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September 26, 2025

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Arts Design with Jenn Martella

House of the Week: “Spartina Cove”

August 15, 2024 by Jennifer Martella

Front exterior of lovely Dutch Colonial home in Royal Oak, MD

If I were looking for a house, I would concentrate on Royal Oak for several reasons, primarily its close proximity to both Easton, St. Michaels’ and Oxford’s amenities.  The bonus would be taking the ferry from Bellevue to Oxford for ice cream from The Scottish Highland Creamery! This charming 2 + acre wooded property along the banks of Edge Creek is a peaceful haven with the Dutch Colonial style house set back far from the road at the end of a meandering driveway through pine trees. I especially admired how the one story wings of the entry and the garage wings step down from the center two-story wing to create a very pleasing massing and how the exterior colors of the roofing, siding and  shutters echoes the surrounding colors of nature . I also love bay windows and the symmetrical main wing with two bay windows adds to the wonderful curb appeal.

View of rear elevation from the water-facing backyard.

When I walked around the house, I admired how the rear elevation opened up the house to the water from the expanse of windows at the living room and the shed dormer windows in the bonus room above the garage that along with the screened porch provide panoramic views of the water. The single dormer windows at the second floor offer water views for both the primary bedroom and the primary bath.  From the terrace, a stone path leads to the pier with long views of Edge Creek.

Enjoy views of Edge Creek from the comfort of a screened in porch

My fave room is the screened porch with its flagstone floor, exposed wood rafters and decking and the wide screened panels for panoramic views of Edge Creek. I especially liked how the ceiling is sloped and the side wall screening reaches up the ceiling. It would be so easy to linger here for a second cup of coffee to begin the day with the background of the sights and sounds of nature. 

The rear of the home features a lovely terrace perfect for outdoor dining or catching a few rays.

Another outdoor space is the spacious stone terrace with low brick walls that both defines its boundary and provides extra seating. I especially liked how the edge meets the rear wall of the screened porch with a curve instead of a right angled wall.

With the terrace spanning the full length of the house, it is easy to access both the back door and the garage

From the screened porch, the terrace spans the length of the house‘s main wing and ends at steps down to the lawn by the garage. The door at the top of the steps leads up to the main wing’s stair hall to the kitchen for easy access for grilling and dining al-fresco.

A scenic pathway to the private pier.

The tall trunks of the pines offer unobstructed water views from both the terrace and  the path of irregularly shaped light colored stones that leads to the pier. I could easily imagine keeping kayaks in the garage for easy access and taking them down the path to the pier for an afternoon on Edge Creek. 

Living on the creek is hard to beat – boaters rejoice; the boat ramp and floating dock will make hitting the water a breeze!

On the day of my visit, I enjoyed relaxing on the blue bench on the private pier,   basking in the sunshine and enjoying the long view of the opposite shore of Edge Creek. Boating enthusiasts would also appreciate the concrete boat ramp with hoist and the floating dock.

Warm wood and neutral colors allow the outside scenes to steal the show in this cozy den

After my tour of the grounds, I was eager to explore the house. The front door opens into a foyer with built-in wood shelving for a mini-library. I learned from the listing agent that one of the Owners had been a botanist and she had written several books on flora and fauna. I enjoy learning about the origin of a house’s name and I remembered the “Spartina Cove” sign at the road.  After a google search, I learned that spartina cymarosides, or big cord grass, is a saltmarsh and brackish grass-how appropriate for a botanist! 

Past the foyer/library is a den/family room with its corner walls infilled with a four-unit window overlooking the landscaping and the three-unit door and full sidelights to the screened porch for views to the water. The wood floors and wood wainscot has an informal feel and the wood stove takes the chill off winter nights of TV binging. The flat ceiling could also be replaced with drywall ceilings in a gambrel shape, keeping with the Dutch Colonial architecture. 

Large windows line the exterior wall of the long living room, soaking it in natural light.

From the family room, a pair of French doors leads to the spacious living room with four pairs of long windows overlooking the terrace, lawn and water. At the end of the room is a row of built-in millwork for books, family photographs and display. The framed doorway next to the sofa leads to the dining room for easy flow among the living room, dining room, family room and screened porch.

The dining room is perfectly sized for daily dining with the family but offers plenty of room for more formal hosting.

The front bay window is the focal point of the large dining room and the chair rail and paneled wainscot ties the room together. The room size can easily accommodate six chairs or more for holidays or other family celebrations.

The U-shaped kitchen features plenty of storage and counter space for the at-home chef. However, with the good bones already in place, a kitchen upgrade would be as easy as pie.

The spacious “U” shaped kitchen could be opened up more to the adjacent breakfast room by removing the one leg of the “U” to create an “L” and island layout. Since the cabinet “boxes” are solid, replacing the fronts and adding hardware, new countertops and flooring would be a relatively easy but dramatic change to suit one’s taste.

A charming informal breakfast room would be great for enjoying a waffle while studying!

The breakfast room also has a bay window and the wood table and the Windsor chairs create a charming space for breakfast or other informal meals.

View of kitchen and breakfast area gives you a complete picture of the possibilities this space holds

The corner of the breakfast room is flooded with sunlight from both the front bay window and the side triple-unit window. The paneled door leads to the garage and the trimmed opening next to the laundry closet leads to a hall between the stairs opposite the powder room. The hall ends at the exterior door to the terrace and to the wall opening at the living room for easy flow throughout the main level of the house.

The second-floor great room (over garage) has endless potential. High ceilings, sweeping windows, and A LOT of space for activities

The “Wow” room is the second-floor bonus room over the garage with varied sources of light from the four-unit windows in the shed roof with views of the water, the gable end wall infilled with operable, fixed and transom windows to extend the water views and two single windows at the front wall for landscape views and cross ventilation during months when AC is not needed. This fab space could become a family TV room, teen gathering space, studio, etc. The wood walls, ceiling and roof trusses add great architectural character.

The primary ensuite is one of 3 bedrooms on the second floor; upstairs, there are also 2 bathrooms.

The second floor contains three bedrooms and two baths, including a primary ensuite. The great advantage of gambrel roofs, with their dual slopes of the high lower slope and shallow upper slope, is that they now maximize the headroom for flexible furniture placement. These high knee walls could easily accommodate a tall headboard, and the floor below the dormers, inset into the roof slope, creates space for window seats, drawer units, nightstands, etc. 

The primary bathroom hits all of the necessities for comfortability, large vanity has room for a dual sink upgrade.

The primary bath includes a tub/shower and the vanity cabinet could be adapted for dual lavatories.

One of the two other upstairs rooms is perfect for a quiet WFH office. A darling gambrel roof and built-ins at the side wall give it a “tucked away” feel

One of the two guest bedrooms is used as an office. Clever storage is tucked under the gambrel roof, and built-ins are at the side wall. This space is located at the top of the stairs, and its quiet corner location is conducive to work.

This serene haven has so much to offer; both privacy and quick access to the amenities of Easton, Oxford and St. Michaels; a waterfront property with a living shoreline along Edge Creek, concrete boat ramp with hoist, private pier with 4.5’ +/- MLW and floating dock; a workshop, storage shed and a spacious boat storage building, charming Dutch Colonial house with an attached two-car garage set back far from the road for peace; outdoor rooms of a screened porch and a stone terrace for relaxing with family or entertaining friends, With a few cosmetic upgrades to suit one’s taste, this gem in Royal Oak would shine even brighter!


For more information about this property, contact Jane Baker with Benson  Mangold Real Estate at 410-822-1415 (o),  410- 924-0515 (c) or 

[email protected].   For more pictures and pricing, visit www.janebaker.bensonandmangold.com ,“Equal Housing Opportunity.”


Contributor Jennifer Martella has pursued dual architecture and real estate careers since moving to the Eastern Shore in 2004. She has re-established her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoon.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Design with Jenn Martella

Delmarva Review: Revision by Kathy Nelson

August 10, 2024 by Delmarva Review

Author’s Note: “Revision” appears in my poetry collection, The Ledger of Mistakes (Terrapin Books, 2023), about caring for my mother during her decline and death. Having worked as a hospice chaplain, I am well aware that the death of a family member often brings up what is left unresolved. In fact, sometimes the urge to rewrite history is almost irresistible.

Revision

Because after widowhood
and a second marriage,
you had five names,
(trochees linked by single stresses) 

which you tried on
like skirts, blouses, jackets,
mixing and matching
according to your mood,
for different occasions,
a pile left on the closet floor—

three of the five for your license,
a different three for taxes,
yet another three for your will— 

who but I to untangle the mess
when were you gone?

Because in the end
you left it to me to decide
who you were—what name
to display I meant to say—
on the two-person headstone,
bought so long ago,
half of which
had been blank for fifty years,

I made the last edit,
struck out the final trochee,
gave you back to Daddy,
God help you. 

♦ 

Kathy Nelson has worked as an engineer, a teacher, and a chaplain. She holds an MFA from the Warren Wilson Program for Writers and is the recipient of the 2019 James Dickey Prize for Poetry (from Five Points: A Journal of Literature and Art ) as well as a Pushcart nominee. In addition to her chapbooks, Cattails (Main Street Rag, 2013) and Whose Names Have Slipped Away (Finishing Line Press, 2017), and her forthcoming full-length The Ledger of Mistakes (see above), her work has appeared in LEON Literary Journal, New Ohio Review, Tar River Poetry, and Valparaiso Poetry Review, among others. Website: https://kathynelsonpoet.com/ 

The Delmarva Review, in St. Michaels, MD, gives selected writers a desirable home in print (with a digital edition) for their most compelling new prose and poetry to present to discerning audiences everywhere. It exists at a time when many commercial print publications (and literary magazines) were closing their doors or reducing literary content. For each annual edition, the editors have read thousands of submissions to select the best of new poetry, fiction, and nonfiction. About half are from the Delmarva and Chesapeake region. As a 501(c)(3) nonprofit, support comes from tax-deductible contributions and a grant from Talbot Arts with funds from the Maryland State Arts Council. Website: www.DelmarvaReview.org

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 3 Top Story, Delmarva Review

Chesapeake Lens: Bridge and Boat By David Sites

August 10, 2024 by Spy Desk

 

Could there a more iconic image of the Bay than this span, this boat, and another beautiful sunset? “Bridge and Boat” by David Sites.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Chesapeake Lens, 3 Top Story

Looking at the Masters: Mycenae

August 8, 2024 by Beverly Hall Smith

The Mycenaean civilization (1600-1100 BCE) was the source for Homer’s epic poems Iliad and Odyssey.  King Agamemnon of the city of Mycenae had to unite the rulers of several other Greek cities to form the army that would go to Troy to rescue the beautiful Helen, wife of Menelaus. Among the male heroes were Achilles, Nestor, Odysseus, Ajax, Hector, Paris, all familiar names in the Iliad. 

 

“Mask of Agamemnon” (c.1550-1500 BCE)

 

The city of Mycenae is located on a fortified hilltop 900 feet above sea level on the Greek mainland, 21 nautical miles from Crete. Crete had declined by c.1450 BCE and was occupied by the Mycenaeans at that time. They were hunters and farmers, not sea going people. Heinrich Schliemann (1822-1890), business man and amateur archologist, was obsessed with Troy and Mycenae. After trying unsuccessfully to find Troy, he turned his attention to Mycenae. He began digging in 1876. He discovered a grave circle which included 19 burials: nine males, eight females, and two children. He determined that six were royal graves. They contained skeletons covered in gold, gold jewelry, swords, spears, and daggers. Schliemann called the most impressive gold death mask the “Mask of Agamemnon” (c.1550-1500 BCE) (10.5’’) (gold sheets). Homer wrote in the Iliad, “rich in gold Mycenae.” Other gold death masks were found: a gold lion-headed rhyton (drinking cup in the shape of an animal head), a bull-headed rhyton with gold horns, and a gold stemmed goblet he called the “Cup of Nestor.” Homer stated that Nestor was the only man who could lift the cup when it was full of wine. The cup weighed over a half pound.

“Lion Hunt Daggar” (c. !600-1500 BCE)

“Lion Hunt Daggar” (c. !600-1500 BCE) (detail) is a depiction of four hunters carrying shields and who are about to kill a charging lion. A fifth male lies on the ground, probably killed by the lion.  According to Homer, and confirmed by Schliemann’s discoveries, the Mycenaeans were skilled warriors and used spears for their long reach. Spears were cheaper to make than daggers because they required less bronze, making them available to the lower classes. Two rectangular shields are depicted. The figure-eight-shield, also seen in frescoes and other ornaments on Crete, was made of curved wood and layers of cow hide. A fresco of a figure-eight-shield is behind the dagger blade. The shield’s copper supports can be seen in the fresco. This shield offered greater protection; in some images the shield almost enclosed the warrior. Making these shields required more time and expense. The figure-eight-shield is thought to be intended for use in rituals. 

“Warrior Vase” (12th Century BCE)

The “Warrior Vase” (12th Century BCE) is another example supporting the importance of the army in Mycenaean culture. Warriors walking in one direction appear on both sides of the vase. This group of warriors wear bull-horned helmets, short chitons, and greaves on their legs for protection. Each carries a long spear with a knapsack tied to it. The knapsack is an indication they had traveled some distance. Mycenaean artists did not reach the level of skill found on Crete. The profile noses, in particular, appear comical to the modern viewer. The vase dates from the end of the Mycenaean Period and is an illustration of the decline of the civilization by c.1100 BCE.

“Sophia Schliemann” (1873)

Schliemann’s quest for treasure was to end on June 15, 1873. That day he struck gold. He called it Priam’s Gold, believing it was the treasure of gold brought home from Priam’s palace in Troy. “Sophia Schliemann” (1873) is a photograph of his wife wearing just a few pieces of gold jewelry he had found. Gold diadems, earrings, bracelets, necklaces, pins, rings, and belts, were among the objects. The workmanship was excellent, indicating Mycenaean royal women were rich. The high quality of the items also indicates that Mycenaean trade with Crete was active when Crete was dominant, and the Mycenaean’s appreciated their beauty.  Many of the items were made in Crete, not Mycenae.

“Priam’s Gold”

Jewelry motifs ranged from lilies, elaborate flowers, seashell, spirals, bull heads, acorns, gold discs, and eagles.  The treasure included silver and bronze pins with rock crystal heads, amber beads, gold rings with Minoan goddess images, hunting and dueling scenes, and skeletons wrapped in gold sheeting. 

“Chariot Drivers” (c.1200 BCE)

Mycenaean ruins were found in Tiryns (Kingdom of Nestor), Lerna, Pylos, Argos, and Thebes. A large room in the palace of Tiryns was decorated with a fresco that extended around all four walls. It began with “Chariot Drivers’’ (c.1200 BCE) (20” high) depicting two Mycenaean women, with white skin. They participate in a religious ceremony or are hunting. They ride through a forest of trees that resemble fans. The red color of the tree, chariots, and horse is the same red color found in Minoan frescoes. The women do not have the elaborate puffed sleeves and layered skirts of the women of Crete. Both men and women wear simple chitons. Curves appear in the composition, but only in places where one would expect to find them: a tree shape, a chariot wheel, and the rear end of the horse. Many straight lines add formality and rigidness to the scene. Continuing along the walls, people walk with spears and ride in carts or chariots. Greyhounds, deer, and hares are also included. Kills are made by both men and women. Men and women appear to have an equal place in the hunt.

“Boar Tusk Helmet” (14th Century BCE)

“Boar Tusk Helmet” (14th Century BCE), according to Homer was given to Odysseus by the Cretan hero Meriones. Several of these helmets have been found, this one at Tiryns.  Made of 40 to 50 boar tusks, with a lining of woven leather straps and a felt cap, the helmet would have been extremely expensive.  The tusks run in alternate directions in each row. Depictions of boar hunts decorate weapons, jewelry, and frescoes. Boars’ heavily muscled bodies, their tough hides, and sharp tusks make them dangerous and hard to kill. They were hunted only for their tusks. The boar tusk helmets were a symbol of wealth and male power. 

The Mycenaean civilization was in decline by 1100 BCE. As with Crete, the specific reasons are not known. A period known as the Dark Ages ended in c.900 BCE with the rise of Greek culture that and prospered through the Geometric, Archaic, Classical, and Hellenistic periods.   


Looking at the Masters: Beverly Hall Smith was a professor of art history for 40 years. Since retiring to Chestertown with her husband Kurt in 2014, she has taught art history classes at WC-ALL and the Institute of Adult Learning, Centreville. An artist, she sometimes exhibits work at River Arts. She also paints sets for the Garfield Theater in Chestertown.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Looking at the Masters

House of the Week: “Whistle Wing Too”, circa 1900

August 8, 2024 by Jennifer Martella

This week’s house is nestled in the waterfront village of Neavitt.

 

When I began my home search after moving to Talbot County twenty years ago, I fell under the spell of the charming waterfront village of Neavitt. I liked both its location near St. Michaels’ amenities and its privacy from being a peninsula at the southern end of Route 579, surrounded by various creeks and the Choptank River leading to the Chesapeake Bay; its primarily late 19th and early 20th century houses and the community’s Post Office, Community Park, and Neavitt Landing. I ended up in another village but always look forward to featuring a house in Neavitt. 

 

Charming L-shaped home with a wrap-around porch, vibrant siding, and shade from majestic trees

 

Today’s featured house has great curb appeal from its massing of a simple “L” shaped two-story main wing with a one-story wing wrapping around three sides of the house. The one-story wing contains a wrap-around screened porch that ends at a conditioned space at the rear of the house. I especially liked how part of the house is a full bay-shaped wall projection on both floors. Like the Painted Ladies of San Francisco, this house has a colorful mix of green siding, broader green accents, and the shake siding that infills the front gable wall with rows of different shapes, including diamond, round, and sawtooth in white, green, and raspberry colors. The porch enjoys shade from two mature trees with wide crowns and privacy from the shrubbery.  

 

Side view with original columns, bright blue pots, and a cozy shed-roof window blending into the landscape.

 

The porch was originally open, and then screened framing was seamlessly added without compromising the original turned columns. At the side of the house, bright blue pots in front of each column contain plants, and the shallow shed-roofed four-unit window next to the porch reaches out to the landscape.  

 

Enjoy bug-free views from the screened-in porch

 

With its privacy and shade, the screened porch is a delightful outdoor room with rattan and rocker seating for enjoying the cool south-westerly breezes and the opportunity for al-fresco dining.

 

The rear view features a deck with a lattice privacy wall, stunning Balls Creek views, and steps leading to a deep lawn—potential for added space with a roof extension.

 

At the rear of the house is a deck above the flat roofed portion of the house that blends into another gable wing.  The lattice wall at one side of the deck provides both safety and privacy and from the deck one has views of Balls Creek. Steps lead down from the deck to the deep lawn. The one-story gable wing has a shed roof covering an open porch. If one wanted more space, eliminating the shed roof and extending the gable roof could create additional depth for a separate dining room or sunroom.

 

Private backyard with mature trees and off-deck paving.

 

Stone paving with an irregular edge blends into the deep lawn with a shed at the property boundary lined with mature landscaping for privacy.  Another massive tree offers shade and has a tire swing for kids of all ages. Tucked under the stairs to the upper deck is a grille for warm weather entertaining. 

 

The living room, with buttery walls and crisp trim, is cozied up by the original mantel. There is potential for adding a gas fireplace for extra winter warmth.

 

The French front door opens into the charming living room with bright yellow walls and the original mantel against the chimney. The chimney could be modified by opening up the firebox and adding gas logs for additional winter warmth. I admired the interior design with a mix of furniture from the multicolored upholstery of the floral sofa to the deep red side chair and the Windsor chair, grouped around the glass topped coffee table. 

 

Bay wall projection in the primary first-floor bedroom gives the space an extra special feel.

 

A pair of French doors leads from the living room to the primary bedroom, which has dramatic deep blue walls, white furnishings, and bed linens with soft yellow accents. The bay wall projection, with a single window in each angled wall and the side window, brings in ample sunlight.

 

The primary bathroom has lots of storage for linens and more.

 

The primary bath has a green and white color scheme. Linen storage is tucked under the run of the stairs and there is also a second closet for additional storage next to the vanity cabinet.  The pebble pattern in the shower floor has a non-slick surface and adds great texture.

 

Clear vista from the living room to the rear porch showcases a bright kitchen with green chairs, a tiled backsplash, and a convenient laundry closet.

 

From the front door in the living room, there is a clear vista through the kitchen-dining area to the rear porch. The deep green wood chairs around the table are colorful accents for the “L” shaped kitchen area that has plenty of work space and storage. Above the Corian countertop is a tiled backsplash with accents of smaller tiles. On the wall opposite the gas range is the convenient laundry closet. 

 

The living room features an artful leaded glass window, beautiful wood floors, and seamless indoor-outdoor flow with a gas fireplace.

 

The kitchen’s ceiling has a gambrel shape tucked under the pitched roof and the leaded glass window adds an artful touch. The beautiful wood floors flow into the adjacent family room and at one corner is a gas fireplace whose enclosure provides a wall for the exterior door to remain open for easy indoor-outdoor flow.

 

Spacious family room with deep-sill windows, perfect for decor, and a glass door for natural ventilation. Ideal workspace with a convenient interior desk.

 

The spacious family room’s four-unit window has a deep sill that is the perfect spot for the arrangement of duck decoys. Another rear single window is aligned with the glass door to the screened porch for cross-ventilation when the AC is not needed. The desk at the interior wall is a convenient spot for work or homework.

 

Upstairs-landing with a cozy nook leads to two bedrooms and a bath.

 

The second-floor stair landing is deep enough to create a reading nook defined by a circular rug and an antique rocker. The window brings sunlight into the hall, and the mirror adds additional transparency. The short hall leads to two bedrooms and a bath, accessed from the hall. 

 

The secondary bedroom’s bay windows offer panoramic treetop views, complimented by warm wood floors and historic details. 

 

Above the primary bedroom on the first floor is a guest bedroom with the angled walls of the bay wall projection. The windows offer panoramic views of the treetops and roofs of Neavitt’s streetscapes. The bedroom’s muted shades of cream and pink and the wood furnishings with open backs create a restful retreat. I especially liked the antique dressing table with its triple mirror.

 

The sizeable second-floor deck gives “outdoor room” a whole new meaning!

 

My fave room is the large second-floor deck, which is a delightful outdoor room with space for both sitting, dining, and sunbathing. The canvas umbrella over the table casts a wide shadow for comfort from summer’s heat.

This home has been lovingly maintained, expanded and renovated, keeping its historic character intact. Charming Folk Victorian style architecture, compact floor plan with few halls to maximize room sizes and to create easy flow among rooms; wonderful range of outdoor rooms from the wrap-around screened porch, upper deck for views of Balls Creek and open porch below for easy access to the deep rear yard; primary suite on the main floor for aging in place.  All this in the welcoming village of Neavitt with its community events, public park and public landing. This property’s bonus is the option of replacing the existing septic system with a connection to a future public sewer-hard to resist!

 


For more information about this property contact Wink Cowee with Benson and Mangold at 410-745-0415 (o), 410-310-0208 (c) or [email protected]. For more photographs and pricing visit  www.buythechesapeake.com, “Equal Housing Opportunity”. 

Photography by Janelle Stroop, 845-744-2758, [email protected]

Contributor Jennifer Martella has pursued dual architecture and real estate careers since moving to the Eastern Shore in 2004. She has re-established her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoon.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Design with Jenn Martella

Chesapeake Lens: “Pretty in Pink” By Deidra Lyngard

August 3, 2024 by Spy Staff

The sun sets over a pond near Tunis Mills, a perfect pink ending to a summer day.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Archives, Chesapeake Lens

Delmarva Review: On Making Marmalade by Erin Rose Belair

August 3, 2024 by Delmarva Review

Author’s Note: “On Making Marmalade” is an excerpt from my lyrical essay collection, The Blue Years. I wrote it as a love letter, or meditation, on taking our time to do things right. I had never made marmalade before, and something about the process was so beautiful to me. How do we show our love? How do we spend our precious time? How can one translate into the other? There is something incredibly honest and simple about this piece, and in the entirety of the collection, it is something a little different. A moment of sweetness.

On Making Marmalade

IF YOU WANT TO SHOW SOMEONE how much you love them, make them marmalade.

This year has only just begun, and I can already tell you one of the lessons it carries with it: anything worth doing well takes time, and anything you do is worth doing well with patience and grace and a steady hand.

If you’re going to make marmalade, it’s going to take you an entire day. You’re going to go to the farmers’ market early when they open so you can have your pick of the very ripe oranges from the bargain bucket.

Oranges, to me, feel so very California, a staple of my understanding of this place. They grow so frequently that sometimes you will see a tree weighed down by unpicked fruit, so swollen it falls to the ground and rots. So much excess and so beautiful at once. Next to my sister’s house, there is an orange tree. I can see it out the kitchen window when I wash her dishes, and it reminds me of the few weeks I lived with her when I was very sad.

When you get home from the market, you will make tea and wash the oranges in a large metal pot that you fill with water and vinegar. Let the oranges sit for a little while, then scrub them clean because you use the entire orange. Something about this act will feel holy—the scrubbing, most likely.

The oranges will glow, and you will wonder which came first, the name of the color or the fruit. You have a vague memory of wondering this before and asking a friend over drinks in a dark bar. And they knew the answer, but now it escapes you—the answer, not the memory of the drinks.

Not everyone likes marmalade. It’s a specific taste, a balance of the bitter and the sweet. Because you use the rind, you have to peel the oranges, save the rind, and then slice it into impossibly thin ribbons. About halfway through this process, you’ll wish you had decided to do something else with your day. This can be made much simpler if you have a mandolin, in which case use that.

You’ll spend the rest of the day cooking, watching, forgetting, floating around the house while you half do other things, but always still making marmalade. You cook the oranges and sliced rinds with a few cups of water. Cook them long enough so everything starts to wilt. This will take hours upon hours. The steam will be laced with citrus and tangle in your curls and make the house smell sweet and sticky. You fold laundry, and water plants, and let the dog out, and make more tea.

Once the oranges are cooked, you add sugar. More sugar than you’d think—pounds of sugar. You stir carefully as it spits and tries to burn you. This time you have to be more attentive; you have to wait and stir and let it boil but never burn. If it burns, it’s all ruined.  And then you stir some more. Eventually it thickens and cooks down, and you cross some kind of invisible threshold where everything you had starts to look like everything you want: the transference of effort into something entirely new. By this time it’s late afternoon, and the sun in the house is different, and you have to put on a sweater, and the tea you made and then forgot about has gone cold.

There are so many other things you are supposed to be doing today. So many things that need the same kind of tending to, the same care and attention, the same patience. But perhaps an act in one is an act in all. Perhaps some of it carries over like the sweet smell of the marmalade, perhaps not. Perhaps it’s nothing at all.

You set the marmalade out on the counter to cool and thicken, and once it has you spoon it into jars that you’ve saved from store-bought sauerkraut and honey. You take some to your sister and some to your mother and store some in the fridge. And when he comes home, you feed him a spoonful. He kisses you with the bitter and the sweet on his lips, and he tells you it’s delicious. Everything feels good and simple, and you remember that this too took time.

If you want to show someone how much you love them, make them marmalade.

♦

Erin Rose Belair received an MFA in fiction in 2013 from Boise State University. Her story “Rare Items From The Universe” won Glimmer Trains’ Emerging Writers Award. Her other work appears in Narrative, Southern Indiana Review, Greensboro Review, and more. She was a Vermont Center Fellow in 2018 and is currently writing her first novel. Website: erinrosebelair.com 

The Delmarva Review, in St. Michaels, Maryland, was founded to offer writers a desirable home in print (with a digital edition) for their most compelling new prose and poetry to present to discerning audiences everywhere. It has been a time when many commercial print publications (and literary magazines) have closed their doors or are reducing literary content. For each annual edition, the editors have read thousands of submissions to select the best of new poetry, fiction, and nonfiction. About half are from the Delmarva and Chesapeake region. As a 501(c)(3) nonprofit, support comes from tax-deductible contributions and a grant from Talbot Arts with funds from the Maryland State Arts Council. Website: www.DelmarvaReview.org

 

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 3 Top Story, Delmarva Review

Chesapeake Lens: “Pretty in Pink” by Deidra Lyngard

August 3, 2024 by Spy Desk

The sun sets over a pond near Tunis Mills, a perfect pink ending to a summer day. “Pretty in Pink” by Debra Lyngard.

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Filed Under: Chesapeake Lens

Spy Art Review: American Modernist Blanche Lazzell by Steve Parks

August 1, 2024 by Steve Parks

Blanche Lazzell never achieved great fame – or fortune for that matter. But she was widely admired by fellow artists, several of whom she studied with or were tutored in her signature technique, which is captured in several of her woodblock prints in the Academy Art Museum exhibit of her wide-ranging works in “Becoming an American Modernist.”

An untitled 1950 oil on canvas by Blanche Lazzell

Of course, however accomplished women artists born in the 19th century and who continued to create and exhibit their works into the mid-20th, they were rarely recognized with the popular and critical attention that male artists enjoyed.

Lazzell, the ninth of 10 children born in 1878 near the West Virginia farming community of Maidsville – went on to graduate West Virginia University with a degree in fine arts. Determined to make a career of it, Lazzell enrolled in the Art Students League of New York where she studied with William Merritt Chase and Georgia O’Keeffe, who unlike most contemporary artists of her gender would gain international acclaim.

In an early turning point in her career, Lazzell sailed to Europe where she found her niche at the Academie Moderne in Paris, studying with post-impressionist painter Charles Guerin, and on her second stay in France studying Cubism alongside Fernand Leger. Between trips abroad, she spent the first of 40 summers in Provincetown on Cape Cod, thriving in the company of the blooming art colony there and was influenced by German abstract expressionist Hans Hofmann.

All these threads of her remarkable career are evident in the the Academy Art’s subtitles that organize this comprehensive exhibition beginning in the Lederer Gallery with “Petunias, Provincetown and Process,” which bears witness to the introductory wall-label statement from the artist herself: “Often I can’t get a thing out of my system with just one print.” So, moving on from the lovely 1932 white-line block print “The White Petunia,” we encounter the solo “White Petunia’ of her 1943 monotype, “Petunias” of various colors in the 1934 monotype, followed by the 1940 “One Petunia” on paper, and, in the final statement on the subject, a ruddy red untitled petunia captured in her 1943 watercolor. Finally, images switch from flowers to Provincetown where she maintained a home studio adorned by potted flowers she lovingly tended. The new repeating subject here is “The Provincetown Church Tower,” starting with a 1921 graphite on paper and continuing with five more images of the same tower through 1922.

Blanche Lazzell’s Hollyhock, a 1917 oil on canvas

 

The first image under the heading of “Coming Home to Abstraction” with the large 1952 block print masterpiece “Planes II,” which caught our eye from across the gallery as we first entered. This woodcut print of colliding geometric shapes and complementary colors, all narrowly separated by distinct white lines – one of the finest of her career – was executed late in her life. She died in 1956. A series of purely abstract paintings-on-board squigglies from the 1940s follows, punctuated by a pair of geomatics from the early ’50s, anticipating “Planes II,” as if they were oil-on-canvas studies.
“Abstractions of the 1920s,” Lazzell’s breakthrough decade, brings this gallery full circle with “Painting VIII” and subsequent works of varied Roman numerals. Some bring to my mind a few famous abstract suggestions of musical instruments, though unlike Picasso, Lazzell never hinted at what these objects might be. The only exception in this section is the final “Abstract Windmill” study for a tempera painting not part of this exhibit. You won’t have to guess that the image represents a windmill.

Moving across the hall to the Healy Gallery, we encounter diverse examples of “Understanding Abstractions” as Lazzell explores various means of expression during early years, beginning with “Roofs,” a 1918 woodblock print that looks more like a painting with sharply angled rooftops reaching toward a towering treetop. An untitled 1915 oil on canvas of a Provincetown manse upstaged by sprawling trees and a foreground boat is more impressionistic than abstract. Falling somewhere in between is another oil, a lush “Hollyhock” that brings Van Gogh’s 1899 “Irises” and others among his floral still lifes to my mind.

Skipping over for now the next section of architectural scenes, Lazzell’s “Still Lifes” take many forms, ranging from her highly abstract 1942 oil-on-canvas “Shell,” said to be that of a conch alongside cockeyed flowers, to her standard 1927 “Still Life” painting of fruit in a bowl with a side of flowers in a vase. Others expand the subject matter far afield to “Beach Combings,” her 1931 linoleum block print to the final image in the show, a 1939 “Still Life” oil influenced by her teacher-student relationship with Hoffman. It focuses on what appears to be a skeletal portion of a large animal, likely a cow.

“The Built Environment” phase of her career offers more or less representational scenes, mostly from Provincetown and West Virginia. They range from “Provincetown Suburbs,”  a 1940 oil that seems to foresee lyrical imagery suggested by the 1962 Malvina Reynolds song “Little Boxes,” to her semi-abstract “Campus,” 1934 block print depicting a view of Lazzell’s West Virginia alma mater, and the colorful 1935 woodblock “Provincetown Waterfront,” which was not printed until 1956, three months before her death. It is possibly the last artwork Lazzell completed.

While she was appreciated by her fellow artists as a woodcut pioneer and in developing abstract art in the United States, Lazzell’s work faded into obscurity after her passing. But her art has been rediscovered in recent years. In 2012, her 1931 white-line block print “Sail Boat” sold for $106,200 at auction.
‘Blanche Lazzell: Becoming an American Modernist’
Through Oct. 20, Academy Art Museum, 106 South St., Easton.
Opening reception, 5-7 p.m. Thursday, Aug. 1
academyartmuseum.org

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Filed Under: 1A Arts Lead, Arts Portal Lead

House of the Week: Colonial Gem

August 1, 2024 by Jennifer Martella

A charming yellow door and a freshly painted gate draw your eye to this classic Colonial-style home. The warm brick and symmetrical windows invite you to take a second look. 

Chestertown’s upper Historic District’s undergoing revitalization has been dramatically enhanced by this property’s transformation- both the house and grounds have undergone extensive interior & exterior renovations. The house’s classic Colonial style with its symmetrical arrangement of the windows around the center entry door, brick façade in shades of red and black, multi-paned windows with black shutters, and the roofing’s color and pattern that resemble slate give it great curb appeal. However, several clues told me this was no ordinary Colonial;  stylish gates that mark the front yard’s private area pay homage to Chippendale with a contemporary flair; instead of a portico, an awning in black with yellow stripes covers the front door and the bright yellow accents of the front door and the gate’s star detail welcome one within. 

Lovely front yard landscaped to last the years.

Before I went in for my tour, I first admired the entry sequence from the Town sidewalk to the house’s front door. After walking a short distance along the property’s sidewalk, I then passed through the gates between rows of cherry laurel, like pawns on a chessboard, that signify the boundary of the private part of the front yard. In a few years, the cherry laurel will grow into a hedge that will obscure the cars on the street from the house. The sidewalk ends at a step up to a wide porch with two large turquoise ceramic pots containing flowers on either side of the step. The settee with accent pillows and the pots of colorful flowers were the finishing touches to the porch and I imagined how pleasant the vista will be when the cherry laurel has fully matured. On either side of the porch are low brick walls with raised beds of additional shrubbery. 

Cheerful entryway into vestibule and foyer

The yellow front door has good Feng Shui both from its color, which represents the earth, joy, and stability, and also from its being offset from the center hall. The door opens into a vestibule with a painted floor accented by a medallion instead of a rug.  As I passed through the open doorway to the interior, I admired the decorative pieces on the wall from the Owner’s travels and the light walls against the darker wood floors that flowed through the house.

The living room area is bright and washed in natural light through large front-facing windows.

A wall opening frames the view from the stair hall to the living room. The large front window and the two side windows flanking the wide fireplace bring abundant sunlight within and the translucent top down, bottom up shades are perfect for privacy in an urban setting. I loved the restful feel of this room with its earth tones of the muted colors of the large rug that anchors the two deep olive green sofas. The Owner noted that the firebox’s enclosure has a special coating and the color echoes the accent pillows on the two sofas. The round mirror between the wall sconces is the perfect finishing touch.

The dining room continues the curved edge motif from top to bottom accented by chair rail, beautiful millwork built ins.

Opposite the living room and across the stair hall is the dining room with two windows for sunlight. The chair rail and the deeper lower wall color becomes a band that ties the room together. After seeing the living room’s  circular mirror, the circular element re-appeared in the interior design of the dining room’s exquisite wood chairs with interlocking rings, the ceiling medallion, the pendant light, the round table  and the scalloped edge of the rug. The Owner explained the arched built-in millwork once had glass fronted doors but she had a cleverer idea for them which I saw later on my tour.

The dual-entry kitchen is dressed in style, from the mocha cabinets to the Spanish-tiled backsplash.

The stylish kitchen is accessible from both the doorway to the dining room and through an expansive wall opening to the stair hall. The galley arrangement with a large island for food prep and space for two chairs works very well. I admired the texture of the wicker pendant shades, the imported Spanish tiled backsplash, the individually handcrafted brick floor, the sleek mocha cabinetry and the stainless steel appliances. 

It’s easy to fall in love with the bright hues and natural textures throughout the kitchen!

The side window in the kitchen has a stained glass panel both for privacy and to add a splash of color.  I admired the detailing of the open shelving that floats against the fully tiled wall and how the horizontal tiles become headers beneath the ceiling. Instead of upper cabinets, at the corner of the rear wall is a sliding door with translucent panels for easy access to the pantry. 

The rear-facing office provides a quiet space to read, work or just admire the built-ins.

The quiet rear corner of the house is the perfect location for the office with the table-desk placed on a diagonal and the French door to the office opposite the kitchen for convenient coffee breaks.  Built-in millwork with base cabinets and open shelves to the underside of the molding at the ceiling provide ample space for business items and family photographs. I admired how the deep blue walls pick up the blue in the large rug’s design and how the rattan chairs add texture. The Owner explained the chairs were family pieces updated with geometric fabric. 

The sunroom is ALL texture – a perfect place to stay all-day.

Between the kitchen and the office is this delightful sunroom full of color, pattern and the textures of the room’s enclosure from the painted brick of the original exterior wall of the house, the vertical boards beneath the windows, the wood slat ceiling  and the wood floors. Window treatments can be closed or opened with the translucent panel at the side wall facing the neighboring house, maintaining privacy.

Fenced-in rear yard.

I interrupted my tour to explore the rest of the deep property that extends to a service alley. The sunroom’s windows that wrap around two sides of the room offer panoramic views of the landscaped area that is surrounded with wood fencing for privacy and safety for children and pets. Next to the sunroom’s exterior door is another door to the full basement for storage. The accessory structure is painted white to complement the sunroom’s one-level massing, and its depth can accommodate an SUV.

The additional structure can accommodate an SUV.

The expanse of lawn is edged with a path of small earth-toned stones that connect to gates in the fencing on each side of the house and to the path along the accessory structure to the gate for access to the alley. The neighborhood’s mature trees are a verdant backdrop.

Beautifully hardscaped terrace calls for evening meals outside.

The side wall of the accessory structure completes the enclosure of the charming hardscaped terrace off the sunroom and kitchen. What a delightful space to enjoy being outdoors with family and friends or to savor an al-fresco meal!

The accessory structure is spacious, with comfortably high ceilings and room for various uses.

The interior of the accessory structure has a standard garage door at the alley side and a pair of “barn” doors opening onto the hardscape. I liked its current use as a warm weather party space with the exposed structure, the four windows and a clerestory for additional daylight or moonlight in the wall facing the landscaping. 

Cozy reading nook welcomes you to the second floor.

After enjoying my stroll through the rear yard, I resumed my tour and climbed the original grand stairway to the second floor. My fave room is usually a sunroom or screened porch but seeing this cozy nook at the front of the house,  I could easily imagine sinking into the rocker with its zebra fabric and reading a book. I also liked how the space is subtly defined by the support beam with its elliptical edge that separates the nook from the hall’s circulation space.

Corner windows bring an abundance of light to the second-floor primary ensuite.

The second floor also contains the primary ensuite, two other bedrooms, a hall bath and a laundry. The primary bedroom is located at the front corner of the house with the wide front window and the two side windows providing abundant sunlight. I admired the serene look of the furnishings’ dark woods combined with the neutral colors of the large rug with its leafy pattern, the antique coverlet and  the splash of red in the upholstered chair. I especially liked how the posts of the bedframe create a focal point of the artwork above the bed. The large closet on another wall has sliding “barn” type doors for easy access.

Spacious primary bathroom is elevated by black accents and patterned floor-tile

The spacious five-piece primary bath is behind the bedroom and its “L” shape accommodates a dual lavatory, a free-standing soaking tub below a window overlooking the rear yard’s landscaping and a spacious shower.  The neutral color palette complements the primary bedroom and I especially admired the tile floor pattern and the contemporary black accents of the fittings, the shower frame and the stool.

One of two guest bedrooms

Off the stair hall are two guest bedrooms separated by closets. The bedrooms are located at the front and rear corners of the house with ample sunlight from windows on the front and side walls. I especially liked this bedroom with its light peach walls, colorful bedding that reminded me of fabric from India and the retro chair with deep raspberry upholstery and an accent pillow. The artwork above the bed of a chandelier continues the theme of chandeliers throughout the house.

A large third-floor suite includes a living-dining-kitchen area.

The third floor of the house has been transformed into a fully conditioned, spacious yet cozy multi-use space that spans the full width of the house with windows at each gable end wall. The stairs open into an “L” shaped living-dining-kitchen space with high knee walls. Off the kitchen is a full bath and partial height walls separate the living area from the sleeping area. I then saw how the former dining room’s arched top glass doors have a new life as closets for the sleeping area and feel like windows. 

Garage and off-street parking from rear alley

I reluctantly ended my tour by walking along the alley to my car and I admired how even the alley elevation was carefully considered in the renovation. The white garage with the black garage doors and the brown vertical slats of the fence was a fitting coda to my delightful tour of this gem. The property scored 100 on all my criteria of site, architecture, interiors, and landscape-my compliments to the Owner whose innate sense of interior design made this special house such an appealing home-Brava!


For more information about this property, contact Beth Ostrander with Doug Ashley Realtors, LLC at 410-810-0010 (o), 610-256-3704 (c.) “Equal Housing Opportunity.”

Photography by Janelle Stroop, 410-310-6838, [email protected]

Jennifer Martella has pursued dual architecture and real estate careers since moving to the Eastern Shore in 2004. She has re-established her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoon.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Design with Jenn Martella

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