Said McFadden: “We were thrilled with the turnout and the reception the speakers got from the crowd. Their words were powerful and moving, and it was clear how important the mural was to them and their families. The dedication was truly a joyous community event!”

For a time-lapse video of the creation of the mural, click here. 

 

 

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1A Arts Lead

A Time to Wake Up with Artist Anna Harding

August 17, 2022 by Val Cavalheri

The Spy recently sat down with botanical artist Anna Harding who currently has an exhibition at Adkins Arboretum titled Wake Up…We Need Everybody. Her show includes a selection of plants, birds, animals, and insects indigenous to the Chesapeake region. Harding selected what she would draw after researching a comprehensive catalog received from the Wildlife & Heritage Service through the Department of Natural Resources. Featured in it were endangered, threatened, extirpated (no longer able to exist in a specific geographic area), and critically imperiled species. Although she chose several from each category, only one extinct creature made the list—the Maryland Darter, a three-inch freshwater fish solely found in Maryland and last seen in 1988. 

Using ultra-sharp graphite and colored pencils, Harding creates amazingly accurate and detailed drawings that invite the viewer to step in for a close look. It is within this intimate look that she hopes people can have a conversation as to why these species are in trouble.

Harding, who minored in art while attending George Washington University, was active as a ceramic artist for over 25 years before turning to botanical art. She has taught her craft at Adkins Arboretum and is a member of the Working Artists Forum. She also co-founded the Botanical Art League of the Eastern Shore in 2021.

Anna Harding’s retrospective runs through September 3 and is part of the Arboretum’s ongoing exhibition series of work on natural themes by regional artists. It is on view at the Arboretum Visitor’s center at 12610 Eveland Road, Ridgely. 

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Spy Highlights

It’s a Wrap! Academy Art Museum First 24-Hour Race Winners

August 8, 2022 by Val Cavalheri

The first 24-Hour Video Race is in the can! Sponsored by Academy Art Museum (AAM) in partnership with the Chesapeake Film Festival, the submitted films were screened at AAM on Friday July 29th and winners were announced.

Jackie Royer, Ray Remsch, and Chris Pierce People’s Choice Award

The competition began on July 22 when registered filmmakers of all expertise and ages were sent the following elements in an email, which they had to incorporate into their film.

Theme: Transformation
Prop: Water
Dialogue: “How refreshing”

They were then challenged to write, shoot, edit, and score an original short film. The film had to be between 1- 7 minutes in length and had to be submitted within a 24-hour period.

Award-winning filmmaker Francisco Salazar designed the event for AAM and a panel of judges, including Chesapeake Film Festival Director Cid Collins Walker and Martin Zell, Board of Trustees President, selected the winners. Cash prizes and a trophy were given to:

Best in Show – Adult $250
Black and White and Hot All Over: Stephen Haynes,

Best in Show – Student/Family (at least 50% of the filmmaking team had to be under 18) $150

Water!: Ian Hasselgren, (Student/Family)

Ian Hasselgren

Lemonade: Mac Mirabile, (Student/Family)

Additionally, a People’s Choice Award was selected on Friday by attendees and an award was also given to: The Driver’s Seat, Ray Remesch, (Adult) who also won $100

Jennifer Chrzanowski, AAM’s Development Manager, said “The judges were excited and surprised at the quality of the submissions. Everything about them, including the editing and acting, was very unexpected and very welcomed.”

Meanwhile you can judge for yourself: https://vimeo.com/737544972

 

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1A Arts Lead, Arts Portal Lead

Dancing on the Mid-Shore: A Chat with Dance Academy’s Shari Smigo

July 23, 2022 by Val Cavalheri

Shari Smigo, owner and Director of Mid Shore Dance Academy (MSDA), hadn’t really considered owning a dance studio. She had taken ballet classes as a youngster and danced through high school and college. She even danced while working full-time. But then kids came along, and dancing and family became too much of a balancing act. Suddenly, the idea of having a dance studio began to make sense. It was something she could do during the evenings when her husband was home and could be with their four kids. 

Shari Smigo, owner and Director of Mid Shore Dance Academy

So Mrs. Shari (as she is known at her school) chose a safe way to start by teaching at the Academy Art Museum, where there would be no overhead or rent for her to worry about. But 13 years ago, after outgrowing the space, she took the plunge and opened a location in Easton. At the time, she was the only teacher to the thirty kids attending the school.

As the business grew, she added additional instructors, more studio space, and even a new location in Centreville. She still considers expanding, but not without the proper staff. “Here’s the thing,” says Mrs. Shari, “I limit myself because of the caliber of stock of instructor that I prefer to have. I want them to have more than, ‘Oh, I took ballet once a week until eighth grade, and I’m now ready to teach.’” She’s proud that her teachers have a mix of pre-professional/university training and professional performance experience; even prouder, some are former students, including one of her daughters. “Some have done great things,” she said. “such as dancing with the Washington and Joffrey Ballet. Many dancers have continued their dance training at various prestigious universities, including both of my daughters.”

The caliber of instructors is only one of the reasons why MSDA is successful. The studios offer a variety of options to dancers from 2 ½ years of age and up in Ballet, Pointe, Tap, Hip Hop, Contemporary, and Jazz. But it is ballet that is the basis of all they do. “I believe in that classical foundation, although we teach a broad range of things,” says Smigo. We are aware that not everybody wants to be a ballerina, they may love to dance, but ballet may not move fast enough for them.”

Whatever the format, all this dancing is really good for a child’s mental and physical development. It is why performing arts is at the top of every list of the best extracurricular activity for a child or a teen. It also builds self-confidence and creates lifelong friendships, added Mrs. Shari. “I think the biggest thing I see with those that have been together for a long time is that they grow, function, and work as a group. If one person doesn’t get a particular step or choreography, somebody else does. So they start to share a brain, for lack of a better word. It’s one of the neatest things to watch them grow into these cohesive groups.”

COVID, of course, put a pause to that development. “We’ve definitely seen a difference in the kids,” she said. “They didn’t have the opportunity to learn or practice for a while, and they lost some of those skills. Children benefit greatly from being engaged in a group activity, goal setting, and teamwork. Something we missed during the pandemic. It’s a relief to be together again.”

However, some changes instituted during the COVID restrictions have been kept. Before the pandemic, MSDA had a couple of observation weeks where parents could come in and watch their children practice in the studio. It would get very crowded, and with COVID, this no longer was appropriate. So now, the studio live streams the classes in the waiting room while parents wait. It’s turned out to be beneficial for both parents and their children. “It’s good for the younger kids,” says Mrs. Shari, “who may be a little unsure. So we tell them, ‘Mommy’s right out there and seeing you,’ and it gives them that little confidence boost. Then for the ones that may not be paying attention in class, it’s also a reminder that Mommy’s watching them. Of course, for the parents, it gives them an understanding of the formal dance world that not everyone gets to see.” 

Embracing technology appeals to–what Mrs. Shari calls–her tech geek side. One area where she says she ‘gets lost for days’ is music selection from streaming services. Dance studios years ago would hire a pianist who would play a melody with the appropriate tempo to go with the exercise during classes. There is a certain nostalgia for dancers who were part of the live music generation.

“Every once in a while, when I take a workshop, and they use live music, my heart just sings, and I grin like the village idiot the whole time. Yeah, I miss live music. But we’ve gone from records, cassette tapes, and CDs to services like Spotify, which will give me anything I want. If I’m looking for music that goes with pirouettes (turns across the floor), there will be a long list of options, and I spend hours listening to pop tunes or musicals that have been transcribed–I guess that’s the best word–into a dance class format.”

So for those interested in the available programs, most classes are offered in four 8-week sessions, culminating in a June recital. They also do a showcase for family and friends and a smaller holiday show with the performance company students (who are selected through an audition process). However, depending on how COVID will be in the fall, she hopes to expand that to a larger group of dancers. The troupe is open to performing at other opportunities as well.

If all of this seems like fun, it is. It’s difficult not to feel the passion for dancing evident when Mrs. Shari speaks about “her” kids and her commitment to their development as dancers. But it’s more than that. She also hopes to instill in them a lifelong appreciation for the arts. “I am so lucky,” she says, that I get to do what I love. I love to teach, and I love to work with the kids. I love all of those aspects of it.” 

For additional info: https://www.midshoredance.org

Val Cavalheri is a recent transplant to the Eastern Shore, having lived in Northern Virginia for the past 20 years. She’s been a writer, editor and professional photographer for various publications, including the Washington Post.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1A Arts Lead, Arts Portal Lead

Pet Therapy on the Mid-Shore: Healing Touch Takes the Lead with Blair Hope

July 11, 2022 by Val Cavalheri

Who hasn’t wished they could help their hurting pet simply by touching them? Well, that might just be possible thanks to a holistic energy-based healing therapy known as Healing Touch for Animals (HTA). The treatment, an offshoot of Healing Touch (HT), uses the science of energy medicine and biofield noninvasive therapy to stimulate healing responses in patients.

HT was developed in the late 1980s by Janet Mentgen, a nurse who shared her energy-based hand healing methods with other medical professionals. She eventually found the Healing Touch Worldwide Foundation, which taught the technique to others and supported the program’s research. In 1996, a veterinary technician and HT Certified Instructor/Practitioner, Carol Komitor, realized the same methods could also be used on animals and launched HTA.

Blair Hope helps dogs

The Spy recently sat down with Blair Hope, HTA Practitioner, and area Training Coordinator, to talk about her experience with this method.

At first glance, Hope is not someone you would expect to see in this field. With a degree in Psychology from Virginia Tech, she worked in social work/human services and then as a pre-school director and teacher. “To me, it was a natural progression,” she said. “I have always been passionate about working with children and animals.”

Currently living in Royal Oak, she was inspired to explore energy work to help her dog, a lab named Bear. He had just turned 12, and she wanted a holistic way to keep him healthy. Her research led her to HTA and an intro class in Baltimore. “It was the most amazing experience,” she said. “I could physically feel something in my hands; I didn’t quite know exactly how or what that was at the time. But I could feel some tingling, and that something was happening, and it felt good.”

Hope began to ‘play’ with that experience, practicing and seeing health improvements both in her dog and on animals of friends who would allow her to ‘experiment’ on them. After a couple of years, she decided to take an additional class. By this time, Bear was having mobility issues, and she brought him with her. They learned a technique that worked on the energy of the spine. “He had limped into the class,” she said, “and when I took him out for a potty break, he was walking like a young puppy.” There was no other explanation for it; this stuff was real, Hope thought and began her study for certification in this field. At first, she started offering her services on a volunteer basis, and when referrals started coming in, she knew it was time to make it her life work. She now offers sessions to a variety of animals and, for now, only through distance healing, as it allows her to help more clients.

Hope told us that people are most curious about how energy healing works: “Energy exists in each of us. We’re made up of electromagnetic energy and have energy fields around us. If you’ve ever felt somebody come up behind you, and you didn’t know that they were there, that’s the energy fields interacting with each other. Also, if you’ve ever walked into a place and get a strange feeling and don’t know why, it’s again the energy field working.” In her practice, Hope begins by assessing that energy system in the animal and then uses various techniques to clear, strengthen, and balance it.

And Cats too

You can see it happen, Hope says. There is a noticeable physiological response to the healing in animals. Most often, it will trigger a relaxation response where the animal might lie down, yawn, and maybe fall asleep. This happens in combination with the owner’s feedback that their animals were changed in some way; they were moving, behaving, eating better, or otherwise improving. “I love working with animals,” she says, “because people can explain away anything. But animals don’t have that preconceived notion that they should feel different because they received energy work. And when they are different, it’s just confirmation over and over again that it’s working.”

So who are Hope’s clients? Usually, she told us, they are people who have a strong bond with their pets and consider them part of the family. They want to understand and help resolve whatever pain or distress their animal may be in. “Majority of the people who reach out to me have gone to the vet, a trainer, or a behaviorist and feel there’s still a piece missing. So many people who come to me have tried something else already.”

It’s important to note that HTA does not replace traditional medical or veterinary health care. The teaching promotes a cooperative model that bridges holistic animal care with conventional veterinary medicine. “I feel like my job is to help provide another way to find pieces of the puzzle,” says Hope. “A different perspective and additional information to try to find the solution for your pet.”

That solution, at times, might take an unexpected form. There is one more feature to Hope’s healing which came about quite unexpectedly and much to her surprise. It happened while she was working with a dog that was quite ill and whose owner was upset and didn’t know what to do. “I did some Healing Touch techniques just to give the animal support and help with comfort and pain whether he needed to heal or if it was his time to pass. While working on him, I kept seeing a picture of a golden key. As I was leaving, I mentioned this golden key, telling the owner I didn’t know what it was about but felt it was really important. An hour after I left, she called and said, ‘you’re never going to believe this. I went to my room to put something away in my jewelry box, and there was a key in it that I don’t even know how long it’s been there.’ The key was engraved with the words: ‘Let Go.’ And she knew looking at the key that he had sent her this message and it was his time. She understood what needed to be done and felt at peace.”

That was the beginning of that aspect of her practice—communicating with animals, a connection that comes to her in various ways. Sometimes it’s like a picture or a movie, she says; sometimes, it’s a thought, a word, or even several words. A lot of times, those words are ones she usually does not use or images she doesn’t have any personal experience with. For instance, she recounts the time when the owner wanted to know how to get their sick and stubborn horse to take their medicine. The horse, Hope said, asked for the remedy to be put on the ‘sticky stuff.’ Hope had no idea what that meant, but the owner did, and the problem was solved.

There are many stories like this and many clients who are thankful she got involved.

and horses…

Just ask Krystle Smothers from Chicago. She’ll tell you about her dog Java, a nervous rescue with anxiety issues. “Blair worked with both of us to get us balanced. She’s given me little phrases and things to use with him when things set him off, to help pull him back into reality and let him know he’s safe. She’s helped me understand how my words, emotions, and thoughts affect him. And it’s helped me stay grounded, as well.”

But not everyone is a believer. At least not at first. We spoke to Jane Brown, who lives on the Eastern Shore and owns Charlie, a Yorkie who was born brain-damaged and who, at ten weeks old and unable to eat, was still being fed through a syringe. “Even the vet said he wouldn’t make it,” said Brown. A friend told her about Hope, and when Brown expressed skepticism, she offered to pay for the session. “So Blair called and did what she does. She worked with Charlie and told him he had to eat so he could thrive and grow. After she hung up, it was almost like a light bulb went off in him. He got up, went to his food bowl, and started eating. She saved him, and yes, I’m a believer now.” Charlie will turn five years old this year.

Hope is no longer surprised by these stories. What still astonishes her, however, are the changes she has experienced since starting her practice. More specifically, the unique understanding she now has of life and death, something that her beloved dog Bear first taught her. “He was 17 and getting weaker and weaker. I saw how much physical comfort the energy work brought him and how much peace it brought to both of us. And it was such a gift to be able to give back to an animal who always gave me such unconditional love. That’s why I love working with senior pets, end-of-life, and hospice. I knew I wanted to share that peace and that comfort with other people and their pets.

I have learned something from every single animal I work with. They have so many lessons to teach us, and I’m in awe of how much better than us they are at understanding unconditional love and the whole process of life.”

For more information, Blair Hope may be reached at: https://www.blairhope.com

Val Cavalheri is a recent transplant to the Eastern Shore, having lived in Northern Virginia for the past 20 years. She’s been a writer, editor and professional photographer for various publications, including the Washington Post.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider

Mid-Shore Food: They’re Now Eating Sprouts in Annapolis

July 7, 2022 by Val Cavalheri

Eat Sprout in Easton and St. Michaels has always been trendy. For good reason–they serve nutritious and innovative food. Next week when they open in Annapolis, the other side of the bridge will find out why this unassuming business is so popular.

Not that it came easy. Some successful businesses are inherited, while others result from a lifelong dream. Then there are the accidental businesses, such as this one.

It all started when Ryan and Emily moved to Easton in 2012. She had been in the Air Force. He had a Masters in Nutrition, and they both had a job helping start someone else’s business. All was going well; they bought a house and had a child, but then in 2015, both lost their jobs.

That’s when things got bad. But people they had met throughout the years reached out wanting to help. Including a friend/client who owned Tiger Roofing in Cambridge—Gary Sampson. Sampson needed someone to cook for him while he tended his burgeoning business. Could the Grolls help?

Ryan and Emily Groll

And so Ryan and Emily began cooking for Sampson as a way to pay for their mortgage while continuing to look for jobs. But the Grolls’ cooking became known. Could they also cook for some of Sampson’s friends? “We decided it probably wouldn’t be that much more challenging,” says Ryan, “since we were already doing it.” Before too long, two became three, then four, and soon they found themselves cooking for about a dozen people.

As can be imagined, that became challenging. The couple was getting up at dawn, shopping, making and packaging the meals, and delivering them (with baby in the back) to their various clients. They would then come home, do the dishes, and research recipes for the following day. Emily compared it to cooking a large family Thanksgiving meal every day, seven days a week.

With that came the realization they were on to a good thing that just might be worthy of their time and investment. What they needed now was a commercial kitchen that would allow them to keep up with their demand. Instead, a family member suggested, what about a food truck?

Emily and her children

Ryan found a place in Michigan that retrofitted old school buses. With the company’s help, the Grolls designed one that would fit their needs. They licensed it, hooked it up to their well and septic, and in 2016 opened Eat Sprout, a subscription-based meal delivery business. “We would do this once a week,” said Ryan. “And when we got busier, we did it twice a week, and then three times a week. Then we brought on our first employee, then our second employee. We sold Emily’s car to buy a delivery van. And then we got our first delivery driver. And it just grew and grew and grew from there.” The growth included a start in the retail business when they began providing food to a couple of companies that allowed them to keep a refrigerator at their location.

Clearly, it was time to expand beyond their 120-square-foot food truck space. After an extensive search, they found a building on Aurora Street and a bank to finance it, and in 2018 Eat Sprout became a place where people could come in and pick up a meal, snacks, and drinks. “One of our mottos,” Emily said, “is ‘if you keep good food in your fridge, you’ll eat good food.’ So it’s up to us to make that happen for you.”

Just as with their personal chef experience and then with their delivery business, soon the clients increased to where the Grolls felt they could grow even further. They opened in St. Michaels at the beginning of 2019 and started to plan going over the bridge. And then, like all stories that begin and end around this time, COVID hit, and doors and plans were shut down.

Once businesses began to reopen, owners were finding a whole new set of problems, including the need for and retention of staff. Where around them, restauranteurs were making do with shorter hours and less help, the Grolls continued to attract a talented group of employees. It may have had something to do with perspective. “Our staff is incredibly talented, and everybody is important,” says Ryan. “The chefs I know work terrible hours, so, for instance, we told our chef we could offer him a different lifestyle. He could make his own schedule, have paid time off as needed, as well as nights, holidays, and weekends. Plus, there are no tickets to fill since this is a production-style kitchen. So how do we keep our staff? By providing them with what they want.”

The Grolls are also thankful for their employees, believing that the creativity of their staff contributes to the success of the products they carry. It is the staff, they say, who tweaked what was already on the menu to make it better or interpreted what the guests were looking for and then made it happen.

Whatever the reason, Eat Sprout is well known and appreciated on the Eastern Shore and is about to be introduced to a new audience. The pause contributed by COVID allowed the Grolls to plan the approach to their expanding business. Location is everything, and they think they found it in Annapolis, next to Home Goods and in the same shopping plaza as Trader Joe’s. It will be a sit-down café with the same feel as the St. Michaels location but with the grab-and-go concept of Easton. But the Grolls’ strategy also includes a hub-and-spoke business model that so far has been working and which they hope will be the blueprint for all future locations.

The hub, at the Easton location, is their central kitchen. That’s where all the talented chefs are and where all the production, logistics, manufacturing, packaging, and quality control happens. From there is the distribution to the various spokes, which has been St. Michaels for the last two years and will now also be in Annapolis. “So the idea is consistency,” says Ryan. Since everything is still made in Easton, they can expect the exact same quality of bread, drinks, snacks, and entrees at all locations because it was all made fresh that day.”

Consistency will also extend to the atmosphere of the Annapolis shop, as some of the Eastern Shore employees will be commuting to help establish the new location. But the Grolls are also excited about this new location for another reason. Both were born and raised in Anne Arundel County, and both lived in Annapolis. So to them, it is almost like coming home and reconnecting with old friends.

“I was at the Annapolis shop doing some work, said Ryan, “and took a quick lunch break. As I’m walking to the parking lot, I hear my name called, and it’s an old friend that I went to high school with years ago. They said they were so excited to see Eat Sprout coming and are bragging to their friends about knowing the guy who owns it. So it’s kind of like some old friends I probably haven’t seen or talked to for over 15 years promoting this for me, just because they know who we are.”

If history repeats itself, it won’t be long before a whole new clientele in Annapolis will also know who they are.

P.S. In case you’re wondering what happened to their old food truck, it is now in the care of another Easton favorite, Four Sisters Kabob and Curry.

Val Cavalheri is a recent transplant to the Eastern Shore, having lived in Northern Virginia for the past 20 years. She’s been a writer, editor and professional photographer for various publications, including the Washington Post.

For more information: https://www.eatsprout.com

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Latitude 2.0: A Chat with New Owners Kris and Leigh Clear

June 7, 2022 by Val Cavalheri

When Kris and Leigh Clear dreamed about opening a restaurant, they never expected it would be one that was a foundation in their hometown and owned by family friends. As the new owners of Latitude 38, the Clears are aware of how ingrained the restaurant has been in Oxford and want to continue to offer the great food and atmosphere that the community has enjoyed since the restaurant first opened over 31 years ago. 

With backgrounds in the hospitality business, Leigh, a respiratory therapist, and Kris, a high-end residential property manager, felt they could provide a welcoming environment for people to enjoy. What will be different is the menu. Head chef Kerry Clear, Kris’ sister, will be serving a variety of Eastern Shore/Southern-influenced dishes.

The Spy sat down with the Clears on the eve of their opening day. They expressed gratitude for the community that has embraced them and the help that former owners Gretchen Gordon and Wendy Palmer continue to give them. 

The Clears live in Easton with their two young boys.

Latitude, located at 26342 Oxford Road, is currently open Wednesday – Saturday 5:00-10:00 pm

Val Cavalheri is a recent transplant to the Eastern Shore, having lived in Northern Virginia for the past 20 years. She’s been a writer, editor and professional photographer for various publications, including the Washington Post.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

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In the St. Michaels Community Center Kitchen with Chef Sean Raspberry

May 23, 2022 by Val Cavalheri

St. Michaels Community Center (SMCC) is about to go through some significant changes. Renovations will convert the vintage lumber warehouse into a modern facility that will also include space for a culinary workforce training program for Chesapeake College and other interested apprentices.

To lead the expansion of the culinary programs, SMCC hired long-time chef phenom Sean Raspberry. Raspberry may be remembered for his gastronomic mastery at places such as the Inn at Perry Cabin, Out of the Fire, Harrison’s Harbour Lights, and General Tanukis, to name just a few. His current responsibilities include running and producing nutritious menus for SMCC’s Community Café, which serves eat-in and take-out meals on Monday, Wednesday, and Fridays.

“I’m excited to have Chef Sean on the SMCC team, and I look forward to working with him in the kitchen,” said SMCC Executive Director Patrick Rofe. “There aren’t any culinary limitations on what we can do, whether providing meals to the community, cooking classes, or culinary workforce training. We’re able to offer a unique and delicious menu, and we can pass along that knowledge to the community in SMCC’s future culinary arts programs.

The more we talk about the future and the possibilities, the more excited we both get to start the program. We’ll have to patiently wait for the new building. But we’ll be ready to hit the ground running once the new building and new kitchen are ready.”

Ground-breaking for the new facility is scheduled for the fall, and renovations are expected to take a year to complete.

The Spy recently sat down with Chef Sean and asked him about his previous experience, why he chose to work at SMCC, and his plans for the future.

This video is approximately three minutes in length. For more information about St. Michaels Community Center please go here.

Val Cavalheri is a recent transplant to the Eastern Shore, having lived in Northern Virginia for the past 20 years. She’s been a writer, editor and professional photographer for various publications, including the Washington Post.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

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The Women’s Mural Comes to Cambridge

May 12, 2022 by Val Cavalheri

Cambridge is about to be put on the map again. Coming in the next few weeks will be the installation of a remarkable public art project, The Dorchester Women’s Mural, featuring 12 past and current Dorchester-based women who have made a significant contribution in their field that extends far beyond their community. 


The original project’s scope was to enhance the sidewall of the Main Street Gallery on 518 Poplar with a colorful mural. To help pay for the image and bring similar art projects into the community,
a group of artists from the Main Street Gallery co-op formed the nonprofit Cambridge Community Arts Foundation, Inc. (CCAF) in 2021. Local individuals and community organizations helped launch a grassroots effort to make the mural a reality, and CCAF secured a grant from the Maryland State Arts Council’s Public Art Across Maryland program.

Next, CCAF formed a Mural Selection committee which put out an RFP (request for proposals) for applicants to submit their plans. Of the 17 entries received, three were asked to present a final rendition of their ideas. The winning muralist was Bridget Cimino from Baltimore. She was chosen, said CCAF President Theresa Knight McFadden because her work was “bold and colorful.”  Her presentation also separated her from the competition. “Some of the entrants,” said McFadden, “photoshopped pieces. Bridget actually drew and painted her submission. That gave us a really clear picture of what she would do.”

As identified by the committee, seven women would be recognized and appear on the Dorchester Women’s Mural. These were: Yogananda Pittman, former Acting Chief of the U.S. Capitol Police; Civil Rights activist Gloria Richardson; Admiral Sara A. Joyner, the first female carrier strike fighter squadron leader; Anna Ella Carroll, advisor to President Lincoln; Bea Arthur, actress of stage, screen and television; champion sharpshooter Annie Oakley, and social activist Harriet Tubman. 

It was muralist Cimino who recommended extending the mural onto the adjacent wall of 516 Poplar Street and include other locally significant women. Building owner William E. Harrington agreed.


With input from the community, five additional women were chosen to be added to the extension: Mayor Victoria Jackson-Stanley, the first woman and first African American mayor of
Cambridge (three terms); Dr. Lida Orem Meredith, the first woman doctor in Dorchester County, especially noted for her service to the underprivileged; Fronnie Jones, the matriarch of a legendary 60-year, multi-generational crab picking family at J.M. Clayton’s; Donna Wolf Mother Abbott, the first woman Chief of the Nause Waiwash tribe, and Dakota Abbott Flowers, six-time champion muskrat skinner, and former Miss Outdoors.

McFadden is looking forward to this commemorative piece being an attraction to tourists and part of the mural tour in Cambridge. There will be a legend on the wall identifying the women, and rack cards with additional information will be available at businesses. An educational component is being developed to make these women’s stories a teaching resource for the 4th and 8th grade social studies classes in Dorchester County Schools. 

“There are 12 strong women up there,” said McFadden. “Usually, in projects like this, there are a lot of men who are recognized as having left an imprint on our community, and maybe a couple of women. But here are all women who’ve done really wonderful things. And they’re all from the area. When I first saw it, I thought how inspiring this is and how cool for girls and boys to see local women who went on and did some really good things. We are so very proud of their accomplishments. We hope that their stories will prompt other young women to pursue paths that excite their passions.”

 A “Community Artist Day” is planned for one Sunday late in May or early June that will allow people to sign up and, under the tutelage of Cimino, help paint and bring it to life. Anyone interested in participating is encouraged to register by emailing [email protected]. 

As for the foundation’s future, McFadden is not yet sure, but community engagement is high on her priority. One project they have remained committed to is their Little Free Art Gallery. Like the Little Free Library, and with the motto, ‘bring a piece, take a piece,’ the wooden box outside the Main Street Gallery contains fun-sized works of art that have become a source of community curiosity and generosity. Visitors are encouraged to donate, look at or take and enjoy the available artist’s contributions.

More information about the mural (which will be located on the sidewalls of 516 and 518 Poplar Street in Cambridge) and the Little Free Art Gallery can be found on their Facebook page.

Val Cavalheri is a recent transplant to the Eastern Shore, having lived in Northern Virginia for the past 20 years. She’s been a writer, editor and professional photographer for various publications, including the Washington Post.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Spy Highlights

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